Category Archives: Adventure

But You’re White! Don’t You Want to Preserve Our Heritage?

Sneak preview of my dystopian thriller/paramilitary TEOTWAWKI novel.

 

PROLOGUE
D PLUS THREE
LAS ANIMAS COUNTY, COLORADO

 

It was determined some years ago that 0300 was the ideal time to raid a home.
That was when normal people enjoyed their deepest sleep. They would be slower to wake. When they did wake, they’d be disoriented for a few crucial moments.
The assault transports, which looked like unmarked SWAT vans, rolled up on the gate at 0245. The gate was simply a cable hanging across the driveway, suspended from trees on either side. Hanging from the cable was a metal sign which read: “NO TRESSPASSING.” An officer hopped down from the van, unhitched the cable and let it fall across the road, taking no small satisfaction that the sign would be run over by multiple vehicles momentarily. He jumped back into his seat and the small convoy rolled onto the rough snow-covered dirt drive.
The DomTer’s house was a ways up the mountain from the road, and isolated enough that it made surprise more difficult than normal. The sound of engines straining to pull heavy vehicles up the steep drive could potentially give warning to the perps. Helicopters would be faster to put boots on the ground, but were even louder than their assault transports. Helicopters were also of limited availability, and in high demand these days. In any event, somebody high up had decreed this operation go in on wheels.
The assault transports and the supporting armored vehicle and communications van arrived at the end of the drive at 0303. Doors flew open and a full platoon of federal agents burst out of the transport to deploy.
It was supposed to be an especially cold winter this year, and up here it already was. Thick white clouds hung overhead, threatening more snow any time now. Their black uniforms stood out in stark contrast to the white landscape.
All was quiet. No lights were on. Good–likely the perp was still asleep or only just stirring–if he heard the truck engines at all. Either way, there was nothing he could do now that wasn’t suicidal.
Satellite imagery of this property hadn’t been a terrific help, as the buildings were well-camouflaged. It took a few confused moments for the agents to locate the house–a dome-shaped structure back in the trees.
Funny though—no sign of the dogs. They’d been worried that shooting them would also tip off the perp prematurely, but that seemed to be a non-issue. Everything was working out in their favor today.
The breech team went forward, bristling with weapons, explosives, armor and night vision devices. The blocking team circled around to close off any escape routes in back. The other teams dispersed to search the barn, sheds, and the rest of the property. The breach team leader got confirmation via his radio headset that the blocking force was in place. His team stacked on the front door, primed and chomping at the bit. The ram was passed forward.
“Go!”
The two agents closest to the door swung the ram back, then forward with all their strength, at the door.
The door didn’t give way, but they never had a chance to wonder why, or batter at it a second time.
From a distance the explosions didn’t seem that impressive. There was no fireball, and though the blasts all occurred simultaneously, the report was loud but not ear-splitting.
Up where the breach team stood, however, it was hell on Earth for a split second that would forever alter their lives permanently…and end some of them.
Big bore armor-piercing rounds tore through them from the front, sheering the bone of one agent’s arm, passing between armored sections of another and punching through his torso. But the worst of it was underneath them.
The very ground they stood on erupted. White-hot shrapnel streaked upward all over the kill zone. It ripped through boot soles and feet, through legs, buttocks, and at angles through their bodies, blowing tunnels through vital organs allegedly protected by their state-of-the-art body armor.
Other blasts sounded around the property as agents evidently stepped on mines or tripped booby-traps.
The commander, sitting in the passenger seat of the communication van, surveyed the scene in wide-eyed horror. “Ambush!” he cried. “It’s an ambush!”

1
Y MINUS ONE
TEXAS PANHANDLE

Jimmy and Bill stopped by the game warden’s office, went through the usual routine, then headed for their favorite diner with the eight-point white tail gutted and wrapped in a tarp in the back of Jimmy’s pickup.
At the diner, the two ravenous hunters ordered coffee and lunch.
Jimmy and Bill knew each other from high school, but hadn’t been especially close friends. After 9/11 Bill joined the Marines and Jimmy became a medic in the Army. After returning home they ran into each other at the V.A. Since agonizingly long waits were standard at veteran’s hospitals, they had plenty of time and nothing better to do than talk.
It turned out they had a lot in common. Both liked to hunt. Both were firearms enthusiasts. Both were disillusioned about the “war on terror.” Neither of them liked the way V.A. doctors were trying to classify them as PTSD. Nor did they like nurses and doctors asking them if they owned firearms. And both were pissed off about what was happening to their country.
A strong friendship developed after that, and many of their conversations centered around speculations on what kind of country America was going to be in a few more years, how the transformation might take place and what, if anything, they could do about it.
They hunted together; went to the range together; introduced girlfriends; invited each other over for Superbowl parties. Now and then one of them met others who shared a lot of their concerns over the state of the Union. Sometimes those others made it a habit to join them at the range and at bull sessions in the diner. Sometimes they brought wives and/or sons. A few times they asked Bill to talk about what he’d done and seen in the Sandbox. He obliged by explaining small unit tactics at length. A few quizzed Jimmy on combat medicine, and techniques he’d used in Ass-Crackistan. A lot of those folks bought weapons and gear, showing it off to the two veterans, or sometimes seeking advice and approval before buying. All of them bought ammunition with every available dollar, including Jimmy and Bill.
When the two friends entered the diner, they left their cellphones in the truck–even though both phones were rooted, and they had removed the hidden backup batteries which allowed third parties to remotely turn the microphones on.
As they discussed the hunt, the buck, and what Jimmy would do with the hide, the meat, and the antlers, a Toyota Tundra swung into the parking lot and pulled up right next to the GMC. They sat facing each other in the booth, but both noticed the new arrival through the window.
Arden Thatcher exited the Toyota’s cab and wandered up to lean over and look into the bed of the GMC, flipping up the tarp to snoop under it. He was a little below average height, thin and bowlegged, but compensated with cocky swagger for what he lacked in stature. With clod-kickers, a cowboy hat and a Rebel flag on his Levi jacket, he was the poster boy for Texas rednecks.
Arden had come upon Bill engaged in a conversation with some other folks at a survival expo, and jumped right in. He talked like a gun enthusiast, who hated the present administration. After that first meeting he bumped into one or the other of them by coincidence–like the way he just happened to show up at the diner just now.
Jimmy and Bill watched him turn from the GMC and saunter toward the diner’s front entrance.

***

Arden Thatcher didn’t leave his smartphone in the truck. Nor had he taken it apart and removed the hidden backup battery. He stepped inside the diner and swept his gaze over the patrons until he found Jimmy and Bill. Jimmy was dark-haired, with a big crooked nose. Bill was a redhead with Scotch-Irish features. Both still wore woodland cammies with matching baseball caps.
Arden smiled and nodded before heading their way.
Jimmy nodded back. That was a good sign. Maybe they were warming up to him. They still hadn’t invited him to go shooting with them or otherwise hang out with their local gang.
He felt sure he could earn their confidence in time.
“Hey Jimmy,” he said. “Howdy Bill. Mind if I pull up a chair?”
“Howdy Arden,” they mumbled, neither of them scooting over to make room on their booth seat.
Arden found an unoccupied chair at a nearby table and slid it over to sit perpendicular to the two veterans. “About due for a bad winter, I hear.”
Jimmy and Bill nodded, chewing their food.
“Who bagged the eight-pointer?” Arden asked.
Bill chinned toward Jimmy, who grinned. “We knew it would be winner-take-all,” Bill said. “That first shot would scatter all the game for 20 grid squares.”
“I hear the mating cry of the sore loser,” Jimmy remarked, smirking.
“Grid squares,” Arden repeated. “Does that mean you had a military topo map of the area?” He seemed to be a little proud that he knew about military grid, and had shown them he knew his stuff.
“Naw, USGS,” Bill said, blowing on a spoonful of soup. “Gotta use latitude, longitude and minutes. It’s just habit to think in military grid.”
“Oh,” Arden said.
Silence fell over the table for a moment. The waitress came over and asked Arden what he’d like. He ordered a cup of coffee and a slice of cherry pie.
“Y’all hear this latest thing about the illegal aliens?” Arden asked.
Both men grumbled in the affirmative.
“More and more people are rejecting the mass media brainwashing,” Jimmy said, finishing off his enchilada. “The globalists have to bring in more illegals to cancel out their votes.”
“Ain’t enough that the sheeple get to vote five or six times every election,” Bill added.
“Elections are a total sham anymore,” Jimmy said. “And what choice do we get every time? Communist or Communist Lite.”
“Tastes great!” Bill blustered, drunkenly.
“Less filling!” Jimmy blustered back, pounding his fist on the table and adding a hiccup for effect.
Arden’s coffee arrived and he took a big gulp, oblivious to the once-famous beer commercial referenced. “It ain’t just about elections,” he said. “It’s genocide against white Europeans.”
Jimmy and Bill both raised their eyebrows, shared a glance and looked back to Arden.
“Genocide?” Jimmy asked.
“Sure,” Arden replied. “It don’t always take gas chambers—if that even happened. They’ll breed the white outa’ the world if they have to. The whole country’ll be one shade a brown or ‘nother, it keeps goin’ the way it is now.”
“What ‘they’ are you talking about?” Jimmy asked.
“You know,” Arden said. “The NWO. ZOG, or whatever you wanna call ’em.”
“NWO are lily-white Europeans themselves,” Bill said. “Why would they want to ‘breed out’ their own race?”
Arden shook his head. “Most of ’em are Jews. Don’t you know that? Besides, even the ones that are truly white protect their own blood lines. They just want the rest of us to lose our racial purity.”
Jimmy fidgeted, visibly uncomfortable. “What is ‘ZOG,’ anyway?”
“Zionist Occupational Government,” Arden explained. “Our government is controlled by the Israelis. Ain’t it obvious?”
Bill set his coffee cup down, leaned back in his seat, and wiped his face with a napkin, exchanging another glance with Jimmy. “Arden,” he said, “We got nothin’ against you. But it’s fairly plain there’s some matters we don’t see eye-to-eye on. If you’re lookin’ for like-minded people to hang out with, you should go on and look somewhere else.”
Arden looked crestfallen, his jaw slack. “What? What’s the matter?”
“Nothing’s the matter,” Jimmy said. We believe what we believe. You’ve got different opinions, and you’re welcome to them. We’d prefer not to argue with you or anybody who believes like you do. We just want to do our own thing.”
“What are you?” Arden demanded, blushing. “Jew lovers?”
Maybe Jimmy was a Jew. He sure did have a big nose. The dark hair might mean he had a Mex somewhere in his family tree. Arden had determined to let that slide. But if they were going to cop an attitude just because he was fed up with the Z.O.G…
“No offense, Arden,” Bill said, staring hard into Arden’s eyes. “But it’d be best for everybody all around if you just left us alone.”
The waitress arrived with the slice of pie. Jimmy smiled at her and said, “If you would, please, serve that to him at a different table.”

AMARILLO, TEXAS

Many miles away in a secure commo room, Jason Macmillan, along with the comm tech on monitoring duty, sat listening to the conversation via the microphone in Arden Thatcher’s cellphone.
McMillan’s power and fortunes had increased significantly over the last 20 years. Too bad his health hadn’t prospered proportionately. He had most of the ailments common to men in their middle age now, including a degree of obesity, high blood pressure, and erectile dysfunction. What hair hadn’t fallen out all turned gray. But people respected him more than ever. He had the power to step on just about anybody from 95% of the population, should he need to. And even if he retired today, he’d be set to live comfortably for the rest of his life. Not that he wanted to retire. Ever.
Macmillan tore off his headset and swore. “More candy-asses,” he declared, shot to his feet, and marched to the door. He turned back to tell the comm tech, “They wouldn’t even let him eat a slice of pie at their table. When he gets far enough away, tell that stupid redneck the assignment is terminated.”
“Should he report to his handler for a new assignment?” the comm tech asked.
“No. Let him cool his heels for a while. Tell him we’ll be in touch if another assignment comes along.”
“Yes sir,” the comm tech said, and Macmillan shut the door.
Macmillan cussed under his breath as he made his way to his own office-away-from-home. They had wasted months working their informant into the confidence of that DomTer cell, and Thatcher blew it over the course of a few minutes.
Every potential target city had its challenges. Around Amarillo it was infiltrating the organized groups. Not the racially motivated gangs–those were easy, and conventional departments already had informants planted. But the groups that posed a real threat were proving tough nuts to crack.
The problem this time was, Thatcher had a long enough leash to improvise. But he wasn’t smart enough to improvise. He didn’t know the marks as well as he should have. Plus he actually believed in all that Jewish conspiracy business; so he assumed others would, too.
Macmillan didn’t care whether there was a Jewish conspiracy or not. It didn’t change the parameters of his job. But it occurred to him how he might be able to turn Thatcher’s belief in it from a liability into an asset. He would work on it with the handler before they attempted to give Thatcher another assignment.

 

Chapter 2

Jet Jocks Over Vietnam

There’s an expression for people who consistently order more food than they wind up eating: “His eyes are bigger than his stomach.” That’s how I was with books in my younger days. It dawned on me yet again the other day while building more bookshelves for my personal library that, even if I never buy another book, I’ll still probably never finish reading everything I own before I die.

One of the paperbacks that’s been gathering dust for many, many years was this novel of the air war in Vietnam.

All those years, and then the first time I opened it and read the opening paragraph, it grabbed me by the throat.

Berent tells a rip-snorting story of men both in the air and on the ground serving with honor in a conflict in which victory was forbidden.

The characters are great—Hollywood prodigal Court Bannister; soul sick rich boy Toby Parker; and devout killer Wolf Lochert. Much like W.E.B. Griffin, Berent seems to like privileged, wealthy characters who don’t have to serve, but do anyway and prove to be natural, superb warriors. Not easy for me to relate to that caste, but the author did a fine job winning my sympathy.

And you will probably learn more relevant information about Vietnam in this one novel than you can from any and every history book that covers US involvement in the conflict. I’ve read plenty of fiction and non-fiction about Vietnam, and this has become my favorite so far–just from one reading. I can’t believe I only just now got to it. But I fully intend to read the next one, STEEL TIGER (Wings of War). If that one is as good as this one, I may read the entire series.

Edgar Rice Burroughs: A Treasure from the Past for a Demasculinized World

Are you old enough to remember those glorious days of yore when you couldn’t turn around in the bookstore or walk past the bookrack at your local grocery store without seeing the latest edition of The Destroyer, or The Executioner, or Perry Rhodan #1,000,006? They still exist, but you rarely find them in public because the delicate eyes of decent people must be protected from them. To find them, you’ll usually have to go to the Internet (and thank God for Amazon and Print on Demand technology). Even so, some of the series seem to have fallen on hard times. The cover art on the latter-day Casca novels is cartoonish and hard to look at. Some of the more daring works have been suppressed, but that’s for another post.

frank-frazetta-savage-pellucidar

Others become popular, then fade into relative obscurity, only to be rediscovered by a new generation of readers later. The works of Edgar Rice Burroughs are among these. At times in the past his books were all over the shelves. At other times you were hard-pressed to find them. These books are among my perennial favorites. Enough so that I collect them. They have been around for a long, long time, and while they may wane in popularity at times, there is always a group of ERB fanatics in the background. Like many towering figures of the past, he is often denounced today, if he is mentioned at all. What was natural in his own time is now sexist, racist, and every other kind of –ist that offends the pseudo-enlightened of our time.

tarzanIf you’re like most people, the name Edgar Rice Burroughs won’t sound familiar. However, if you’re like most people, you’re very familiar with his work. ERB created the iconic Tarzan of the Apes character that simply refuses to die. Tarzan has been adapted to other media relentlessly over the last century, but none have ever matched the quality of the books. The 24 books of the Tarzan series would have been quite an achievement if he had stopped there, but he wrote dozens more in several different series as well as some stand-alone works.

The best known of these other series is the 11-book “John Carter of john-carter-of-mars-frazzettaMars” series. If that sounds familiar, it’s because of the ill-fated 2012 movie titled simply “John Carter”. The movie was made for the 100th anniversary of the 1912 story “A Princess of Mars”. The movie itself is good and faithful to Burroughs’s vision, but ineptly promoted. The inexplicable decision was made to change the original title, which let the reader know exactly what to expect, to “John Carter”, which sounded like it might be about an accountant. Other brilliant ideas included movie posters which were pure black with nothing other than the unexplained letters “JCM” on them.

If you can put yourself into the mindset of an early 20th Century reader, the books still hold up pretty well.

Book-carsonofnvenusAnother series is the “Carson of Venus” series. A 5-book series about an interplanetary Wrong Way Corrigan. The “Pellucidar” series is one of the earliest of the “hollow Earth” tales. The “Caspak” series gives us “lost world” stories, as in “Oh, my god! There’s dinosaurs here!” The “Moon Maid” series is pretty much what it sounds like. The “Mucker” series is straight up Westerns. There are jungle stories, historical novels, and other assorted odds and ends. These are fast and fun reads. None of them are long. Many are less than 200 pages. Even though they are slim books, I always felt like I got 500 pages worth of action and adventure. Some people have disparaged ERBs books as “brain candy”. Screw ‘em, candy is delicious. If you prefer for men to be men, women to be women, villains to be villains, and savages to be savages, you will probably like these books.

Book Giveaway: Tier Zero

I’m gonna try this here giveaway thang one more time.

CLICK FOR PAPERBACK

Yes, “Tier Zero” is a play on words. The recently-popular terminology “tier one, tier two,” and so forth, refers to military units according to their respective budgets.  My fictional black ops units, then, would receive even more cashola than Delta or DEVGRU.

This is a sequel to Hell & Gone, for which I just finished another giveaway and shipped out paperback copies to 10 lucky winners. This giveaway will only last two weeks. You can read what it’s about on our Books page, and I’ll post some review excerpts from Amazon below:

It would be difficult to exaggerate how good this book is as an adventure tale, or how much fun it is to read it. – Jim Morris

I thoroughly enjoyed the first book in this series, HELL AND GONE. As good as it was, TIER ZERO is better in every way. The characterizations are deeper, the plot has more twists, and hard as it may be to believe, it has even more of the gritty, well-written action scenes at which Brown excels. I thought I knew where the story was going, but it takes a nice hard turn about halfway through that powers it on to the end of the book. – James Reasoner

Overall, it’s an excellent entry in the genre, and an improvement on his past work. I can’t recommend it highly enough. – Peter Nealen

Although I have no doubt legions of Men’s Adventure fans have tried to imitate the writings of their favorite authors over the years, in Henry’s case, the student has definitely become the master. – Jack Badelaire (Post Modern Pulps)

…Author Brown harkens back to the “men’s adventure” novels that were so popular in the 80s and early 90s. He does an exemplary job of carrying on that tradition and even adds some depth and background to his characterizations that increases their humanity, makes them seem more real — all without ever getting in the way of the balls-out, full throttle action. – Wayne Dundee

…Full of action, intrigue and Shock and Awe. Tier Zero is the best of both ages of Dude-Lit. – D.R. Tharp

Now, I know Brown likes to call his work an homage to the bygone mens’ pulp-fiction genre, but it surpasses that. Sure, he hits on the essentials–the attractive women, the brave, rugged fighting men, and the unmistakably evil bad guys–but he’s a master storyteller, too. – Nate Granzow

The author puts this story together so well I read it four times and got the same hair raising on my arms… – J.G. Scott

CLICK FOR AUDIBLE BOOK


Again, there are no strings attached in the giveaway, though part of the reason I’m doing it is to get more Amazon reviews (and therefore more visibility).

Also, by the time this giveaway is finished, the third novel in this continuity should be published.

 

A Politically Correct Red Baron?

August of last year marked the 100th anniversary of the beginning of the “war to end all wars.” Perhaps the most fabled combatant in that unprecedented war was a German aviator who scored an incredibly high count of confirmed kills in an era when confirmation was a long way from the ease of verification known during the age of gun cameras.

There is a strong possibility Baron Manfred Von Richtofen shot down far more than the 80 enemy fighters he is credited with. Even so, his accomplishments during the First World War were unequaled by any other ace until the next time Germany duked it out with half the planet. Since his death, The Red Baron has appeared as a character in movies about WWI too many times to count (sometimes with a fictional name, or as a pastiche of himself and other famed German pilots). Most often in British or American flicks he is depicted as an enemy, albeit a gallant one most of the time.

This film is an American edit of a German film. As you would expect in a German film, Von Richtofen is the hero–as he was to the surrounded and outnumbered German Empire during the Great War. I’m perfectly okay with that, since none of the Great Powers had altruistic purposes. Germany and Austria-Hungary were no more villainous than Russia, France, Great Britain, Italy or Japan. Nazism wouldn’t be developed until after the war was over.

Historians can find heroes and villains on any side. Which one Von Richtofen was depends solely on which side the observer identifies with in that first epic European bloodbath.

the-red-baronThe film makers took a major detour from historical facts, and I’m okay with that, too…in theory. Aside from some superficial details about the Red Baron, they tell a story that is based in myth more than reality. And where the traditional myths surrounding the Baron didn’t fit the formula, they invented some myths that do. None of that necessarily made a great film impossible for the director and crew. Laurence of Arabia took liberties with historical reality, as did Patton and Braveheart. Then, of course, there’s the mac daddy of creative license taken on historical figures and events: Brian De Palma’s Untouchables. Even for an armchair historian like me, and a stickler for accuracy, talented film makers can tweak the facts and still wind up with a great flick.

And director Nikolai Müllerschön had a talented cast, cinematographer, and effects department to make quite a humdinger, too. But before I go into what he did and failed to do, let’s do take a factual look at the real Red Baron.

As a Prussian aristocrat, Frieherr Manfred Von Richtofen was a cavalry officer at the outbreak of war. After the German advance in the west stalled and combat deteriorated into trench warfare, the machinegun had made it obvious that the days of horse cavalry were numbered. In 1915 Richtofen joined the Second Reich’s Imperial Air Service. He trained under one of Germany’s pioneer fighter pilots, Oswald Boelcke, and became a pilot himself.

richtofen

Richtofen wasn’t a natural flier and, incredibly, contemporaries testified that even by his final days he wasn’t exceptionally talented. What he was, though, was ruthless, relentless and methodical. Some aces of the First World War may well have been chivalrous, as legend would have it. Richtofen most assuredly was not. He fought just as he hunted—seeking results rather than some adherence to “sportsmanship.” He didn’t just want to shoot enemy planes down—he wanted to terminate enemy pilots so he wouldn’t have to face them again. If an enemy survived being shot down, he strafed them on the ground. As commander of Jasta 11 he taught other pilots to do the same.

Germany’s numerical disadvantage grew much worse after the USA entered the war, and it wasn’t just the ground forces that found themselves in increasingly hopeless tactical dilemmas. The Luftstreitkräfte was also being overwhelmed by force of numbers. German pilots and aircraft were called upon to fly more and more missions with less and less rest in between.  American pilots during the next world war—a war they were winning—were often pushed past their limits of endurance on a routine basis. It’s no wonder Richtofen and his compatriots  were pushed into the meatgrinder  with no let-up as the situation became more desperate, and the high command ever more insistent that they perform miracles to turn the tide.

After scoring 8o confirmed kills (and confirmation was only possible when enemy aircraft went down on the German side of the front lines) Richtofen and his “flying circus” were just about used up: physically, mentally and emotionally exhausted. The Frieherr (Baron) himself suffered from a head wound, sustained in a previous dogfight, which gave him fits of nausea and migraines. After a sortie over enemy lines one day, he strayed too close to an anti-aircraft machinegun emplacement and was ventilated by a .303 slug. After his plane went down, Australian troops paused only long enough to strip his body before spreading the word that the Red Baron was KIA.

Unsatisfied with such an ignominious and anticlimactic end to a legendary symbol of German prowess, allied propagandists were quick to rewrite the Baron’s demise as an aerial victory for the RAF. They pitched it as if it were single combat from the Middle Ages or antiquity—the Teutonic champion had fallen to their own brave knight. Canadian pilot Roy Brown was declared their Lancelot; their Achilles, their David…Richtofen was Goliath, of course. Brown never claimed credit for the kill and, in fact, was so cramped from chronic diarrhea that day that he returned to his airfield only minutes after leaving it.

With all that in mind, it’s no wonder that film makers prefer to steer wide of historic reality.

Were I the writer/director, I too might have revised history to make Von Richtofen a gallant, chivalrous knight from the wild blue yonder. I wouldn’t have followed the current formula by putting the obligatory anti-war sentiments into his mouth, but dominant opinion right now is that such convictions, constrained by a profound sense of duty to “protect his men as best he can” makes a protagonist all the more noble while justifying a “man of conscience” participating in something so unconscionable as war. Obviously that’s what Müllerschön believed.

red-baron

Romantic subplot? Sure, why not. Men fighting wars get lonely, and if we can’t find female company, we ache for it. A German ace and a French nurse? Crazier things have happened, I suppose, and it does potentially ramp up the drama. Talk about forbidden love! And yet despite some solid acting, this whole aspect of the film was lackluster. It probably needed some more development. Whether or not Richtofen had a French girlfriend during the war, there was nothing about this cinematic romance interesting enough to justify its inclusion in the movie.

Wanna ramp up the drama? How about having Richtofen and Brown meet before that fateful day in April 1918, become friends and rivals like two gunfighters who respect each other but just know one will kill the other some day? Two samurais full of mutual respect who dread the inevitable day they’ll have to tangle. A super-detective and master criminal who take time out from their cat-and-mouse to talk philosophy? A Saracen emperor and a European king who become friends while their armies fight? Two master chess players fated to clash…two MMA fighters on a collision course…two snipers on opposite sides… You get the idea. I found this to be a cheap tactic—and a painfully unoriginal one (as well as historically inaccurate). I might have forgiven this ham-fisted gimmick if it worked, but it didn’t. Not even close.

To pull off a story like this, the screenwriting would have to be very good, if not prodigious. Müllerschön would also need enough of a grasp on history that he could at least make his blatant falsehoods seem credible.

Fail, and fail.

Take, for instance, this snippet of dialog from a conversation between Brown and Richtofen as they stroll around no-man’s land:

BROWN: You gonna hook up with that French nurse? She’s got the hots for you.
Why stop there? I mean, if you’re gonna use anachronistic dialog, why not go all the way?
BROWN: Yo, Manny, I be like, y’know, doin’ the straight and level thang, y’know, I’m cool. Then why you wanna’ dive at me outa’ the sun fo’? Shootin’ yo’ gat like it’s a drive-by or somethin’. That’s a punk move, homey.

RICHTOFEN: Yo, it’s like this, dawg: I got nothin’ but love fo’ y’all, but I be like three kills away from my Blue Max, an’ I ain’t tryin’ to have you spoil my trip to Berlin, yo.

dogfight

The death blow for this flick was the decision to tell the story in a disjointed New Wave style. Instead of focusing on the significant plot developments, turning points and action, Müllerschön went the European route, choosing seemingly at random what parts of the narrative to show us—ensuring the audience can’t invest their sympathy for the title character or even grasp how the war and Richtofen’s career are progressing.

Where the film really had the chance to shine was in the aerial combat scenes. Perhaps it could have shined bright enough to compensate for some of the major weaknesses. But not when there’s no beginning, middle and end to your battle scenes. The Red Baron was like watching This Sporting Life—just substitute the rugby matches with dogfights and there you have it in all its ambiguous avante garde mediocrity. And that’s a double shame because what aerial combat they did show looked really cool. It could have knocked our socks off if only Müllerschön had told a story with all those beautiful shots.

In short, The Red Baron could have overcome most of its shortcomings with a different approach, but Müllerschön was unorthodox when he should have been conventional, and conventional when he should have been unorthodox.

(This post was originally written for SOFREP’s “Hot Extract” column. Many changes took place at SOFREP and Hot Extract was either abandoned, or it became all about games or something. Anyway, I wanted to re-post this as part of my WWI 100th Anniversary Extravaganza that never panned out. Well, I couldn’t find where I’d saved the file. I requested the articles I wrote for SOFREP from my old contact there and never even got a reply. They weren’t using them, as all the movie and book reviews we did for them were vanished from cyberspace, but they might very well still be saved there. Oh, well. But then I finally found my own copies saved in a subdirectory on a flash drive I’d misplaced. So here ya go.)

Book Giveaway: Hell and Gone

I’m giving out 10 free copies of my first novel. The giveaway lasts for a month, so you have plenty of time to enter once it is approved on Goodreads.

I’m getting close to finishing the first draft of the third book in this series. Yet, when I wrote this first one I didn’t intend to write a trilogy. In fact, not even a sequel. I considered Hell and Gone a one-off novel.

It was a blend of modern “military thriller,” old-school men’s adventure, and war novel. I tried to give it as much realism as an adventure story could handle and still be entertaining. It was never a bestseller, but it gained some enthusiastic fans. To my pleasant surprise, a few of them were veterans recently back from Iraq and Afghanistan. Vietnam veterans liked it, too. It received comments like “a man’s book, through and through” which was welcome praise, since masculine themes of honor and brotherhood are intended in most of my fiction.

Anyway, some fans asked for or suggested a sequel. At first I dismissed the idea out of hand, wanting to work in other genres. Plus a whole wave of younger veterans were breaking into military fiction, armed with up-to-date knowledge of military technology I didn’t think I should compete with. But a friend around my age (a veteran of the South African military now working as a “security contractor”) told me I should write a novel about combating modernday piracy. I’m pretty sure he was dealing with that very kind of thing during some of the long periods of silence in our communication; but he was understandably OpSec-conscious and never divulged details over the Internet.

Despite myself, the seed of an idea began to form. In time it took over, pushing everything else out of my brain, and became Tier Zero–a full-bore paramilitary men’s adventure, with a Mack Bolan-esque cover, busty nubile wenches and the whole nine yards. My South African buddy made a cameo appearance, with his name changed, of course. This time I deliberately left an opening for a sequel.

Here’s the book trailer for Hell and Gone:

Enter the giveaway for a chance to win a free paperback edition with the original cover. The link is on the right sidebar, and should go active soon. If you’re on Goodreads, then there are no strings attached. (An Amazon review after reading it would be appreciated, though.) If you’re not on Goodreads, it costs you nothing to join. Like any other public forum it has been dominated by feministas and leftards (both readers and authors), but there is a growing subculture of red pill readers; even some authors like me offering an alternative to the chick-lit, romance, paranormal, and other typical pinkshirt pap with Marxist themes and pixie superninjas.

After this giveaway, I plan to do the same with 10 copies of Tier Zero, so stay tuned. By the time both giveaways are complete, the third novel in the series should be ready for prime time.

BTW, if you would like advance warning when the book is about to go live, click here.

Holding Their Own II by Joe Nobody

I’m a TEOTWAWKI/post-apocalyptic fiction fan going way back, to when I first saw The Road Warrior.  For many years, it seems like there hasn’t been a lot in the genre that’s well-written, unless you want zombies.

I’m working on such a novel myself right now, and wanted to keep my mindset grounded in the genre. So I’ve been listening to a lot of late ’60s rock (it works for me), and have tried a few TEOTWAWKI series on Netflix (all of which became overbearingly stupid after a few episodes).

I had some extra Audible.com credits this month, so I went shopping for a recorded book. And, being stung too many times by both tradpub and indie authors, I perused the reviews before taking a chance. I’ve been at this long enough that I usually know which reviews to ignore and which to pay attention to, and author “Joe Nobody” seemed to have a lot going for him. Also, his blurbs were competently written. (You might be surprised how many authors expect you to take a chance on their books after posting poorly written descriptions.) This is why I started the Holding Their Own series with the second novel–opinions were just about unanimous that the narrator for #1 was too awful to endure for hours.

So in this one, subtitled The Independents, the SHTF already, and folks are surviving as best they can.

The hero’s name is Bishop. Not sure whether that’s a first or last name, but it doesn’t really matter. He and his wife have a small ranch hidden in a canyon in Texas, surviving and minding their own business. The story kicks off when a former military/intelligence colleague of Bishop’s crash lands in a small plane after buzzing the hidden ranch.

“The Colonel” is seriously injured in the crash, and a whole bunch of other stuff is triggered as well. The plot involves a Colombian drug lord , a kidnapped girl, a treasure in gold, and a frustrated doctor without the right tools and materials to help his patients…just to name a few.

The adventure factor made this the most fun I’ve had in the genre since reading The Last Ranger and Doomsday Warrior series as a young man, though there are no radioactive mutants or B-movie villains in this one.

Where the author shines is in his characters. Bishop is smart and skilled. Not invincible, but he doesn’t cause me to groan like so many heroes in the genre, either. He faces some pretty intimidating odds at different points, and enjoys good luck for sure, but his triumph is entirely plausible as written. What’s more, I actually liked the character of his wife in this book. Most female protagonists in the genre are written in a way that causes me to roll my eyes and skip ahead. But this one is the kind of woman you’d want to have in such a situation.

Well, frankly she’d be a prime catch for any man in the western world these days, but especially in a frontierish survival scenario.

Mr. Nobody has made me a return customer with this book.

Book of the Year Award

We try not to pimp our Books all the time here, but Tier Zero is in the hunt for the Conservative/Libertarian Fiction Alliance Book of the Year Award.

This is the first such award, and allows entries from 2013 and 2014. So Tier Zero qualified, and was nominated. You do not have to be a member of the CLFA to vote. If you’ve read it, you can vote for it here. If that link doesn’t work (apparently it has trouble on some browsers) you can cut and paste this address in your browser’s URL bar: https://www.surveymonkey.com/s/F39TY7Q

Some of the other nominated books have a big fan base, so this is not a cakewalk by any means and your vote is appreciated.

If you have not read Tier Zero, Amazon links are below (paperback and Kindle…plus there’s an Audible version). And here are some excerpts from  Amazon reviews…which you can of course read in their entirety if you choose:

It would be difficult to exaggerate how good this book is as an adventure tale, or how much fun it is to read it. -Jim Morris

I thoroughly enjoyed the first book in this series, HELL AND GONE. As good as it was, TIER ZERO is better in every way. – James Reasoner

…Balls-out, full throttle action. …In this tough, gritty paramilitary thriller (sequel to the popular HELL AND GONE) author Brown harkens back to the “men’s adventure” novels that were so popular in the 80s and early 90s. – Wayne Dundee

As much as I enjoyed Hell & Gone, this book is better. …I can’t recommend it highly enough. – Peter Nealen

Tier Zero (a great play on words) harkens back to the classic bygone era of Men’s Adventure… Today the genre is enjoying a bit of a comeback and Hank is one of the authors driving that. – Jack Murphy

Although I have no doubt legions of Men’s Adventure fans have tried to imitate the writings of their favorite authors over the years, in Henry’s case, the student has definitely become the master. – Jack Badelaire

Now, I know Brown likes to call his work an homage to the bygone mens’ pulp-fiction genre, but it surpasses that. Sure, he hits on the essentials–the attractive women, the brave, rugged fighting men, and the unmistakably evil bad guys–but he’s a master storyteller, too. – Nate Granzow

…A story that is full of action, intrigue and Shock and Awe. Tier Zero is the best of both ages of Dude-Lit. – D.R. Tharpe

So go read it, already. Leave an honest review and vote for it, too.

(If you have not read it and don’t intend to, please don’t vote for it, as that would not be fair to the other authors with a dog in this fight. And speaking of other authors, you can vote for up to three different books. One of those nominated is Fast Cars and Rock & Roll. If you haven’t read anything on the list, we encourage you to pick one and do so–there are  a lot more non-leftist authors out there than there used to be, and you might enjoy their work.)

The Pirate, The Princess, and The Farmboy

My son had never seen Star Wars.

Oh, he’d seen cartoon spinoffs from the second trilogy, and played with the Lego sets. Those never really impressed him. And is it any wonder? The movies most are familiar with today, which all that spun off from, are utterly forgettable.

I’m referring to the first one—Episode IV: A New Hope. The movie that pimp-slapped all the arrogant marketing “experts” who thought they knew what would and wouldn’t sell. They all thought it would be a laughable flop. Everyone just knew that even straight science fiction didn’t sell anymore by 1977. But moviegoing audiences didn’t realize they weren’t supposed to like it, and went back to see it multiple times, keeping it held over in theaters for umpteen weeks in a row. In constant dollars there’s probably never been a movie that’s done as well at the box office. And on the clout of that one movie, George Lucas can get away with foisting all kinds of lackluster cinematic drivel on us for the rest of his life.darthben

As I suspected he would, my son loved it. His favorite character? R2D2.

What I couldn’t help noticing this time (my first viewing of it probably since the revamped Greedo-shoots-first version in the 1990s, but perhaps my 15th viewing overall) is what a solid bit of acting the principals put in.

There are some exceptions (“You know of the rebellion against the Empire?????”), but overall it’s rather impressive. Why? Well, for one thing, they had to sell some dialog that’s rather difficult to make sound natural.  And secondly…

Star Wars: A New HopeWell, by today’s standards the special effects are dated and hokey (at least on the small screen), saved only by some rather desperate editing. But the actors didn’t even have that. Now granted, a regular person doing what actors normally have to do would feel stupid doing it. Multiply that  a few times over for these guys who had to perform scenes almost in a vacuum, sure that whatever effects were put in afterwards would be of the cheesey Roger Korman variety.

In interviews later, the actors admitted they feared exactly what the studio execs did: that this would be a colossal joke, sharing the infamy of Plan Nine From Outer Space and other such dreck. But they put their hearts into it anyway and it couldn’t have succeeded without them.

Triumph of the Alpha…er, Sun

I suspect Wilbur Smith is a closet anthropologist…not just because of the attention he gives animals in some of his novels, but because of the human actions and interactions he depicts–usually according to type.  In this novel especially, Smith writes like somebody who is a manosphere junkie…except he doesn’t use the lingo.

There is a beta protagonist (Ryder Courtney); an alpha hero (Penrod Ballentyne), some nubile Victorian-era babes rife with symptoms of hypergamy/AFBB…and a whole lot of blood and thunder.

All these characters, and more, intersect at the siege of Khartoum. They are all depicted masterfully by the writer, who gets you to care about them before shoving them to the brink of death repeatedly. At any point in this book there’s a lot at stake and the suspense is high.

Like most true alpha dogs, Ballentyne is willing to take bigger risks than the average Joe. While this elevates his status in the eyes of women from both cultures (Muslim and Western), it also tends to put him in the most hopeless situations. His life dangles by a precarious thread for most of the second act, though he earns the respect of his bloodthirsty captors just being himself (a theme I’ve noticed in other Smith novels). And also like most true alpha dogs, Ballentyne is willing to dish out harsh preemptive justice, retaliation, and revenge, with little to no remorse. And he’s certainly not above using people to get what he wants.

Courtney is a good man who is moral to a fault. He’s sympathetic, smart, and certainly not lacking in courage, but destined to be a beta provider for a headstrong woman (of which the Victorian era had a few). There’s one scene in particular where he really needs a big dose of alpha ruthlessness, but his untimely mercy puts everyone at risk and causes unnecessary suffering and death.

This novel accelerates to a quick start and romps like a steamroller right to the end.

This is high adventure worth reading for a number of reasons.