For the last few weeks. as mayors and governors leverage COVID-1984 in order to turn America into a 3rd-world dictatorship with themselves as the Politburo, it’s been encouraging to see some law enforcement personnel (usually county sheriffs, but some others as well) hesitate to violate the rights of citizens. It’s sad (and indicative of how much damage our republic has sustained) that we are overwhelmed by gratitude for public servants who merely do the job we pay them to do; but it’s still tempting to call them heroes. We probably can’t even imagine the pressure some police are under to violate our civil liberties.
This historic phenomenon reminds me of a scene in False Flag:
His first order of business was to scrutinize his deputies. He fired all but seven of them, then sat the survivors down in the briefing room and gave them a longer speech than the one he delivered on the campaign stump.
“You men have heard the expression ‘there’s a new sheriff in town’?” Tommy asked, then just watched the deputies reactions as the thought sunk in.
“The reason you are the only ones here is because I let everyone else go. The first thing I want you to understand is that for every one of you still here, there’s ten unemployed wannabes waiting in line, who paid to put themselves through the police academy. It will be much easier for me to teach them good habits than to correct any bad ones you might have. If you’ve been learning the wrong way to conduct this job before I came along, then you’d better un-learn it before I find out.”
He opened the cardboard box on the desk, pulled out a handful of small booklets, and tossed one to each deputy.
“Each one of you took an oath to uphold the U.S. Constitution, and the laws of Oklahoma,” Tommy said. “The Academy does an okay job teaching you the most common Oklahoma statutes you can use to trick, bully, and charge citizens. It does a disgraceful job teaching you about the Bill of Rights. These little books are copies of the Constitution, with the Bill of Rights and the later amendments, plus the Declaration of Independence and some other stuff. When you report to work tomorrow morning I expect you to have read the Bill of Rights. If you have any questions about it, ask me. I’m giving you one week to read the entire Constitution. You swore to uphold it, so as long as I’m sheriff, you’re gonna know what’s in it.”
None of the deputies had worked with him before. Nobody grumbled—possibly only because they weren’t sure how crazy a boss he would turn out to be.
“Until then,” Tommy said, “here’s some items for you to remember: if you ask for or accept any kind of bribe, you’ll be fired. If you steal something, I’ll put you in this jail myself. There will be no more checkpoints. No more speed traps. No more arresting people, then figuring out what to charge them with after they’re brought in. No unwarranted searches; no warrants without probable cause—and probable cause does not include skin color, camouflage clothing or gun racks.”
Tommy studied faces again. Some of the deputies blushed. He took note of them.
“You will not take one of the unmarked cars from the motor pool without authorization directly from me. We are not going to use unmarked cars for speeding tickets. If our objective is truly to make drivers slow down, then we want them to see that we are out there on the road with them.
“I don’t want citations for seatbelt violations coming across my desk. Citizens are not our property. If they aren’t endangering someone else, leave them alone. There’s more than enough yahoos on the road out there driving drunk, tailgating, changing lanes without signaling, cutting people off, running stop signs, and all kinds of other idiotic stunts, for you to concentrate on. Citizens don’t pay our bills to be harassed, or for you to make up excuses to cite them. You aren’t revenue men anymore, so make that mental adjustment right now. From now on you are public servants, and your job is to protect and serve.”
Kevin raised his hand tentatively.
“Save your questions until I’m done,” Tommy said, and Kevin lowered his hand.
“If you find yourself in a situation that requires backup, then call for it. And if you need to use force–up to and including deadly force–then don’t hesitate. If you’re doing your job right, I’ll have your back. But understand this: that badge doesn’t give you the right to violate anyone’s rights. If you hurt or kill somebody without good reason, then I will be your enemy. And if a suspect is truly resisting arrest, and the situation justifies a call for backup, your job is not to converge on the scene to get your sick jollies beating and tazing the suspect. You get them restrained and back here for booking as quickly, efficiently, and painlessly as possible. Is that understood?”
A chorus of sober “yes sirs” sounded in reply. This was not a happy crew.
“I’ll take questions, now,” Tommy said.
“Is it just us, now?” Kevin asked. “Are you going to replace the deputies you fired?”
“We’re gonna work it like this for now,” Tommy said. “I’ll see how it goes. I might bring in a couple rookies if it turns out we truly are short-handed. But the workload will be going down now that we’re out of the harassment business. This will probably be enough manpower, right here, to do the job we’re getting paid to do.”
Sheriff Flores had bloated the office with a small army of deputies, and ballooned the budget every fiscal year. Paying for all that excess made it necessary to generate revenue by “proactive” policing that made the locals despise and distrust law enforcement.
“Question,” Jeff said. “If we’re only concerned with people who violate the rights of others, how do we deal with drunk drivers?”
“Drunk drivers put other people’s lives at risk,” Tommy replied. “That’s a violation of somebody’s most basic civil liberties: the right to life – weaving all over the road and other drunk behavior will kill somebody; the right to liberty – a wheelchair is a definite infringement on their freedom; and property – the other vehicle or whatever else the drunk is going to crash into.
“Men, I spent some time in the Middle East. That region has the absolute worst drivers in the world. I wouldn’t trust them at 20 miles an hour on an empty four-lane road. But they drive at 110 on two-lane, half-paved roads, with crossing livestock and blind corners. And yet they have only a fraction of the accidents as we have in the States, driver-for-driver. Why? Because they don’t drive drunk. Period. They just don’t do it.”
Another deputy—Walker was his name—raised a hand. “You just told us to use deadly force without hesitation if we need to. Then you said you’ll be our enemy if we hurt or kill somebody. That seems like a contradiction.”
“Two problems, Walker,” Tommy said. “First off, you didn’t listen carefully to my instructions. Poor attention to detail. Secondly, it seems to me that you question your own ability to judge when force is necessary and when it’s not. That’s a fatal flaw in any peace officer.”
“I think his concern,” Harris said, “is the same as mine and everyone else’s: I mean, it’s our first day with you in charge and it’s like you’re taking the side of the civilians over us already.”
Tommy shook his head and ground his teeth for a moment. “Let me make something real clear to all of you right now: you are civilians. You are not soldiers; you are not in an army; and we are not at war with the taxpayers.” He pointed at the booklet Harris absently played with in one hand. “I don’t just expect you to read that, men. I expect you to know it; accept it; and conduct yourselves as if you believe it, for as long as you work for me.”
Buy it on Amazon.
Within the first four months, three more deputies were gone. Harris tampered with his car camera; Walker coerced sexual favors from a prostitute in Norman. The third quit.
Tommy deputized some academy graduates to replace them. One of them was Janet Bailey, who covered for the dispatcher during her shift, and also updated the website. The image of the county sheriff’s office turned around, between her efforts at communication and the reformed conduct of the deputies.
Looking back on that first year, Tommy was surprised more deputies hadn’t quit. What surprised him even more was that, after a few months, the Feds seemed to lose interest in the bogus murder rap. He was questioned a few times; Gunther and Jenny were questioned; then the Feds backed off. Maybe, by some miracle, an honest person was calling the shots despite the Attorney General. And the fact that Tommy had been too busy with his new duties to keep sniffing around at the Justice Department probably helped.
With all the changes Amazon has made to the review process, I had resigned myself to probably never getting another review–at least never getting a positive one. But on my way to getting a link for False Flag, I noticed a new one had just been posted on the 11th:
I’ve read a number of novels of this genre, and this one stands out in so many ways. Author Brown does not mince words and refuses to be daunted by the title ‘Conspiracy Theorist’ as he explores via his characters how easily one could execute a false flag and make it seem believable. If for some reason it is successfully thwarted, he then shows the ease with which the truth can be distorted, by subtle additions or omissions, to a believable lie, to become true fake news. And because it comes from an authority like the US Government, most will believe it to be the truth without any attempt to vet it. Likewise, he lays out how only a core group of the population, key personalities and authority figures, have to support it for it to become ‘fact’ .
I also appreciated how Brown brought in many minority groups, this time even Native Americans, to discuss what they face in a society that has become more and more polarized for no good reason. Depending on the situation, we can all become ‘minorities’; and drawing such a ridiculous line of separation as appearance or sex is completely nonsensical. As the old adage goes, “You can’t judge a book by its cover.”
This story is an eye opener for anyone who has ever wondered why, or how, we’ve gotten to this place in time.
I’m not calling it “the Martial Law Book Sale” because I’m trying desperately to be optimistic about the shutdown and what will happen afterwards.
While we’re waiting (and hoping) for this to blow over, don’t succumb to boredom. Kick back with a good book and enjoy the down time.
Mike has reduced the prices of all his e-novels, now. Also, I’ve slashed the prices of my shorter books and will add those links, too. Remember, you can click on the images or the text links to buy. And all these books are available not only on Amazon for the Kindle, but at Barnes & Noble for the Nook, Kobo, the Apple Store, and just about every other store where you can buy e-books, for whatever device.
-Hank
Fast Cars and Rock & Roll…that title tells you exactly what you’re in for in this 459 page high-testosterone tale of Deke Jones’ adventures with racing, rock music, and ravishing women.
Deke Jones is back for 612 pages of private detective work mixed with irreverent mayhem in Shadow Hand Blues, trying to solve a cold-case mystery after stumbling on a dead blues man’s electric guitar.
There are no elves, unicorns, or pixie ninjas in Gods & Proxies, but it’s about as epic a fantasy as you could possibly get in 316 pages. Or is it a fantasy at all?
The entire Retreads series is available for a song at Amazon. Well, I don’t think they actually make you sing. But the three E-Books will cost less than a cheeseburger from the drive-through.
And, of course, the books are for sale individually, too. Hell and Gone was the series premier, my first bestseller, and still the most popular of all my books.
Below are some shorter books that were priced lower than the full-length novels. Now they’re even cheaper! (Sale prices will be visible after clicking on the links.)
Long before mixed martial arts, men of the west displayed their violent prowess with fists only. Tomato Can Comeback is the tale of a young fighter’s quest for redemption…on the canvas.
Also available as an audiobook from Audible. Comment on this post to get a coupon code for a discount!
Radical Times is set during the aftermath of the Civil War, when a soldier returns to the girl he loved, but is caught in the middle between two factions that still want to fight.
Thus Spake the Bard tells the story of a troubador and his creative friend, who get on the wrong side of a sheriff from Nottingham.
The Greater Good is a satire, dropping snark bombs on the superhero genre and leftist groupthink.
There’s a lot of stuff going on right now. Some of the “solutions” to COVID-19/the Wuhan Coronavirus are wrong, infuriating, and scary. In the short term, a lot of us are worried about our jobs–will they even exist once this mess blows over?
People around the world are worried about putting food on the table. For those in that position, I urge you to be as wise as you can with what resources you have.
For those who have food and water covered, but are bored and need something to do, Virtual Pulp is cutting the prices on our E-Books. I’ve suddenly got a lot more time to read than normal, and it’s one positive side effect of this crisis. Below are text links and image links (yes–you can just click on the book cover image to buy one from Amazon) for reduced-price E-Books. They’re available in all electronic formats and pretty much every online book store except Google Play.
Stay safe and keep your powder dry.
Buy the whole series from Amazon.
The entire Retreads series is available for a song at Amazon. Well, I don’t think they actually make you sing. But the three E-Books will cost less than a cheeseburger from the drive-through.
And, of course, the books are for sale individually, too. Hell and Gone was the series premier, my first bestseller, and still the most popular of all my books.
Virtual Pulp contributor Paul Hair also has some work published you should look at. It is not on sale currently, but still worth a read. You can find his short stories in the Appalling Stories series.
Women’s History Month is here (or so people tell me). And in celebration of that, I’ve put together a few clips that feature a handful of some fine moments in Hollywood history that involve women.
So without further ado, here they are in chronological order based on the year of release of the films.
1939: Gone with the Wind
Rhett Butler picks up Scarlett O’Hara and carries her upstairs to spend the night with him . . . whether she wants to or not.
https://youtu.be/RTw6ZLYudPc
1942: The Black Swan
Tyrone Power’s character manhandles Maureen O’Hara’s character throughout this film. Here are three scenes where he shows her who’s boss.
1946: Duel in the Sun
Jennifer Jones’s character is on her hands and knees, scrubbing away and really putting her hips into it when in walks Gregory Peck’s character. . . .
1951: Anne of the Indies
It’s two leading ladies here. Jean Peters’s pirate character attempts to sell Debra Paget’s character at the slave market. I couldn’t find a video clip of that scene, but here’s a link to an image of it at IMDB.
And you can watch the theatrical trailer for Anne of the Indies to get a flavor of the movie too.
1952: The Quiet Man:
John Wayne’s character finally has enough of Maureen O’Hara’s character, and he takes her for a little walk, dragging her along (literally at points) while the good townsfolk cheer him on.
https://youtu.be/E4Y5GpnWt5k
1953: Gentlemen Prefer Blondes
Sure, everyone remembers Monroe’s famous “Diamonds Are a Girl’s Best Friend” song and dance in that pink dress. But there are plenty of other memorable moments in this movie. For instance, when Monroe’s character measures her hips and finds they aren’t quite the right size to fit through the window.
1956: Anything Goes
So they made them change the lyrics to the song “Anything Goes” in the movie with the same name, and a lot of people don’t like it. But it’s still a fun number. Mitzi Gaynor is a triple threat: acting, singing, and dancing, with dancing being the strongest of the three.
1959: The Indian Tomb
Debra Paget dances while barely wearing anything. (Skip to the 1:15 mark to see the actual start of the dance.)
https://youtu.be/jtkMUsRZP1k
By the way, that dance was not a one-off. Paget was a great dancer (and she was gorgeous). Here she is in a scene from Stars and Stripes Forever (1952).
1960: The Millionairess
The nurse tells Sophia Loren’s character to undress. And so she does.
1963: Donovan’s Reef
John Wayne’s character administers some corporal punishment to Elizabeth Allen’s character.
1963: McLintock!
John Wayne’s character administers some corporal punishment to Maureen O’Hara’s character.
1963: Spencer’s Mountain
Henry Fonda’s character administers some corporal punishment to Maureen O’Hara’s character (occurs around the 1:19 mark).
1963: 4 for Texas
What do you get when you put Frank Sinatra, Dean Martin, Charles Bronson, Ursula Andress, Anita Ekberg, and The Three Stooges in one movie? 4 for Texas. And you get multiple good scenes. One such scene is where Andress’s character explains to Martin’s character that she’s seeking a master—not a partner.
1964: Goldfinger
The scene where Bond tames Pussy Galore is famous—or rather, infamous. Why? Because it’s no longer politically correct.
1966-1968: Matt Helm Series
The Silencers (1966), Murderer’s Row (1966), The Ambushers (1967), and The Wrecking Crew (1968) are the four Matt Helm films that Dean Martin made. They all feature Martin and a lot of women. Here are two memorable scenes.
In The Silencers, Dean Martin’s character rip the clothes right off Stella Stevens’s character. (I couldn’t find a legit YouTube clip of it.)
And in The Wrecking Crew, Sharon Tate’s character runs up to Martin’s character and has a spectacular fall.
And for a little bit of trivia, in addition to Tate being in The Wrecking Crew, the film also featured Nancy Kwan, Elke Sommer, Tina Louise, and an uncredited Chuck Norris. Bruce Lee served as a “karate advisor.”
1998: The Mask of Zorro
Catherine Zeta-Jones’s character decides to get into a sword fight with Zorro. It doesn’t end well for her.
So enjoy and share these clips on social media. I’m sure everyone will agree with me that it’s a great way to celebrate Women’s History Month.
Top Image: Screen capture of scene from ‘McLintock!’
I’ve blogged about Mr. Levinson a few times before. Some readers of action-adventure have called him a “trash genius”–an epithet that evidently pleases Len.
I really don’t like that label. I’ve read a lot of Len’s fiction and none of it was trash. It wasn’t Tolstoy, but it wasn’t meant to be. And here’s an important point: If Len wanted to write highbrow literary fiction, in my opinion he could easily craft a novel in a league with War and Peace.
I was fortunate enough to become an author years ago. All three of the novels (so far) in my Retreads series have been Amazon bestsellers. A pleasant surprise was a type of reaction those books got from readers: that they captured the fun and excitement of the pulp and paramilitary adventure fiction of yesteryear, but with a high caliber of prose that most of the classic men’s fiction never achieved. I was shooting for exactly that combination of excitement, realism (two attributes that seldom go together) and well-crafted writing. But the praise surprised me in that readers found it remarkable. I didn’t appreciate how rare it was, because I had read so much of Len’s work… which is action-packed, well-plotted, with realistic dialog and great characterization.
Len and I have different styles, different experiences, and different areas of interest, but anybody who likes my fiction should definitely read Len Levinson.
I am happy to share another insight into Len’s writing career, in his own words:
One day circa 1979 I was sitting in the East 50s office of paperback packager Jim Bryans. I just delivered a manuscript and we were speaking about various matters that I don’t remember. Then out of the blue he asked: “Have you ever written a World War Two novel?”
I replied that I had indeed written a World War Two novel called DOOM PLATOON by Richard Gallagher, set during the Battle of the Bulge, published by Belmont-Tower in 1978.
Jim said that a publisher contact of his was looking for someone to write a World War Two series, and asked me to bring him (Jim) a copy of DOOM PLATOON for submission to the publisher. I did so ASAP and a few weeks later Jim called to say the publisher wanted to meet me.
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The publisher was Walter Zacharius who together with Roberta Grossman owned Zebra Publishing, their offices on Park Avenue South around 32nd Street. I think Jim attended the meeting but Walter and I did most of the talking. Walter told me he’d liked DOOM PLATOON and wanted me to write something similar as a series. He also said that he’d been in the Quartermaster Corps during World War Two and rose to the rank of sergeant. I distinctly remember him saying that he had participated in the liberation of Paris.
In turn I mentioned that I enlisted in the Army in 1954, served three years in the Infantry and Corps of Engineers during the Cold War, was stationed in Alaska about half of my enlistment, therefore I knew basic military life up close and personal although I’d never been in a hot war. I also said that infantry weapons during my Army years were identical to those used during World War Two, or modified somewhat, and main principles of fire and maneuver also were pretty much the same. I assured Walter that I could write about World War Two with a high degree of authenticity although I’d never been there.
I agreed to Walter’s deal, probably signed the contract then and there, walked home to my broken-down pad in Hell’s Kitchen and tried to figure whether the series should focus on one person or on a unit like a platoon. Finally I decided on one person who would be a tough sergeant similar to Sergeant Mazursky in DOOM PLATOON.
Mazursky had been based loosely on a friend named Mike, a World War Two veteran and very tough guy seven years older than I. Mike had been been ready to rumble at any moment and seemed to have no fear or caution when any conflict arose. Occasionally he threw shocking temper tantrums in public and seemed ready to punch out people. Physical intimidation was perfectly okay with him but we usually got along well and he became one of my most significant mentors, for better or worse.
Mike’s military career had not exactly been illustrious. He went AWOL numerous times during World War Two in Europe, had broken out of a stockade, and instead of fighting for his country full time, had been wheeling and dealing in black markets of France and Germany.
After mustering out, Mike attended Columbia University for a year or two, then dropped out to sell marijuana and become something of a gigolo. He got arrested at the Mexican/Texas border for smuggling marijuana and served five years in a federal prison during which he wrote for and helped edit the prison newspaper. I met him shortly after he was released in 1961, the same year I arrived in New York City.
Mike was a very complicated guy. He could be vicious or extraordinarily gentle and kind. He could insult you savagely, then take you to dinner. He could cruelly put you down, then burst into laughter as if it was all a big joke. A deeply devoted party animal, he also was a heavy drinker and doper. Cocaine was his drug of choice. He did not believe in God, had Communist inclinations, was surprisingly well read and could talk like an educated man, which he was, or growl like a gangster, which he also was.
He also was amazingly successful with women although not exceptionally good-looking in my opinion. He vaguely resembled the actor Victor Mature combined with John Garfield, Rocky Marciano and Sylvester Stallone. He always had girlfriends even after he got married.
Once I asked him the secret of his success with women. He replied that women were attracted to confident men, but mainly just wanted to be loved. He certainly was very confident and actually seemed to love all the women with whom he was involved.
Another time he said to me: “You’re the craziest person I ever met in my life, but you SEEM normal.”
Mike was a first class conversationalist, raconteur and storyteller. I often listened to him spellbound, although his wife Maggie said he never let facts get in the way of a good story.
Mike introduced me to my first wife, a Cuban immigrant whom he called Chi-Chi. Our marriage was stormy and ended in divorce after four years because we simply weren’t compatible souls. During a period of post-divorce angst, I blamed Mike for my misery. “If it hadn’t been for you, I never would have met Chi-Chi.”
Mike replied with a winsome smile, “I only introduced you to Chi-Chi. I never told you to marry her.”
Of course he was right. My bad judgement was the cause of my unhappiness. I knew that Chi-Chi and I weren’t compatible but I was dazzled by her beauty and couldn’t think clearly, as happened often during my younger days.
Mike became the basis for my new central character Sergeant Mahoney and I decided to call the series THE SERGEANT by Gordon Davis. I was very excited about writing this series because I had been interested in war since childhood, and read many novels and historical works about war. Born in 1935, I literally grew up in the atmosphere of World War Two. I remember ration books, paper and metal drives, and regular reports of casualties. Victory was by no means certain, many setbacks were reported, and an atmosphere of desperation pervaded the land. Occasionally we schoolchildren did bombing drills where we sat with our back to walls and hoped no bombers would ever come.
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I thought my background growing up during World War Two, and three years in the Army, were ideal preparation for writing a World War Two land battle novel. My next big literary decision concerned when to start the action, but the answer seemed obvious. I should begin the novel with the D-Day landings in Normandy and then carry each novel forward chronologically.
What would the first plot be? I didn’t want to write about actual landings and the subsequent grinding fight for the beachhead because it had been done in movies numerous times, most notably THE LONGEST DAY. Instead I dreamed up a suspenseful commando style mission behind enemy lines to blow up a critical bridge that supported trains carrying German soldiers and equipment to the front.
I wrote in a state of deep intellectual and emotional involvement, and around six weeks later submitted the completed manuscript to Walter, certain that he’d love it. A short while later he invited me to his office, told me that in fact he did like the novel and would publish it BUT he pointed out that ordinary soldiers never went on commando missions behind enemy lines, and he wanted subsequent novels to be about ordinary soldiers engaged in standard World War Two front line battle action. I said okay and that’s what I gave him in the next eight novels in the series.
I loved the cover for the first SERGEANT. It really stood out on book store shelves. Subsequent SERGEANT covers were similar. Walter really understood marketing and that’s why Zebra was the most successful privately owned publishing company in America.
Looking back, I think THE SERGEANT series marked a turning point in my literary career. Somehow I gained a more comprehensive understanding of novel writing while working on its plots, subplots and characters. It was the second series that I created, the first being BUTLER for Belmont-Tower, but THE SERGEANT seemed of much higher quality than BUTLER. Many readers have praised THE SERGEANT in blogs and on Facebook, which has been most gratifying.
THE SERGEANT SERIES has been republished by Piccadilly as ebooks by Len Levinson and presently available from Amazon. He also wrote another gritty WWII series called The Ratbastards which I heartily recommend. In my previous post, you’ll find links to my other reviews (to date) of his Sergeant books.
Well, this is embarrassing. I began posting reviews of Len Levinson’s (writing as Gordon Davis) magnificent WWII series The Sergeant in chronological order after starting out of sequence with my first couple reviews back on The Two-Fisted Blog…and somehow, I skipped right over this book despite posting an Amazon review back on May 9 of 2017. So here it is, finally:
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Master Sergeant Mahoney and Corporal Cranepool have just returned from their attachment to a French unit liberating Paris. It was supposed to be cushy duty, but only the end of it was cushy–in the arms of some French floozies in a fancy hotel.
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The Sergeant and his sidekick are back just in time to meet Charlie Company’s new C.O. Captain Anderson is a young, inexperienced officer, but one of the good ones (a rare combo, in my day). They’re also just in time for one of Patton’s “recon in force” missions, to push across the Moselle and keep the pressure on the Germans.
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This installment in the series could launch a character study on the sort of men who populate the officer corps of an army. Whether a commander wants to make a name for himself, or simply doesn’t want a sub-par evaluation, it is their troops who are used like cannon fodder to enhance or maintain their egos.
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Mahoney himself has some moments in this book in which hedemonstrates more humanity than is normal for him. (Also, in this one we are introduced to PFC Butsko. I can’t help but notice the similarities between him and the platoon sergeant of The RatBastards–also named Butsko.)
I’m not sure when I’ll complete reviews for the final three books in the series…but I plan to. Meanwhile, you can read the remaining reviews of this series so far here and here.
The Japanese could have taken Midway almost unopposed on their way to attack Pearl Harbor. That oversight fit into a larger pattern of miscalculations that spelled doom for the Japanese Empire.
But America’s victory was far from a foregone conclusion by the time the Japanese got serious about capturing the “unsinkable aircraft carrier” that was Midway Atoll. The “sleeping giant” Admiral Yamamoto feared was just awakening and the limping American Pacific Fleet was outmatched going into the battle. It was rather miraculous that we even had three carriers to throw against the Jap Navy. What happened once the forces squared off might be even more miraculous.
What’s nice about this film is that it builds a fairly thorough picture of the early phase of the Pacific War. It’s not just about the battle of Midway, but goes back to cover Pearl Harbor, and even ranges as far as Doolittle’s raid on Tokyo. It spends time on junior and mid-level officers I don’t remember seeing portrayed in any other movie, including a couple pilots who were instrumental in winning the statistically unlikely victory.
My apologies for writing this review too late for you to see this film in the theaters–because it was worth the ticket price. If you’re sick of most the garbage Hollywood spews out, and would like to see more good flicks like this one, then I encourage you to spend some voting dollars on your own copy of Midway as soon as possible.
It may seem like I’ve been idle since releasing False Flag a few years ago. I haven’t, though my writing productivity has fallen off quite a bit. And I did manage to get one work of fiction finished.
David Dubrow gave me an opportunity to submit a story for his latest anthology. I was perfectly willing to write some short science fiction, which is what Appalling Stories 2 featured. But two factors led me to submit outside of that genre. One was, as I understood it, the editors were looking to diversify and include some action-adventure in Appalling Stories 4. Two was, I’d been playing around with an idea inspired by “the Battle of Portland” between Antifa and the Proud Boys, and other political violence taking place around the States within the last few years.
The anthology has stories from other authors too, of course, including fellow Virtual Pulp blogger Paul Hair. I know almost nothing about the other fiction in it as of yet, but I’m pretty stoked about getting my chance to read it in December.
It’s finally here, and the worst thing I can say about it is that it took so long to be released. I can’t remember the last time I experienced this kind of anticipation for the next episode of anything. Comic books haven’t inspired much but anger, boredom, and nausea for many years…until Alt★Hero came along.
As much as I’ve enjoyed all the Alt★Hero releases, the first Q comic was my favorite. It ended on a high point (of a dramatic, not emotional, quality) and I did wonder if the next one could live up to the promise established by the artwork, plotting, and action.
Not to worry. The art seems like a slight step down from last time, but the writing is still very strong.
As the title implies, Roland Dane was supposed to die alongside the target of the deep state hit in South America right before Q made contact with him. Q temporarily convinced the Cabal that their “two-fer” successfully took out Agent Dane, then Q gave Dane a new life and new identity, as well as a new mission.
That mission involves getting some background on the replacement for the assassinated Secretary of State, and it isn’t long before Dane is feeling the heat from the kill-crazy Cabal.
So far as I know, real-life Q enthusiasts/allies/researchers/autists work almost entirely online, at sites like 8Chan (which, by sheer coincidence, of course, was shut down due to pressure from powerful and shadowy entities unbothered by Internet forums populated by people actually guilty of what they accuse 8Chan denizens). In this story, though, the anons are more deeply invested, and physically involved in Q’s clandestine operations–in a support capacity, at least.
Some of the technical details (particularly with regard to military minutiae) are still being flubbed–which is par for the course in just about all entertainment these days. Not since Marvel’s The Nam back in the ’80s have I seen consistent effort at technical accuracy in a comic book.
Exposition was handled quickly and deftly in the first issue, yet it feels like the main plot is still being set up. Action junkies will be delighted with how the narrative is being weaved, though the individual issues certainly seem to fly by quickly. I’m still as intrigued as a reader can be, but I hope I don’t have to wait this long again for #3.
Red-Blooded American Men Examine Pop-Culture and the World