Just what is “The Narrative,” you ask?

The Narrative is a conglomeration of messages rammed down our throats by government, academia, every medium of pop culture, and the blue pill sheeple who orient their worldview according to what those sources tell them.

The human mind is the most incredible computer the world has seen; yet the most powerful computer is only as smart as the data that is fed to it.

The Narrative comprises all the data that the cultural programmers deem acceptable for processing by the proletariat. Any data which does not agree with The Narrative is treated like a virus to be isolated and destroyed.

The Narrative is a tool to propagate and reinforce the sheeple’s faith in the elected and unelected criminals who are herding us into a third world police state where cognitive uniformity will eventually be dictated and regulated by the state. The homogenized message is Marxist/cultural Marxist, feminist, environmentalist and sodomiphilic.

More and more surfers of the Manosphere are becoming aware of The Narrative. Roosh V is somebody I haven’t followed all that closely because my impression of him was that he was primarily concerned with sowing wild oats. But he is definitely taking notice of more weighty matters of late. I recently discovered this astute observation about how the defacto ruling class in America is composed of individuals who hate America.

…(A)n individual or idea that is supported by the establishment also hates America, or at least pushes an agenda that will certainly lead to America’s decline. If the mainstream media reports on someone in a favorable light, that person hates America. If they report on a specific public policy in a favorable light, it will lead to America’s destruction. If the mainstream media reports on someone in a negative light, they love America, or at least promotes ideas that would lead to a stronger America.

It really is that simple. Furthermore, you can accurately predict which party a person votes for simply by observing their attitude toward America. (The problem with that is that the GOP is now about 95% Democrats/Marxists who speak with a forked tongue, pretending to love America while they sell her down the river.)

The Manosphere is becoming so vigilant that they sounded the warning about the latest Star Wars movie before it even hit the big screen. They even lampooned the title in the same way Hank or I probably would have (The Farce Awakens).

What the latest George Lucas flick demonstrates is that there is no genre or medium that has not been turned into a tool to push The Narrative. What the Manosphere’s criticisms indicate is that a growing subculture is finally waking up to this.

Know what else people are waking up to?

The soul of a nation is won or lost in the culture a generation or more before the struggle.

 

Today’s systematic and institutionalized discrimination against white heterosexual men, for instance, took nobody by surprise who has been keeping track of pop culture for the last few decades. It is obligatory that heterosexual men are portrayed as inept buffoons in sit-coms; sensitive wimps in rom-coms; abusive cheaters in dramas; serial killers in suspense thrillers; neo-Nazis in political thrillers; and physically second-best in action-adventures. And frankly, you have to hand it to the pop culture svengalis because it takes talent to sell an aspect of The Narrative as oxymoronic as feminism (that women are superior to heterosexual men in every way, yet simultaneously oppressed victims of them).

In all forms of entertainment, people make themselves vulnerable to suggestion because they are prepared to suspend disbelief going in. Especially with TV and movies, mental programming is even more effective than a trained hypnotist would be.

Contrary to the pose struck by the pop culture svengalis and their legions of lemmings, they are not content merely to get their message out there. They must innundate everything, everywhere, with their Narrative. They must infiltrate and spread like cancer (some even call themselves “progressive”). On the feminism front they infiltrate male genres like science fiction and action-adventure; and male mediums like comic books.

The comic book industry exploded in the late 1930s/early 1940s. Its success rode on the back of superhero stories, and the overwhelming majority of the audience was pre-adolescent boys. The age of that audience has increased since WWII, but has remained largely male.

Superficially, a fan of the comic book heroes would assume that the world is a better place than ever right now, with so many characters being adapted to the big and small screen. But they’re being adapted in more ways than format. Pop culture svengalis have been busy subverting the superhero genre into just another gynocentric soapbox. More and more long-time heroes are being retrofitted into the homosexual agenda. Just as in action movies, the female characters are written to be superior in prowess to their male counterparts, and sometimes famous male heroes are just suddenly re-written as females. And when political shots are taken, there is no surprise what direction they come from, either.

So for the next few blog posts I plan to have some fun examining some of the subversions adaptations in recent times. Virtual Pulp has previously blogged about Arrow. Three I have in mind right now are Gotham, The Flash and Daredevil.

Other than that, Happy New Year.