Category Archives: Action

Island of the Lost by Milton Lane – a Review

Review by INFAMOUS šŸ¦€

 

When I first decided to review this I was a bit nervous. What made me feel that way was the disclosure found under the book details on Amazon:

 

ā€œPaperback and ebook editions have been revised and updated following customer feedback as of 31 OCT 23.ā€

 

To me that was an instant red flag as the term ā€˜revisionā€™ these days can mean anything in a book. What was revised exactly is something I will further discuss with the author in an upcoming Q&A interview, so stay tuned.

By the time I was done reading, however, I knew this was going to enter our 5-star elite club here at VP! This novel absolutely delivers everything you would expect by looking at its cover (fantastic cover, by the way!). All my fears wiped away, Milton Lane absolutely crushed it by bringing back a traditional pulp classic genre that is authentic, respectful of those authors who pioneered the genre, and keeping a fine balance between fantasy trope injected with an acute sense of realism.

After surviving the mysterious sinking of the ship The Invincible, former Naval Officer Hannibal Harken (a.k.a. The Adventurer) finds himself stranded on an uncharted island with a group of other survivors. Now, facing not only the natural adversities that the island itself poses, but also some not-so-friendly locals, the Adventurer must rely on his skills, intuition, and a few unexpected friends, to survive and get back to civilization.

Pretty simple concept, and yet SO easy to bungle up if the writer doesn’t do his homework. Fortunately in The Island of the Lost (paid link) this is not the case. Far from it!

Lane is able to capture that retro pulp style we got to know in Doc Savage, Solomon Kane, and even The Shadow to an extent. The story moves along nicely beginning to end, the prose is classic 1930s-40s style with rich and witty dialogues.Ā 

The characters are not dull and predictable. In fact, although there are a few good looking female characters featured, our main character does not get involved in a romance, or ā€˜demandā€™ a heartfelt kiss from the girl before going on risking his life. Not that there’s anything wrong with romantic tropes, but as an astute writer you also gotta know when this would aid the story orĀ  simply feel too forced while doing nothing to propel the main narrative.

Last thoughts that really bring this review to a positive conclusion: this story is self-contained. It has a 1)beginning,Ā  2)bridge, 3)climax, and 4)conclusion. You don’t have to wait for the next book in the series to find out what happens, yet, at the same time you hope there will be more adventures facing the Adventurer so that we can join him amidst strange lands, strange peoples, and the pursuit of TRUTH!

Catskinner’s Book by Misha Burnett – a Review

By THE INFAMOUS REVIEWER GIO:

 

ā€œYeah, it’s a trap, and we know it’s a trap, and they know that we know, and so on and so forth. We go anyway, or we run away. I’m tired of running.ā€

James OzwryckĀ 

 

Imagine a quirky, dark humored, action/sci-fi movie directed by David Fincher and starring Edward Norton and perhaps Margot Robbie as co-starā€¦.THAT is what Catskinner’s Book felt to me the whole time I was reading!Ā 

Of course, if you ask author Misha Burnett, he will tell you that the concept of this story is based in part on himself as he was diagnosed with Dissociative Identity Disorder, and part of his motivation for writing this was an attempt to convey what D.I.D. feels like from inside.

The other main inspiration for this quite unique and peculiar tale was William S. Burrough, specifically his Nova Express trilogy.Ā 

This story is about James Ozwryck, a seemingly ordinary store clerk who believes he has an entity or alien form residing within him which he calls ā€˜Catskinnerā€™. James and Catskinner communicate and even ā€˜argueā€™ at times, but the interesting thing is that when catskinner takes over Jamesā€™ body he can find himself achieving physical feats otherwise impossible for a guy his size. As far as James can remember, Catskinner has always been with him since birth.

The entirety of Book 1 revolves around James finding out more and more about Catskinner and its origins, and to be honest, I was HOOKED! The story has good pace, good prose style that brilliantly reflects the urban language of our times, some jaw-dropping action scenes, violence and a dry sense of humor that-in this context-is very spot on.

If you were wondering what the book cover was about, that cover is from a photo shoot of Burnett’s roommate and those are the author’s hands you see. What the image reflects is the main character James wanting to care for and protect Godiva, the co-main character.

Now that I highlighted some of the positive aspects of this book, let’s turn our attention to some of the negatives which lead me to score this more like a 4 out of 5 starsā€¦

 

The Closing Act:

As I always advise authors, no matter how many sequels in one particular series you plan to write, you still have to offer a ā€˜complete experienceā€™ to your readers in each individual book. Unfortunately, I feel like this book fails to accomplish that. The conclusion felt rushed, hollow, and disappointing. We basically end up where we started from and we realize we have learned close to zero about what we were seeking along with the main character. The end is abrupt, almost like the writer didn’t know what else to do and decided to just end it there. I am all for cliffhangers and creating expectations to read the next book, but at the same time, each book must deliver some sense of fulfillment or that at least we have moved on from point A to point Bā€¦ I just did not see that here, although the entire ride was extremely fun and suspenseful. Actually that in itself made the end that much more disappointing for me personally.

An Interview with Robert Victor Mills

As in the recent review of the author’s latest, this Q & A is brought to you by the INFAMOUS REVIEWER GIO.

Gio: This being only your second publication, how long have you been writing and what made you decide to publish your works only recently?

RV Mills: Well, on leaving university in ā€˜94, I decided to have a stab at this writing game. Over the next five years I wrote two fantasy novels, submitting them to publishers and agents. A different business, back then, just before the birth of the internet, when sample chapters had to be printed out and mailed in big brown envelopes. I stuck at it for about five years of silence and polite rejections, but, life forged on; family, a full time job and more college. I donā€™t recall ever consciously giving up on the dream, though I definitely gave up on the reality. All those papers were thrown into a document box and forgotten about.

Nearly twenty years later, 2017, with both my parents gone and me in the process of selling the old family home, I came across that document box. It was, shall we say, interesting and informative. One experience that a writer can never have, is to read his own work completely cold, with fresh eyes. Reading the contents of that box was as close as one might get, because Iā€™d forgotten almost everything Iā€™d written! Of course, the tale would be wonderful if I could romantically announce that I had rediscovered some lost masterpiece. Oh no, it was all terrible! Just awful! But, with that fresh perspective and an older head, I could see plain as day where all my failings as a writer lay. A very useful experience.

Should you be wondering, I burned those manuscripts in the garden in a steel bucket. The world has no need of such horror!

I guess, that would have been that. However, once again, life happened. The virus came, and lockdowns. Like everyone else I read books, watched movies, listened to music, picked up new hobbies, slow tortured by increasing boredom. It drove me to again pick up the pen. I started scribbling science fiction stories, just for my own amusement, nothing else.

Towards the end of that very peculiar period, three things happened, all seemingly the same week. First, I read an article which essentially argued that many talented writers were being turned away by publishers and agents for the sole reason that they didnā€™t fit a desired demographic, and that this had been going some years. Second, I caught a livestream by the comic book artist Ethan Van Sciver. Thereā€™d been an incident with a movie director that had him really riled. And he persuasively called on his viewers to have a go at creating, something along the lines of: ā€œIf you can draw, draw! If you can write, write! We need you!ā€ Thirdly, that same night, I had a dream.

I quite often have vivid dreams. Boy, this was one! An entire story played out in my head, like a movie, of a mighty warrior with hair like flame, and his companion, a poet and bard with a tongue like quicksilver. Together they were rescuing a princess snared by a snake cult. Vicious fights, monsters, gore, glory. No names, no dialogue, just images and allusions, but as real as if I were there, involved. I woke up, it was as if a switch had gone over in my mind. I got up, sat down, started writing. And that, eventually, became the first story of Rhoye and Astropho.

Gio: The first thing that we notice when reading ā€˜The Isleā€™ is your prose. How did you come to develop and hone such a brilliant prosaic style?

RV Mills:Ā Well, firstly, thank you for the compliment, thatā€™s incredibly kind.

I suppose the short answer is, a long lifetime of reading. I grew up in the 70s and 80s, youngest of eight children, in quite a traditional working class family. Having five older brothers, there was always a lot of stuff left lying around to read, not all of it of a suitable age rating, either. I adored reading. I would read anything I could get: Bond novels, horror, movie tie-ins, comics, magazines, but I always gravitated to more fantastical stuff, myths and legends. Then, for Christmas 1982, my eldest brother gave me a copy of ā€˜The Warlock of Firetop Mountainā€™ by Steve Jackson and Ian Livingstone. That gift pretty much started me down the path Iā€™ve followed since. From reading those fantasy gamebooks I progressed to Tolkien. I remember saving furiously for weeks to buy a paperback edition of ā€˜Lord of the Ringsā€™ in 1985. And from there to Mervyn Peake, Anne McCaffrey, Robert E. Howard, and so on. Those books also got me started on a decade of Dungeons and Dragons, first as a player and then, while I was at university, as a dungeon master. I long since gave my rulebooks away, but I still have the dice!Ā 

Naturally, I suppose, my love for reading channeled me in that direction academically, which led to a degree in English Literature. That opened me to a deal of far older material, such as Homer, Mallory, Chaucer, Shakespeare, and classic novels and poetry. Thatā€™s chiefly where my reading interests lie now, in older writings, in heroism and chivalry. I often joke that the most recent book Iā€™ve read is ā€˜The Return of the King.ā€™

As you can tell, my jokes are seldom ripsnorters!

Gio: Your novella seems to be paying tribute to the greats of pulp narrative such as Robert E. Howard and Lovecraft. How do you prevent modern progressive culture to leak into your work, as we seem to be constantly bombarded with it?

RV Mills:Ā Part of it for me, I think, is modern stuff just doesnā€™t interest me. Iā€™m engaged, as a reader and now as a storyteller, in older ideas, of nobility, of chivalry, of duty, of sacrifice. And I think Van Sciver and the creators in the Iron Age movement are right, there has to be representation of those older strains of literature and entertainment for those members of the audience that still want and desire them. Thatā€™s where Iā€™m at, and, honestly, itā€™s where Iā€™ve always been. That is what my fictional world of the Wandered Lands represents, I think, a place where a reader can become lost in pure escapism, like Middle Earth, Hyboria, or Lovecraft’s old Arkham. My creations are never going to be for everyone. And Iā€™m fine with that. Plenty of other stellar creators out there doing great, great things to satisfy other tastes.

Gio: Rhoye is your MC, however your novel is so rich in characters that he really never steals the spotlight. Was that something you did consciously?

RV Mills: You mentioned Howard. One of the aspects of his Conan stories I really admire is that, in quite a few of them, Conan is almost a secondary character, while the heroine leads the narrative. Valeria in ā€˜Red Nailsā€™ springs to mind. I like that technique. I think it broadens the scope of the story and grants fresh perspective to events as they unfold. So in ā€˜The Isleā€™ we see Rhoyeā€™s standpoint, Astrophoā€™s, and Aonaā€™s. Each offers a unique flavour, I think, which allows the tale room to breathe.

Gio: Speaking of supporting characters, I must admit the crabs were my favorite ones. How did the concept of an island so very much dominated by these crabs come about?

RV Mills:

Another dream, a nightmare, and with a very specific source. Iā€™d been reading Dr. Jordan Petersonā€™s ā€˜Twelve Rules for Lifeā€™. That opening chapter, the one with the lobsters, really stuck in my mind. That night, I had a dream of two swordsmen dueling to the death on this hellish shore just swarmed over with the most disgusting crustaceans, not just lobsters but crabs and horrid sticky slimy things. So vivid, I just had to weave it into a story! So I got me a cup of tea, sharpened my pencil, and set to work!

As it happened Iā€™d been working on an idea for a pirate story which really had very little direction. And I had another idea for a tale about a lost shrine. Suddenly these three ideas fused as one in my brain, and that was that. I had no real conception of how long it would turn out to be. I tend to just let each story dictate its own length. It came out long! But Iā€™m exceptionally proud of it. I think itā€™s a very entertaining piece.

Gio: Can we expect more longer format stories similar to ā€˜The Isleā€™?

RV Mills:Ā Yes, I have another finished novella which Iā€™m hoping to put out in February. Iā€™m waiting on artwork for that. It is called ā€˜The Girl with the Fire in Her Hair.ā€™ It was written before ā€˜The Isleā€™ and is a little shorter, but Iā€™ve included a back-up story which is a natural sequel and companion piece.

Iā€™m currently writing the sequel to ā€˜Man of Swordsā€™, hoping to put that out at the end of summer, which will contain further adventures of Rhoye as a younger man, his wandering through Bruthulia against the backdrop of the war with the Sarkaenid. About halfway complete on that project, as we speak.Ā 

Gio: What inspired the title of this novel?

RV Mills: I struggled to decide on the best permutation! I wanted to mention the ā€˜shrineā€™, because shrines are mysterious, and the ā€˜scarabā€™, because also mysterious, and also ā€˜sicknessā€™ to add a pinch of peril, but also the ā€˜isleā€™ to hint at location. I wrote it all down, read it back, and yes, it is indeed a mouthful. ā€˜The Isle of the Shrine of the Sickā€™ning Scarab.ā€™ But I love it. The ā€˜eā€™ in Sickā€™ning was the only edit I could stand to lose!

Gio: Any plans for spinoffs? Astropho seems to be a very complete and well defined character who could possibly branch out and have his own adventures.

RV Mills:Ā Astropho will return in ā€˜The Girl with the Fire in Her Hair.ā€™ I have half a dozen other completed stories featuring the two friends together, Iā€™m just in need of some connective tissue to link them into a narrative that is itself compelling, rather than just throw out a collection of disjointed short stories. But, yes, thereā€™s more to come from Rhoye and Astropho, for sure.

Regarding spin-offs, I have two other characters that I am very endeared to, and have written two long stories with a third in outline. They are two templars of Erishala, Vicatiora and her mentor Kionates of Dalathopos. They are essentially sleuths in a fantasy setting, with Kionates being observant and wise if a tad senile, and Vicatiora being green, yet headstrong and quick. Together they solve very peculiar mysteries which abound in the city of Altamantia, and which usually have a magical bent.

But, that is a good ways off, as yet. Watch this space!

Note from Virtual Pulp: Stay tuned for a follow-up interview of Robert Victor Mills by Gio!

Isle of the Shrine of the Sick’ning Scarab – a Review

By THE INFAMOUS REVIEWER GIO

 

The tragic loss of Robert E. Howard from this world also represented the creation of a vacuum of creativity in a pulp genre unique in itself. Seldom had a writer been able to inject such vivid realism into a fantasy genre to such a degree that the reader could actually almost see, hear, and smell the places where they were transported via the written word such as Howard didā€¦

Introducing Robert Victor Mills, an up and coming author who, by way of this 126-page pulp novella, seems to have boldly picked up the torch to continue into the footsteps of the late Howard.

The first element to jump out at us when reading this piece of pulp fiction is the…

PROSE:

Mills is a true master at carefully choosing every word, every noun, every sentence to elevate his work to a place where few other indie authors can reach. If you like a modern and direct style of written English language with plenty of modern euphemisms, this book is NOT for you! But if you long for a language that fully matches the world and characters we are presented with, and you care for tradition, ancient myths, and authenticity, then this might as well be your best pick of 2024!

CHARACTERS:

Mills is not just satisfied with good prose, oh no, he also has to indulge his readers with well thought-out characters that resonate with each of us individually. You won’t find dull characters or dumb villains here. Every player has a story, a vested interest, a strength and a weakness. By the time we’re halfway in, we can’t help but feel fully invested in these fellas and their perils.

PLOT:

What on paper seems a pretty straightforward storyline (which it is) in the hands of Mills becomes an ā€˜unpredictable hikeā€™: you know where it starts, but it may suddenly take abrupt turns to only the author knows where. Again, that R. E. Howardā€™s realism makes this all the more interesting with the island, the elements, the beach crabs (LOTS of ā€˜em!), the turn of the tide, all intersecting.

Boys and girls, if this is not a 5 out of 5 pulp novella I don’t know what is. Robert in my opinion is destined to become one of the GREATS of our modern fantasy literature. Only the future will tell us for sure, but as the other Robert once said (and I’ll leave you chewing on this):

ā€œI think the real reason so many youngsters are clamoring for freedom of some vague sort, is because of unrest and dissatisfaction with present conditions; I don’t believe this machine age gives full satisfaction in a spiritual way, if the term may be allowed. ā€

ā€• Robert E. Howard

 

Come back soon for an author interview!

Coming Soon: Robert Victor Mills’ Isle of the Shrine of the Sickening Scarab

Got a couple treats coming up for you from guest poster IINFAMOUS REVIEWER GIOĀ Probably next week, you’ll see the review right here–followed by an interview with the author.

Gio calls this a legendary tale in the tradition of Robert E. Howard.

Sounds like this book is a standout, five star read, so start the New Year off right and come back to check it out!

I’m a Steamroller, Baby

…And I’m rollin’ down the line.

So ya better get outa’ my way, now…

Ahem.

E-book and paperbackĀ  versions of the first Paradox book go live in just a few days. I have also edited the second book, which is scheduled to be published just before Christmas.

The color scheme for this cover has already changed, BTW.

I used the paperback proof again this time and caught all kinds of text that needed tweaking. Funny how that works.

But wait–there’s more! I may be done with the major tweaks to the third book. Well, based on recent experience, probably not. I’m about to order the paperback proof for that one–no doubt I’ll find all kinds of stuff to edit.

TZ Paperback on Sale, Too!

Curious about Amazon discounting my debut novel, I surfed over to the Retreads Series page and found that Tier Zero is also discounted. Right now it is $5.09–cheaper than the current discount on the Kindle version and less than a third of the normal price.

Notice the paperback version has the Mack Bolan-esque retro cover painted by Derrick Early. This is yet another good gift idea for somebody who likes to read about kickass operators bringing smoke on bad guys. In this case, the bad guys are modern pirates, human traffickers, a murderous black ops team, and a turncoat mercenary.

Just as with Hell and Gone, I don’t know how long this discount will last…but I do know that Christmas is coming up fast.

H&G Paperback on Sale!

Apparently Amazon does this sometimes: they have been discounting my bestsellers. I thought it was a mistake, but no.

What this means right now is that you can get the Hell and Gone paperback for less than a third of it’s normal retail price. In fact, it’s the same exact price they have discounted the Kindle version to: $4.17.

No idea how long this will last so you might as well strike while the iron is cheap hot! BTW, with Christmas around the corner this is a good gift idea for anyone you know who likes military thrillers, men’s adventure, action novels, or all the above.

With what’s happening in and around Israel right now, this book might be as relevant as ever.

Happy reading!

Time Running Out on the Big Based Book Sale!

The Big Based Book Sale ends tomorrow. You still have time to save money on some good reads by non-woke authors.

And despite it being mostly a sci-fi/fantasy deal, my Retreads trilogy made the Top Ten in sales. If you haven’t picked up my paramilitary adventures, now’s a good time to get those for cheap, too. (Not just on Amazon, BTW. There are universal book links on the “Books” page right here at Virtual Pulp.)

My thanks to Hans Schantz for putting this sale together. Hopefully the first novel in my new series will be ready by the time of his next sale. Or the one after that…

Paradox Chapter 15: First Bout

When I arrived in the gym one day for my training, there was another boy there, with a grown-up I hadn’t seen around before. Paulo and Uncle Si stood together, arms crossed, staring at me with stony neutrality. They mumbled to each other in Portugese, and occasionally glanced at the other kid.

The boy had Asian features, as did the adult with him. He wore workout sweats like me. He met my gaze once but his face was perfectly blank, so I had no clue what he might be thinking.

Paulo and Uncle Si went over to the adult and had a brief conversation I didn’t hear, then Uncle Si approached me.

“Go get your mouthpiece,” he said. “You’re doing something different for training today.”

“Sparring?” I asked, glancing again at the other kid, my heart rate increasing.

He almost smiled, but was trying hard to remain inscrutable, it seemed. “Not exactly. There’s an important difference: sparring is practice; this is a test.”

“A t-testā€¦?” I repeated, suddenly nervous.

“When you spar, you and your partner normally have an unspoken agreement to pull your punches. It’s not about trying to beat the other guy; it’s about refining techniques, improving your defense, and sharpening reflexes. This won’t be like that, today. This kid is here to test you. Your job is to test him. So don’t hold back. He’s not going to hold back, either.”

Now my heart was really pounding. This was a fight!

How good was this blank-faced Asian boy? I sized him up, but couldn’t tell much. He might have been a little taller, but I wouldn’t necessarily call him “a big kid.”

Paulo came back from the equipment room with hand wraps, gloves, foot pads and a head protector. He helped me put it all on, while the stranger did the same for the other boy. The last thing Paulo did was smear petroleum jelly on my cheeks. “Fight I teach you,” he said.

I assumed he meant “Fight the way I taught you.”

We both entered the octagon. The bell rang. I looked to Paulo and Uncle Si to see if this was the starting bell, or if I should wait for another one.

“That’s the work bell,” Uncle Si said, simply.

I felt afraid and utterly alone. I walked toward the center of the octagon to touch gloves with my opponent. He stopped me short with a kick to my head. I was stunned, but realized that the kid wasn’t playing around. Just like my uncle warned, he wasn’t holding back.

Quick learner, me.

He followed up with another kick, and a hand combination. I ducked the former and blocked the latter, shuffling back out of range. All the adults were yelling, now, but I couldn’t make out the words through the fog of my adrenaline rush.

Something warm and wet dripped down my face and into my mouth. It had a salty, copper taste. It kept trickling, threatening to get in my eye. I wiped it away. My wrist came back into my field of vision slick with blood.

I can’t say for sure if my heart rate slowed down or sped up, but something happened to me. Some sort of change. My visual focus zeroed in on the other boy, and everything else was blurred. But I did hear Uncle Si calling out, “Get your feet going!”

I put my feet to work, bouncing on the balls as if skipping rope, and began circling my opponent.

His steps were sure and steady, with no bouncing. He feinted a couple times, but I didn’t fall for it. He made a more serious effort, but I simply bounced back out of range. We circled some more.

Having felt me out all he needed by now, I guess, he lunged forward to the attack with a surprising burst of speed. His lead kick caught me in the stomach. I would feel the pain later, but right then it didn’t do much. All the sit-ups, crunches and flutter kicks had turned my belly hard as a slab of frozen beef. I kept my guard up and slipped left and right to avoid his hand strikes. Then I noticed an opening.

How long had he been showing me his head like that?

I fired one of the combinations Uncle Si had taught me with the punch mitts: double jab; straight right; hook, uppercut. The jabs and overhand right caught him solid. I began to bicycle back out of range, but hit the wall of the octagon and could go no farther.

He doubled up on his lead kick. I saw it coming and side-bounced. The first one brushed my hip. I sprang off my trail foot, back-spinning, and slammed my heel into the inside of his thigh while his leg was still extended.

This jolted him off-balance, forcing him to shuffle under his center of gravity. Something flashed in his stony eyes, too. Pain, I hoped.

But I didn’t waste time pondering it. I closed the distance, fired a snap-kick that connected to his chest. This foiled his effort to regain balance, and I pressed in, hooking off the jab, catching him on his head protector about where his ear should be.

He backed out of range, adjusting his headgear with an irritated expression. This was the first time I’d perceived emotion of any kind from him.

Since he was retreating, I advanced. We mixed it up a bit and he hit me with a couple good shots.

The bell rang.

I walked to the chain-link wall of the octagon. Paulo was at my side quickly. He gave me a water bottle, from which I took a couple long gulps. Meanwhile, he pressed a towel against the laceration on my brow with one hand, and reapplied the Vaseline to my face with the other. Behind me, Uncle Si spoke through the chain link.

“Settle down. Loosen up. Don’t just move straight in and outā€”move side-to-side also. Keep that bicycle rolling. You see he likes to lead with his feet. Good work breaking that up. This next round is study time for you. Take his measure. Finding that opening was great, but be patient and take mental notes for now. Keep him at bay while you watch him work. There might be more to the pattern.”

The bell rang and we moved toward each other. The fear was gone this timeā€¦or at least nonexistent compared to how oppressive it had been at the beginning. I stopped before getting in range, then got on my bicycle. I tried to follow the instructions I was given.

He came after me, and tagged me a few times, but I played defense and tried to keep out of his reach while watching him close. He really did like starting his combinations with a lead-foot kick. He did it every time. Smart, really: legs are longer than arms, and therefore give you more reach. But I quickly got to where I could see them coming, and I consistently muffed his kicks by extending my own lead foot to shove my arch into his ankle.

The kid didn’t crouch and bobā€”he stood up straight when he fought. In fact, it seemed he leaned slightly backwardsā€”maybe in anticipation of incoming blows, so he would have a head start at leaning farther back to avoid getting tagged. When he threw a roundhouse or side kick, he leaned quite a ways back. His arms went out and down, leaving him wide open.

The round was fairly uneventful. In the break before the next one, Paulo worked on my face again and let me drink water.

“What did you learn?” Uncle Si asked.

“He leans back,” I said.

“Make him pay for that,” he said. “Your bicycle’s pedaling pretty good. Keep it going, but study time is over. Be smart, but go after him. Work the body whenever you canā€”hard.”

When Paulo pulled the towel away from my head, I glanced up at it and saw the blood. I shifted my gaze to the boy’s blank, expressionless face and got pissed. I wanted to make him bleed worse than I had.

Anger, it turned out, was not an advantage. I stalked him and threw leather with bad intentions, forgetting much of what I knew. He made me pay for it, too. He hit me from all angles. I waded through the storm and tried to swarm him. I caught him a couple times, but not flush. Mostly I only caught air.

“You’re telegraphing!” Uncle Si yelled. “Settle down and work the body!”

I targeted his midsection, but was still swinging for the fences and mostly missed him.

By the end of the round, my anger had faded, to be replaced with fatigue. I was gassed.

While Paulo went to work on my face, Uncle Si said, “Well, that was stupid.”

I made no effort to reply, too busy sucking wind and water. Besides, he was right.

“How did you forget everything in the course of a couple minutes? If you had worked his body, he’d be slower and easier to hit now. Instead, you’re the one who’s gonna be slow. That’s how you punch yourself out, genius.”

“Sorry,” I grunted, through ragged breaths.

“You only got one more round, and he smells blood. You better wise up real quick, or he’s gonna knock you out. When heā€¦”

The bell interrupted him. I handed the bottle back to Paulo and walked out to meet the boy. “Act like you know what you’re doing!” Uncle Si called out, annoyed.

The kid smelled blood, alright. He went right after me. I covered up and weaved, making him miss as much as I could. Then, swinging my torso back up from a slip, I drove a left hook into the side of his head. It landed solid. His attack fizzled out and he shuffled backwards.

My conditioning paid dividends at a good time. I felt my second wind building up, and got my feet going again.

I bounced inside, feinted, and bounced back out. Then I did the same thing again, noticing him flinch.

He had felt that hook.

I bounced back in and scored with a jab and a cross, then backpedaled out of range.

He launched a kick, but I muffed it and scored with another jab.

His nose was bleeding now. Not bleeding enough for my satisfaction, but it was something. He glared at me while adjusting his headgear again.

He led with a roundhouse kick. It was time to take advantage of his backward lean and dropped guard. But his leg kept me at bay. I couldn’t get inside fast enough to exploit the opening. We separated with no damage done, and circled each other a bit.

He came in again, leading with a high kick. I dropped and swept his trail foot. He fell back on his ass.

The grown-ups were yelling all at once. I rushed forward, but the boy sprang quickly to his feet and assumed a defensive posture. I shifted my momentum sideways. He attacked again.

This time I rushed at an oblique angle. I cut it so close that his foot brushed my shirt on the way past. I spun and clocked him with a backfist while he was leaned back, and his guard down.

He staggered back across the octagon. I’ll never forget the stupid, bewildered look on his usually blank face.

“He’s hurt!” Uncle Si screamed. “Finish him!”

I charged in to do just that, and got caught in a clinch.

My arms were tangled in his grip. He wouldn’t let go, and every time I pushed one or both hands down, or pushed him back, he simply tied me up again. It was like wrestling with an octopus.

This went on for a long time, me getting more and more frustrated. I forced him back against the chain link. He held on doggedly. I whipped around inside his clinch, manage to drop my right shoulder, then came up with an uppercut that drove into his gut. He grunted and slackened enough for me to rip out of his hold.

It would have been a perfect time to swarm him, but it had taken so much energy to break out of that clinch, I couldn’t move fast enough. He retreated out of range.

I wheezed big gulps of air and advanced. Then he did something that confused me. It was a simple southpaw switch, but all my tired brain registered was that he was suddenly a much more awkward target now.

“Move to your left!” Uncle Si called out. “Your left!”

My brain didn’t compute this at first, either. I threw a lead right instead, that whiplashed his face. Then another lead right to the body.

Then the bell rang.

It was over. The grownups raced inside the octagon to pull us apart. Paulo lifted the other kid’s hand in victory. The adults shook hands, then Paulo and Uncle Si escorted me to the locker room. Paulo gave me an examination that was something I might expect from a doctorā€”including the shining of a pen light in my eyes. Once he was done, he mussed my hair a bit. Uncle Si slapped me on the back and said, “Hit the showers, Sprout. Then we’ll bandage that cut and have a chat.”

“I’m sorry,” I said, but his back was already to me as he and Paulo left the locker room having a discussion in Portugese.

***

I expected a dressing down from Uncle Si as we took seats in the living room, but he appeared rather cheerful. “”What do you think?”

“I thought I won,” I said.

“You won the last round,” he said. “But you threw away the Third.”

I nodded, dejected and starting to feel the effects of the blows I took.

“It’s pretty common for the loser of a decision to think he won,” Uncle Si added. “It’s a matter of perspectiveā€”and you tend to skew it in your mind when you’re part of it. You discount some of the other guy’s punches because they don’t bother you that much at the time, I guess.”

“Sorry about Round Three,” I said.

“Yeah. What was that about?”

“I got mad.”

He nodded. “There’s another valuable lesson for you: anger is like fear. It can be an asset if you channel it into a smart game plan. Control it; don’t let it control you.”

“How do you do that?” I asked.

“It’s not something that can be taught. You just have to learn through experience. Experience like what you just earned. What you just went through is like precious gold. Treasure it.”

“But you think I lost,” I said.

“You did lose. And that’s what makes it so valuable. There’s a lot more to learn from defeats than from victories, as a rule.”

“Too bad it wasn’t video-taped,” I said. “I could see what you saw.”

“Who says it wasn’t?”

I stared at him. “There weren’t any cameras in the gym.”

“There weren’t?”

He rose from his seat and gestured for me to follow. We marched through the catacombs to one of the chambers I didn’t have personal access to. He let us in. The place was like a warehouse. He led me to a shelf with a variety of objects on it. He picked up a ballpoint pen and handed it to me, asking, “What’s that?”

“A pen?

“It’s also a camera,” he said. He took it back from me and set it down, then handed me a pair of sunglasses. “How about these?”

I examined the shades. “There’s a camera in here?”

“Yup.” Next he picked up what looked like a cockroach. “In here, too. This is an advanced model. Radio controlled; moves like the real thing; transmits streaming audio and video.”

I found this hard to believe. “How could you even fit a battery in there?”

“Small battery,” he said.

We left the Secret Agent Supply Depot and went to the computer lab. Uncle Si typed some commands, and soon we were watching footage of the kickboxing match I’d just participated in.

I looked like a clown in Round Three. In Round Two, the other boy was the only one with any offense, so it made sense he was awarded that round. Round One went more his way than I remembered it. I could see how somebody might judge that he won that one, too. Even more disappointing: Round Four wasn’t as decisive as I remembered it, either. Sure, I scored pretty well. But it wasn’t lopsided.

“I’m sorry,” I said, depressed, now.

“What are you apologizing for now?” he asked.

“Embarrassing you.”

He shook his head. “You didn’t embarrass me, Sprout. Your opponent was three years older; a lot more experienced; and had the reach on you. This was your first bout. He suckered you with that opening combo when you were trying to touch gloves. And yet, you made adjustments; listened to instructionsā€¦with the exception of Round Threeā€¦you improvised and took the fight to him. I saw some good work from you, today.”

“Really?”

“Really. In fact, you’ve been picking up on a lot of stuff, and doing really well.”

“I have?” Ever since Uncle Si became my de facto guardian, I’d pretty much just been having fun. Frankly, I’d been half-expecting the other shoe to drop at any timeā€”for some grown-up to give me a speech telling me it was necessary for me to move back into some shithole trailer park somewhere, eating hot dogs on stale bread, with my status reduced back to a level so low that what I wanted or needed was never considered when decisions were made that affected me. This fun life, with people who seemed to like me, just didn’t fit the pattern I was familiar with. Certainly somebody would decide I was escaping my dues, and insist that my life start sucking again.

“Yup,” he said. “I think it’s time you had a real summer vacation. So pack your stuff tonight. We’re gonna take some time off. Training is suspended until further notice.”

 

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