All posts by Machine Trooper

Generalship of the Martyr

 

It doesn’t take that much military science savvy to look back at Vietnam and decide LBJ was either an incompetent buffoon, or acting on behalf of someone who wanted to give a sterroid shot to the military-industrial complex without actually “halting the spread of Communism” (but simultaneously using that as the excuse).

What a lot of people assume is that, had JFK not been assassinated, Vietnam would have turned out much differently—maybe he would have never even sent combat troops. I used to go along with this assumption.

Now I believe differently.

When you look at the Bay of Pigs debacle honestly and in detail, it’s easy to identify the same kind of decision making that guided our involvement in Vietnam.

Originally the plan to oust Castro from Cuba involved a quiet infiltration in an area where, should the infiltration be discovered, the anti-Castro forces could easily slip into the mountains, from which they could conduct guerrilla operations. This site was also in close proximity to an area with a large population of anti-Castro Cubans who would likely join the guerrillas as they became aware of a resistance movement. In fact, guerrillas were already hiding in the mountains, but without the arms and supplies needed to pose much of a threat to the new dictator.

This plan had a high probability of success, and with little chance of exposure of US involvement. But for some unspecified reason, the plan was radically altered to a WWII-style amphibious assault. And the location chosen for the landing was a beach closer to Castro’s center of power, where the dictator could quickly deploy enough units from his army–including heavy armor–to smash the 1500-man invasion force.  The landing area was wedged between the ocean and an unnavigable swamp.

In other words, it was a near-perfect trap. And probability of success had been reduced to less than ten percent.

With this shift to a conventional amphibious invasion by unconventional forces (a recipe for disaster perhaps all by itself), success for the initial stage of the operation would be impossible without complete air superiority. All of Castro’s combat aircraft had to be destroyed on the ground prior to the invasion for there to be any chance for “Brigade 2506” to fight its way out of the Bay of Pigs. Not only that, but they would need their own air cover when Castro’s tanks blocked the only causeways from the landing area through the swamps.

 

The CIA had trained pilots to fly a squadron of old WWII surplus B-26 bombers to provide the air support needed for the invasion. The entire operation now hinged on the preemptive bombing. So Kennedy reduced the number of bombers to four and limited the targets that could be engaged. Why? Because applying the necessary force for success would be “too noisy” (high profile).

It’s plain to see that, going in, Kennedy was more concerned with the image of his administration than with achieving victory. He also forbid US commanders to support Brigado 2506 with any of the considerable air or naval assets the US had in-theater.

Kennedy’s ludicrous rationale was nothing short of Johnsonesque: The ships transporting the free Cubans were escorted by a flotilla of American destroyers, cruisers, battleships and aircraft carriers. Yet by forbidding those warships to fire a shot Kennedy believed the ships would magically turn invisible and therefore not implicate US involvement?

The only feasible way to keep the operation low-profile with plausible deniability, yet with any hope of success, would have been to stick with the original plan of quiet infiltration.

The Bay of Pigs plan was  not one to approve if you truly wanted to stay low-profile. But it was the plan—especially once Kennedy began tampering with it—to sabotage a Cuban-led liberation and ensure there would never again be a serious American effort to oust the Communists on our back door.

There was just too much insanity in too many aspects on too many levels to address in a blog post, but the intelligence failure is noteworthy. About 17 years before this, the greatest amphibious invasion ever attempted, by the greatest armada the world had ever seen, was planned, staged, and executed. Multiple armies from three nations were landed, achieving the element of surprise. Despite the months of planning and the number of people in on the secret, and highly motivated German spies working tirelessly to discover its timing and location, Operation Overlord maintained OPSEC (operational security).

But this little podunk covert op involving not even a full strength brigade–much less a division–was compromised before ever being greenlighted. No less than the New York Times warned the Cubans, Soviets, and the rest of the world about the mission while Brigada 2506 was still training in Guatemala. Other Communist assets filled in the details of the operation for Castro so completely that just prior to the invasion he knew exactly where to find his would-be assassin. (This would be the first of many alleged CIA-backed assassination attempts on Castro so inept as to be suspect.)

Despite the mission being compromised in the preparation stage, JFK said go. The four B-26s attempted the preemptive strike on Castro’s air force. At least three of Castro’s warplanes were relocated to other airfields just prior to the raid, and survived.

Instead of landing on an invasion beach, the landing craft carried Brigado 2506 into a rocky deathtrap where coral reefs ripped open their hulls. Those not injured or killed had to swim, then wade, ashore, losing most of their equipment and ammunition before their feet even touched land. Only a lucky few were on boats that made it to shore intact.

Kennedy cancelled B-26 airstrikes after only two. He was told some of the Cuban warplanes were still operational, but he refused to budge. The logic being, one must assume, that the first two bombings must have gone unnoticed (explosions being so quiet and stealthy, you see), but a third airstrike might tip off the world that something was happening in Cuba.

Incredibly, the bulk of the Brigade’s supplies and ammunition were loaded on a freighter that also carried the troops. One of those Cuban planes, saved from the air strikes, bombed the ship and sank it.

Castro’s forces were ready for Brigado 2506. Mortars and heavy Soviet artillery moved up to cover the only avenues out of the swamp, and tanks were on the way.

Outnumbered 20-to-1, with no food or water, no air cover, and trapped on a pathetic excuse of a beachhead by an enemy with artillery, armor, and fighter-bombers, who knew as much about the invasion as the invaders did, Brigado 2506 managed to fight on for three days before running out of ammo.

American commanders pleaded desperately for permission to lend support from the moment the crap hit the fan, but the fix was in. Kennedy did finally approve one sortie to intercept a Cuban T-33, but at a time when Castro’s planes were refueling/rearming inland, and not present to engage.

In trying to “keep a low profile” for the operation, JFK guaranteed the exposure and national embarrassment he supposedly wanted to avoid. And of course he doomed the people of Cuba to Communist rule, and the Cuban freedom fighters to death or capture. JFK’s reputation was only tarnished briefly, as the news media had built his public image back up within a year.

Obviously he still managed to piss somebody off, and theories abound as to how, who, and why. I have problems with all of them. Most of all with the official story casting Lee Harvey Oswald as the deranged culprit acting alone.

Castro’s finest celebrating the anniversary of their heroic triumph over enemies of the state.

 

Linked below are a couple books I’ve not yet read, but are rare in that they don’t appear to come from the typical anti-American/JFK apologist cookie cutter. Might be worth a look.

Operation Perfida–Len Levinson’s Take on the JFK Plot

 

 

Since I began blogging, I’ve been fortunate to meet some of the authors of my favorite books, including Jim Morris and the late Jerry Ahern. It should be no surprise  that high on that list is Len Levinson, one of the best action adventure authors from the 1970s and ’80s. I’m very familiar with his work in the war genre, but hadn’t delved into his other dabblings until recently.

Since I’ve long been fascinated with the JFK assassination, and Piccadilly Publishing has released a Levinson novel with a connection to that historic turning point, I just had to get this book on my Kindle.

A strong main character makes this one too engaging to put down.

 

True to Levinson form, Operation Perfidia is a really fast read and hard to put down. He is a master storyteller and the first two thirds of the novel just crackles along. Last year I read two novels of cold war intrigue–Ken Follett’s Code to Zero and Ian Fleming’s Moonraker. There are many similarities between this story and Follett’s, but to me this was the most enjoyable of the three books and I attribute this to the main character, David Brockman. The CIA field agent is tough, smart, and good at his job. His Achilles’ heel is the mile-wide blind spot he has for the woman he loves.

This book supports the most popular spin on the facts and rumors surrounding the mystery of the JFK snuff–the “vast right-wing conspiracy” theory. It is fairly obvious just from reading the blurb that the culprits will turn out to be anti-Castro Cubans. Of course anti-Kennedy CIA good ol’ boys collaborate. Nothing new here, but then this book was originally published in 1975, 16 years before the Oliver Stone film would make this hypothesis a household assumption.

But it does leave room for improvement…

 

The most disappointing aspect of the book was in the climax and ending. I don’t want to ruin it for anyone, but I read the last words wishing there was more to it. Not that the reader needs more concrete plans for the hero’s future–best to leave it uncertain as-is. I guess I wanted a little bit more expose` on Brockman’s wife Mirallia. Flesh out that angle a bit more. After all, Brockman only stumbles upon the JFK plot as a side-effect of chasing his wife, anyway. She’s his primary motivation through the bulk of the novel; then when he finally tracks her down, it unfolds a touch on the anti-climactic side.

All in all, this is a nice espionage thriller to cuddle up with. You can get it for your Kindle here or by clicking the cover image at the top of this post.

Loose Lips: Pink Slips

70 years ago this June…

FDR TRADES FIVE TOP GERMAN P.O.W.S FOR ONE ENLISTED NAZI-SYMPATHIZING DESERTER.

 

Just kidding. Even FDR couldn’t have gotten away with this kind of crap. Not in 1944 and not even by 1991.

Some soldiers who served in the unit Bergdahl deserted from have spoken up, and the regime in Washington doesn’t like it. Doubleplus-ungood is the fact that they’re trying to sell a book about it.

savingprivatebergdahlIt is hardly news that the media and entertainment industry carefully craft their propaganda to reflect positively on the current administration, nor that they conspire to censor what doesn’t. What is surprising is that the cultural thought cops are so impudent about their chokehold on the flow of information that some of them hang their true colors right out on the clothesline for all to see:

“I thought about this all weekend, and basically, I’m not sure we can publish this book without the Right using it to their ends,” Sarah Durand, a senior editor at Atria Books, a division of Simon & Schuster, wrote in an email to one of the soldiers’ agents.

“[T]he Conservatives are all over Bergdahl and using it against Obama,” Durand wrote, “and my concern is that this book will have to become a kind of ‘Swift Boat Veterans for Truth’” — a reference to the group behind a controversial book that raised questions about John Kerry’s Vietnam War record in the midst of his 2004 presidential campaign. (Durand did not respond to requests for comment. “We do not comment about our editorial process,” said Paul Olsewski, vice president and director of publicity at Atria.)

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Evidently, Durand’s masters don’t believe she should be so transparent about their agenda-enforcement-by-censorship. She was let go quickly after word got out.

Castigo Cay by Matt Bracken

Matt Bracken is a former SEAL with what seems to me an obsession about sailing. You’d think, when someone like this becomes a novelist, he’d try his hand at writing high seas thrillers after the manner of Clive Cussler’s Dirk Pitt.

That’s not quite what he does.

Like a lot of us, Bracken is bothered by a government that views as it’s primary enemy the very citizens whose rights it was established to protect. Up until Castigo Cay the backdrop of his stories was almost entirely comprised of the efforts of renegade public servants hell-bent on violating a specific article of the Bill of Rights they swore to uphold. I’ve read and reviewed the first novel in his Enemies series.

Castigo Cay is a bit of an adjustment from his previous work–more of a straight-up adventure–with a point of view decidedly unorthodox, as you might imagine.

Dan Kilmer is a USMC veteran of the Iraq deployment who escaped the near-future dystopia in a 60-foot schooner, making a living as a sort of modern day privateer. His gorgeous, sexy girlfriend leaves him in the first act to chase her ambitions inside the economically ruined USA; specifically in the de facto fiefdom of Miami. Dan is sorry to see her go, but prepared to move on with his life, when another expatriate sailor brings him news about the shady billionaire who enticed Cori (the ex-girlfriend) away.

The billionaire is one of the amoral corporatists who has profited from the dismantling of the republic. He’s a real sicko, and has hired a crew of fellow sickos. On his private island in the Carribbean (ostensibly a “game preserve”) he brings young attractive women to be raped, tortured, then hunted and killed as if big game.

Dan spends a lot of his private savings (in the form of gold krugerands–the universal barter currency in the wake of the US Dollar’s obliterated facade of worth) and spends most of the novel on a sort of goose chase, but meets some helpful friends along the way.

Bracken really hooked me at the beginning with the strong characterizations. The story did bog down a bit, however, during the second act in the Miami area. The third act poured on the juice, though, with a return to the eponymous locale and a showdown between Dan and the sickos.

As apparently is SOP with Bracken’s novels, this one is packed with a lot of information, most of it about sailing. I didn’t always know what the names of different equipment referred to, but it was never so thick that I got lost, either. It reminded me a bit of The Sand Pebbles in that regard. I got the gist of it enough to follow the flow of the story weaved through this maritime universe.

Regardless of how right or wrong the worldview behind an adventure story is, or the technical details, what makes it sink or swim are the characters. Bracken batted it out of the park in that regard. Dan Kilmer is flawed to be sure, but he kind of knows it, can admit when he’s wrong, and when given the chance to redeem himself he charges straight for it at flank speed.

Pirates Be Advised: Yer A$$ is Mine!

Thanks yet again to David in Sausalito, California for a nice review of the Tier Zero audio book. This is the sequel to Hell & Gone and an unabashed throwback to the glory days of men’s fiction–as the cover suggests.

Here’s what David said:

Great sequel! The badass band of homicidal misfits are back together for another testosterone-feuled adventure through the pirate infested oceans, cities and jungles of Indonesia. In this sequel to “Hell and Gone” Henry Brown really sharpens his writing with a much improved “flow” and a much improved story arc. “Tier Zero” is much more character driven (and developed) than its predecessor, focusing a little more on the people rather than the action but don’t worry, this is a Henry Brown book–there’s still enough blood, bullets and guts to keep even the most hardcore action junkies drooling – just look at the cover art. These books have a kinda old-school “pulpy’ feel to them that I really like but don’t see (or hear) that much of anymore. The narrator did another outstanding job with the characters both male and female. Don’t worry if you haven’t read “Hell and Gone”, this book can easily be read as a stand alone. Awesome book overall!

Recorded books are a godsend for me, as my time to sit and actually read anything is pretty scarce. But there’s still a lot of times I can listen to something without breaking stride. And Audible downloads to your listening device are painless.

SOF Over-Representation in Pop Culture

Don Pendleton’s “Executioner” character, Mack Bolan, may have been one of the first Special Forces veterans to undertake fictional adventures for public consumption.

In the movies, Billy Jack was the first such character I can think of.

Eventually comic books got in the act. Marvel was “inspired” by The Executioner to create The Punisher. (Anyone who’s read both probably suspects that Frank Castle is really just Mack Bolan with a jones for skintight costumes.)

But the trend didn’t stop there. It seems like every Vietnam veteran character in a film or novel up to the early 1990s was also ex-Special Forces. To judge by popular culture, you’d think the entire conflict in Vietnam was fought exclusively by “Green Berets.”

It got so ridiculous that in Frank Miller’s Batman: Year One Lieutenant James Gordon (Before he becomes Commissioner Gordon), observing a crooked cop on the Gotham PD decides, “He moves like he’s had Green Beret training. It’s been a long time since I had to take down a Green Beret…”

 

I probably need to emphasize that I’m not just talking about action heroes (or villains) here, or characters in other genre work who might need the skills they picked up in SOF in a given storyline. I’m talking about characters (sometimes secondary, sometimes who the readers/viewers never even “meet”) who could just as easily have been a clerk/jerk in Saigon, a supply sergeant in DaNang or a motor pool mechanic at Fort Ord. Nope–SF soldiers were the only ones writers had heard anything about, so by Barry Saddler’s Ghost, everybody gets a green beret.

Finally this trend has changed. Now, it seems, (judging by novels and movies) every swinging richard deployed to Iraq and Afghanistan was a Navy SEAL. Or fought with the Recon Marines.

True, I stacked my military thrillers with  Special Operations Force vets, but I had good reason to. Some missions require such men.

Most don’t.

I could probably dissect this subject at length, but in a nutshell I chalk it up to writers’ laziness.

What makes elite forces elite is that not every combatant is asked to do what they do, and not every combatant could, if asked. Having spent most of my active duty at Fort Bragg, NC (the Special Forces Mecca), I’ve probably seen more green beenies than 99% of writers out there, but I’ve decided to make a conscious effort to represent regular soldiers (and sailors, marines, etc.) more in my fiction from now on, unless special missions are necessary. Special Operations play a crucial role, but it’s regular GIs who win wars and I’m gonna try to remember that, despite what everyone else is doing.

BTW, I can’t help wondering if this pop culture conditioning played a part in the US Army’s decision to let every swinging richard (and split-tail) wear bloused jump boots with their Class As and the black beret of a Ranger.

The younger guys probably aren’t even bothered by the Everyone-Is-Elite image because it’s been this way for a while now, but to me this is like letting every athlete in every league call themselves an All-Star, every recording artist have a platinum album and (closer to home) every author claim to be a best-seller.

“What A Blast! A-Team meets the Expendables.”

“What A Blast! A-Team meets the Expendables.”

So reads a review of the Hell & Gone audio book on Audible.com.

I remember a few years ago I was faithful about posting the latest reviews of my books on the blog. Not so much anymore, but I’m about to toot my own horn again.

(Wait a minute…is it really me tooting the horn if somebody else wrote the review? I’m probably more like an amplifier or something.)

This guy can write! Great action packed “mercenary” type story with very likeable “good guys” and very dislikable “bad guys”. I’ve read reviews from military/action writers praising Henry Brown’s skills but due to my “wish list” being so full I haven’t been able to listen to any of his books ’til now and I seriously regret not doing it sooner. Very impressive for what I believe to be his first action book. Without a doubt I’ll be listening to the sequel, “Tier Zero“- if the reviews are accurate it’s suppose to be even better than “Hell and Gone”. The narrator did a very good job with the dialogue-no complaints.

Many thanks to David in Sausalito, CA for taking the time to share his thoughts.

BTW, I have a code coupon for a free download of the Audible book for somebody willing to post an honest review on Amazon and Audible.

Where Moth and Rust Destroy

history
Some of my international and military history, plus some books that were just too tall to fit anywhere else.

Almost all of my books have been in storage since moving to Florida nearly a decade ago. I took precautions against moisture, bugs, etc, but I’m just now getting around to setting up my home office and bringing them in.

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American and military history–even with my creative cramming I couldn’t make it all fit.

About those precautions…they worked fine for a few years, but last time I visited the storage shed, I found that moisture had made the tape quit adhering to the boxes, compromising my meticulous sealing efforts. A couple boxes had fallen over for whatever reason (critters I suspect), busted open, and the contents spilled out.

scififantasybooks
My science fiction and fantasy novels–most of ’em, anyway.

I picked up a couple bookshelves at a yard sale, and am organizing my office…and don’t see how I’ll make everything fit. For every book in these photos there are probably two or three I’ll have to sell or give away.

warnovels
Ahh, my war novel shelf. If you’re reading this, Len Levinson: I was the first kid on my block to collect the entire Sergeant series!

Money is pretty tight these days, and one of the bookcases is missing shelves. I will probably cut some out of scrap lumber.

westerns
Westerns…mostly. My hardcover westerns wouldn’t fit.

This bookcase I crammed with my favorite stuff–history, military history, westerns, sci-fi, fantasy (hack & slash; not all that wussy magic elf doorstop fodder), men’s adventure, war fiction–but it’s becoming clear that I have a lot of other paper books I’m never gonna have time to read even once. So rather than acquire more shelving so it can crowd my already shrinking office, I may start trying to sell it on E-Bay or something. Some of it I already threw away (like some OLD software manuals and a couple Writer’s Markets from back when such things were an allegedly justifiable investment).

destroyedbymildew
Even sitting still, boxed up in storage, these two fell apart. The Ghengis Khan biography mildewed.

Here’s the first heartbreaker I discovered: my treasured second-hand copies of Teddy Roosevelt’s autobiographical story of the Rough Riders, and a Genghis Khan biography. In this latter book I discovered a quote that John Millius paraphrased in Conan the Barbarian, in addition to other fascinating tidbits. Well, despite being protected from sun, rain, children, etc., both books had fallen apart in their boxes. Half of the Genghis Khan book had been glued to the side of the box by mildew, and the other half slid further down inside the box and fragmented even more.

I have big plans for my office, and a lot of the material needed. The plans include video and audio editing for possible upcoming film projects, and of course writing more books. What I still don’t have is enough time in the day. I keep hoping my ship will come in and I can retire from my day job to start chasing these dreams. So far that ship is still lost at sea.

The Sergeant in the Hedgerows

In remembrance of the 70th anniversary of the Normandy invasion, I’ve been celebrating the work of my favorite war fictioneer, Len Levinson. I just came across something he wrote that I really should have included in my intro to my interview of him. So I’m going to quote it here:

“…In order to turn average American young men into soldiers, or to be blunt, trained killers, a certain amount of brutality is involved.  And this brutality inevitably coarsens the spirit.  When writing these novels, I wanted to be as realistic as possible.  My goal was not to please the English Departments of American Universities, or to glorify combat, but to tell realistic stories about the tragedy and comedy of war, with all its blood, guts, cruelty, irony, and occasional heroism.” – Len Levinson

That, folks, is exactly what his war novels do. Mission accomplished, Private Levinson.

This book is the third in the series, and the one it took me literally decades to find (and complete my Sergeant collection–paperbacks written under the pseudonym “Gordon Davis” and set in the ETO). As the title suggests, this covers the period immediately after the beach landings and before Patton’s breakout, when the invaders were fighting through the hedgerows.

Master Sergeant C.J. Mahoney and sidekick Corporal Cranepool have just transferred from the Rangers to a line company, and Big Army BS overtakes them rather quickly. Their Company Commander is a jerk and Topkick is a LIFER scum (been there, done that). The soldiers under Mahoney are typical grabasstic draftees. And “friendly fire” incidents become almost habitual, perpetuated by typical military bureaucracy and the incompetence it breeds.

One thing Len liked to do in this series is steer Mahoney into notable highlights of the war in Europe. Sometimes he went beyond that and had Mahoney himself become instrumental in the course of events. As mentioned previously, I thought the way he had Mahoney destroy the German fuel reserves during the Battle of the Bulge (#8 Bloody Bastogne) was brilliant. And yet there’s other times when I don’t as readily buy it.

Once was in the book preceding this one (#2 Hell Harbor) when the brass are content with sending the Rangers on a suicidal frontal assault on the German fortress. While taking a bath, Mahoney comes up with what should have been the obvious strategy from the start.

There’s a similar contrived moment in this book. Here’s a little historical note to orient you: the hedgerows in northern France were so tall and thick that they’d been an obstacle to armies going back to Roman times. How high and how thick? Well, even the Sherman Tanks deployed by the Allies had a very difficult time busting through them. This delayed the Allied Forces from breaking out of the landing zone…in other words, it was holding up the advance in a way that the Germans by themselves couldn’t, and ultimately prolonging the war. Then an American tanker, using a little Yankee ingenuity, welded together a crude brush-cutting blade and afixed it to the front of a tank. Not long after that, Patton’s 3rd Army broke out and had the Krauts on the run.

I’ve followed Mahoney through the blood splattered pages of nine novels, so I know him pretty well. He’s a fantastic field soldier, an accomplished pick-up artist, and probably the world’s greatest bayonet fighter.  One thing he is not is a handyman. Mahoney is not mechanically inclined, so having him be the one to design the brush-cutter for our tanks was an eye-roller for me.

That being said, Bloody Bush has loads of what makes The Sergeant such fun books to read–blood, guts, action, history, larger than life characters–and will not disappoint fans of war porn, men’s fiction or action-adventure. The best news is that now it’s an E-book, and easily found (for a price that is well worth the investment).

More Blood & Guts With Len Levinson

Last time I posted the first half of a Q & A with an unsung master of men’s fiction. Below is the rest of it, but first, just a brief 411 on the two war series we’re discussing:

The Sergeant was Master Sgt. C.J. Mahoney—a grizzled, brutal alpha male infantry soldier slaughtering Germans all over the ETO (in between many prose-porn encounters with nurses and French women–Mahoney was a master of “game”). His usual sidekick was Corporal Cranepool—a seemingly innocent country boy who went kill-crazy in combat. Battle scenes were brutal and almost always involved some bloody bayonet duels. The perspective often zoomed out to the field generals, to orient the reader as to the strategy behind why these battles took place. This was something I appreciated more as I grew older and re-read the books.

The Ratbastards was about a reconnaissance platoon in the Pacific Theater (PTO), led by another incredibly tough non-com, John Butsko. These guys were a rough, raw cross-section of America (Butsko sometimes called them “the worst bunch of f**kups I’ve ever seen!”) who expected no quarter from the Japanese and usually gave none. Their ranks included a cowboy, a stunt man, a former bank robber, a Los Angeles gang member, a full-blooded Apache, a rich blueblood, a hobo, a religious fanatic and a New York hustling wise guy. There was occasional sex when one of the guys got lucky with a nurse or native girl, but mostly there was a lot of dirty, bloody jungle combat…also with a lot of bayonet action.

 HANK: There’s another scene I already asked you about on an Amazon forum, but I’m repeating it here so my blog followers can see your answer: In Liberation of Paris, during a lull in the fighting, Mahoney goes inside a shop and does business with a Frenchman. He hears the sound of a typewriter behind a closed door and asks the proprietor about it, and is told pretty much to mind his own business. Mahoney lets the matter drop and goes off to kill more Germans, and the reader never finds out who is in that room. Mahoney actually met war correspondent Ernest Hemingway in an earlier scene, so I always wondered if that was the mystery typist. It was like some sort of in-joke that I was never let in on. So what gives?

LEN: The guy banging on the typewriter in THE LIBERATION OF PARIS was Jean-Paul Sartre himself, who had a conversation with Mahoney, but the editor at Bantam cut him out.  I don’t know why.  Perhaps they were worried about a lawsuit, or maybe they thought my readers might not know who Sartre was, although he was very famous in the day.

HANK: Bizarre. He cuts it out, but leaves in the reference to the typewriting noise. Well, I’m far from the first guy to be baffled by the choices made in traditional publishing.

In the same book, one of the German officers repeatedly gets phone calls from higher, and is asked, “Is Paris burning?” It happens so many times I remember that phrase jumping out at me. Years later in a public library I saw a soundtrack album for a movie (a musical, I think) called Is Paris Burning? I literally did a double-take. So I have to ask: did that movie influence you to include that dialog so intentionally?

LEN: According to my research, Hitler himself was constantly asking “Is Paris Burning?” – and the question was relayed to the German commanding officer in Paris, who didn’t want to destroy Paris.  A best-selling historical book was written about these events called IS PARIS BURNING?

HANK: Well that certainly makes sense, then. It’s an interesting historic tidbit you included in your story, and someone else built an entire story around the dilemma facing that German C.O.

(BTW, before Allied troops enter Paris, there is a see-saw tank battle between the French and Germans, in which the French commander uses German aggressiveness and his own country’s reputation to good effect. Sun Tzu would have been proud, but Mahoney, Cranepool and the other Americans detached for this “cushy” duty get caught right in the middle of the battling armor.)

After I began learning about grand strategy behind WWII, I appreciated all the scenes you included at staff-level and higher, rendering the macrocosm for the reader before zooming in on the tactical-level microcosms your main characters exist in. Especially pleasing is that you do this from the German and Japanese sides as well as the American. Seems like you did a lot more research on the European Theater…or maybe there was just less detail to go into in the island-hopping campaign?

LEN: A lot more info was available on the European Theater of Operations.

HANK: Speaking of research, Patton visits the Hammerheads in Slaughter City (and gives a memorable speech). Over at Post Modern Pulps, Jack Badelaire opined that you probably watched the movie Patton several times before writing it. I never made the connection myself, but then I haven’t read The Sergeant #6 in many years. And with the “is Paris burning?” deal, I’m now wondering if there’s some truth to that. Spill!

LEN: I saw PATTON two or three times, but was mostly influenced by Patton’s book:  WAR AS I KNEW IT and PATTON by Ladislas Farago as well as THE PATTON PAPERS edited by Martin Blumenson, and other histories of WWII and studies of Patton.  He was a great flawed hero and too bad he died in a freak accident.  He might’ve become President of the United States.  Naturally there are conspiracy theories about his death.

HANK: I once read a Patton biography by his grandson. He was definitely flawed but it’s also inspiring how he commanded the 3rd Army. One thing I like about the movie is that it implies he was one of the few Allied generals in the same league as the Mannsteins, Guderians, Rommels, Von Rundstedts, etc. (Perhaps an exaggeration, but he and MacArthur were the best we had IMO.) And if he hadn’t died in that ironic jeep accident, the conduct of the war in Korea probably would have frustrated him to death.

When I read Doom Platoon, I also read your story about meeting John Lennon, and it got me to thinking (dangerous, I know). As an armchair historian and anthropologist, I’m fascinated with the radical change in our country between the end of WWII and the escalation of our involvement in Vietnam (roughly 1946-1966, let’s say). I don’t mean technology, though certainly that played a part. I mean culturally and ideologically there seemed to be a sort of paradigm shift in the mainstream—especially the younger demographics. Plenty of people can pontificate why it happened, including me, but you actually lived through it. I’d like to get your reflections on it. Did you notice it happening? What did you think of it at the time?

LEN: I could write a 100,000 word book about this subject because you’re right, America has changed drastically and for the worse, in my opinion.  I lived through it and have many opinions which probably will be very unpopular.  I think it all began with the JFK assassination, when journalists and political hustlers cast doubts on the official explanation.  The cultural shift also was influenced by Jack Kerouac and the Beat Generation, which promoted rebellion against the status quo.  Another factor was Marxist-style ideas promoted incessantly by the media-academia complex, ideas which took deep root in America.  And then the Vietnam War came along, which was disliked by the media-academia complex.  They denounced every mistake by American soldiers and Marines while turning a blind eye to atrocities by the Viet Cong.  The American media-academia complex evidently opposes wars against left wing governments like Cuba and left wing terrorism in general.  For some reason, these high-minded reporters and professors also view jihadism in this context.  They’re very sympathetic to the grievances of suicide bombers, who want to kill us all.

Although America supposedly has a free press, it really is dominated by Marxist-oriented journalists and academics who establish the narrative believed by many people.

We are being brainwashed daily to believe that America is the cause of all the trouble in the world.  Many if not most Americans, including our President, believe this.

HANK: Wow. I’m surprised by how much we agree on. Thank-you for your candor. (I myself challenge the official explanation of the JFK assassination, but I also reject the most popular conspiracy theories regarding it.)

LEN: I should add that I think our military is being destroyed by political correctness.  Men and women shouldn’t serve together because it’s got to undermine combat effectiveness and cause all sorts of problems, which in fact is happening.  I also believe in don’t ask and don’t tell.  All soldiers understand the importance of morale, but political correctness is undermining morale.  I also think that our rules of engagement are ridiculous.  Recently I read THE OUTPOST by Jake Tapper, about an outpost in Afghanistan that was militarily indefensible, but set up to satisfy theories about how to win over the indigenous people.  But 400 of the indigenous people attacked the 50 Americans in the outpost, killed ten and wounded 18 until the rest could be evacuated.  This is the new Army that treats soldiers as social workers and targets for Islamist fanatics, instead of giving them the possibility of victory.

HANK: Wow again. Even more that we agree on. I could write an entire book about women in the military, for instance, but few people (on either side of the political spectrum) want to know the truth–they are comfortable with the amazon superninja myths reinforced daily in pop culture. And historical perspective on Don’t Ask Don’t Tell: it was a tool for the Clinton Administration to get around the law, and a transition to what we have now, where homosexuals have a priveleged status in the military (while there is a simultaneous, institutional rise in anti-Christian hostility).

I noticed you had a Private Levinson working at HHQ in some of the Ratbastard books. Of course I never noticed that back when I thought the author was John Mackie. So spill, Len: is this an author cameo?

LEN: Yes, I thought I’d do an Alfred Hitchcock routine, because he often appeared briefly in his movies.

HANK: And now Stan Lee is doing it in all the Marvel superhero movies—usually to nice comedic effect.

Just so you know, I haven’t yet mentioned it, or reviewed it, but my favorite out of both series (each with so many killer books) is Bloody Bastogne.

(Toward the beginning, an aggressive American commander sends his formation against the enemy at an ironic time, when the Germans are launching the Second Battle of the Ardennes. A rare simultaneous attack by opposing forces. Of course the Wermacht has amassed more oomph for the campaign on their side, and the weather neutralizes American air superiority, so the Germans make tremendous initial gains. Mahoney finds himself with the 101st Airborne surrounded by the Germans during the Bulge.)

You dramatize the famous “nuts” response by the Americans to the German demand for surrender. I never really believed that’s exactly what was said, and yet you presented the official story. My best guess is that the reply was actually, “Balls!” But then I doubt I know as much about WWII era slang as you do. Do you believe that ‘NUTS” was literally the message?

LEN: “Nuts” is the official version, but as I recall, some historians suspect that something else was said which perhaps was not appropriate for women and children to hear.

HANK: Same book, I believe: you also dramatized the incident in which the Nazis executed a group of American POWs (and Mahoney escapes). Mildly curious why you included this. Was it just to have Mahoney present for another famous incident in the war?

LEN: Yes, that was exactly the reason.

HANK: Still the same book (more of a comment than question): I just love the way you had Mahoney destroy the German fuel reserves. I thought it was brilliant.

LEN: Thanks for the compliment.  To tell you the truth, I don’t remember the scene.  Many years have passed since I wrote it.

HANK: In that case, forget I said anything. Now I can steal it some day and you’ll never be the wiser.

BTW, this interview is more about your books than about the business, but I’m curious what you had to go through to get your backlist released so you could sell them as e-books. Is it OK to enlighten us on that?

LEN: My literary agent Barbara Lowenstein handled the initial ebook deals.  I assume she contacted e-publishers and pitched all her clients including me.  I think that Piccadilly contacted me about THE SERGEANT and BUTLER and I referred them to Barbara.  Then I entered into an agreement with Piccadilly to publish six of my non-series novels, which all are selling very poorly, I’m sorry to say.

HANK: Do you have any idea when the remainder of The Sergeant series will be converted to ebook?

LEN: Piccadilly has contracted to release all of THE SERGEANT.  They’re releasing them one at a time according to their own schedule.  My impression is that THE SERGEANT isn’t selling well, so Picaddilly isn’t too anxious to continue publishing them regularly.

HANK: I’m very disappointed to hear your books are struggling.

In my father’s generation it was normal for red-blooded American males to read fiction. It wasn’t unheard of when I came along, but more rare than I guess I was aware of at the time. Then the big publishers kicked the mid-list authors to the curb in the late ’80s/early ’90s and what male readers remained were seduced away from the written word by video games and 400 cable channels.

I’ve actually given this a lot of thought because I assigned myself the Quixotic task of reviving men’s adventure, both by promoting good work in the genre (like yours) and writing some of my own. I still don’t want to swallow this pill, but it’s really looking like there’s no money to be made in old-school men’s fiction. There are few red-blooded American males left in our culture, it seems to me, and very few of them have an interest in reading. Some authors are making a go of it with niche sub-genres, but only those with the time and talent to build a platform of followers on the Internet.

It becomes a vicious circle and self-fulfilling prophecy: the gatekeepers of the New York Publishing Cartel (NYPC) decree that men don’t read, so they only publish “women’s issues” fiction. If a dude finds himself in a library or book store, all he sees is romance and chick-lit (and YA and gay/lesbian and vampires), decides that reading is for girls, and leaves to go buy a video game. Statisticians from the NYPC survey the visitors to libraries and book stores, find there are no men there, and their prejudice is reinforced and justified.

With the publishing revolution, some choices have finally been introduced by indie authors and small publishers.

But it’s now harder than ever to get noticed by a reader, since anybody with a word processor can be published (and is). There are mountains of literary garbage to wade through, and the video game-induced attention deficit among the male of the species doesn’t help. There are a lot of obstacles, despite the positive aspects of the technological game-changers.

LEN: I think there’s money to be made in action/adventure fiction, but not as much as in other genres such as women’s romances.  American publishing seems unable to adapt to the modern technological world, and is plagued by political correctness just like every other area of American life.

HANK: You said a mouthful there. I know it’s even worse in Hollywood and the news media, but for a non-PC author it’s one of the biggest problems and obstacles right now. I understand there’s a big upheaval in the science fiction trenches over political correctness—among the authors themselves.

Do you have any projects in the works now? (If so, please spill.)

LEN: Yes, I’m working on three novels:

1. A hard-boiled noir-type novel set in NYC in the mid-1990s.

2.   A mystery/romance set in NYC in 1861, first year of the Civil War.

3.  A romantic/tragicomedy set in NYC and Miami in 1984 and 1985, based on my first marriage and played for laughs.

I’m also working on a memoir of my three years as a caseworker with the NYC Administration for Children’s Services (1997-2000), an experience which disillusioned me concerning government efforts to help “the poor”, and which far exceeded any suspicions I had about government waste and inefficiency, as exemplified by the current VA scandals.

Each of these four books is in final editing stages.

HANK: There are more questions I’d love to ask, Len, but you’ve been patient with me already and I appreciate it very much. We live in exciting times, and one reason is because it’s becoming easier to find your action-packed tales of WWII.

I’m close to finishing the last couple books in the Ratbastards series also. After that, I look forward to starting on Len’s westerns, and I’ve already read a couple of his spy novels. Sooner or later I intend to review them all right here.