Category Archives: Fantasy

Adventure, Fantasy

Man of Swords: The Queen of Scorpions – a Review

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By Robert Victor Mills

(Part 4 of a 6-part series)

Review by Gio THE INFAMOUS 🦀

 

“There is no need for you to accompany us any further, young man,” protested Eridiathe. “Aye, there is no need,” admitted Rhoye, “but there is HONOUR, and WORD GIVEN. I will come, see you both safe to your bourne.”

 

The Queen of Scorpions is pure, grade A ‘Robert V. Mills’ finest. And by that I’m referring to the pure, unadulterated, fantasy adventure where honor, chivalry, and a WORD GIVEN still mean something! 

Once again, our hero finds himself in a ‘situation’, this time involving high priestesses, inquisitors, and a holy book that ignites a fierce hunt of those who try to spread its content throughout the Wandered Lands!

Rohye finds work on a merchant ship which cargo includes two ‘holy women’: Eridiathe and her young apprentice Giustinia. Little does he know that the content of their belongings includes a holy book for which they are being persecuted by Inquisitress Bethaina, a powerful and evil sorceress who will stop at nothing to see the alleged manuscript destroyed.

Of course Rohye cannot let two defenseless women be victims of this pure evil, and despite the opportunity to go his merry way he decides to stick around for the ‘fireworks’.

The Scorpion Queen is beautiful in its simplicity. You don’t always need a Machiavellian plot to have a good story. But it’s got to be well written, with memorable characters, and a plot that is solid and compelling. This story checks all those boxes!

So far, I would put The Scorpion Queen as the second best tale out of the four we’ve read from Man of Swords. I’m comfortable saying that this is another little gem of new fantasy fiction that is rare to find these days.

Another legend in the making!

Fantasy, Reviews, Steampunk

Journey to Elysium 1: the Remains of Babylon – a Review

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Bonsart Bokel is building an ambitious steampunk narrative via various mediums including prose novels, comic books, and video mockumentaries. The alternate history world-building and extensive esoteric research that must have gone into this effort seems exhaustive.

This is the first comic book entry. I prepared for this review by reading the expository entries on Ream. In the comic itself, there are some vintage newspaper stories and technical documents that are also helpful to the reader (unlike the “Black Freighter” inserts in Watchmen).

In 1791 a gigantic bell-shaped object appeared in space, in a parallel orbit with our moon.

 

Napoleon Bonaparte’s reign in France followed the historical narrative we are familiar with. However, underneath the broad-brush historical developments, the technology of his Empire advanced to levels that (in some fields of science) rival those of the Second and Third Reich’s in the next century. For instance, just as the Germans launched V-1 and V-2s at Great Britain after Hitler’s war machine ground to a halt at the English Channel, Bonaparte’s Rocket Corps also terrorized the Brits with his own retro-Blitz.

In the 1820s, in an attempt to send cosmonauts to the Elysium Object (the massive bell-shaped object that appeared in the previous century), one rocket designed by Ghulam Ali (Bonaparte’s chief rocket scientist) explodes on the launch platform, and another mysteriously disappears after launch.

We come into the story some five decades later. Corporal Maurice Havelaar, late of the Dutch-Indian Army, is assigned a mysterious mission. I say mysterious because even the general thrust of the mission is withheld until the last panel. Never mind specifics.

 

I’m about to mention something that might be considered a spoiler by the author, though he certainly provided enough clues for the reader to figure it out on their own: even though Napoleon died on St. Helena generations ago, he is back, in an influential role. He has been reincarnated (?) as a girl with a spinal condition which has rendered one arm and one leg useless.

Is this the author’s way of incorporating the obligatory gender confusion into the story, or just coincidental with the current year’s obsession with cramming LGBTWTF down the audience’s throat? Not enough evidence yet to determine either way. Perhaps future installments will reveal if this is the typical ticket-taking bounce onto the Troon Bandwagon or not.

This character (the 7th Chairman) is escorted by a zeppelinful of “Elite Airborne Dragoons” to a converted oil rig platform in the Atlantic, where the elderly Ghulam Ali now lives, with an unlaunched third Elysium Rocket.

 

With or without Ali’s help, the 7th Chairman is taking over his abandoned Elysium Program, before a rival space program run by competitor Utter Krapp can launch its own mission.

Then Havelaar arrives at the oceanic platform weeks later, and the implication is that he will be included on the Elysium Rocket Ride.

We’ll have to read Part Two to see where this goes from here.

Part One, honestly, is a teaser. Obviously, it’s not much of a plot. But it does promise a significant and ambitious plot to follow, hopefully with some action and lots of adventure. This setup for the story, mostly establishing the exposition so you won’t be lost on the adventure, succeeds at intriguing the reader enough to keep turning pages.

The artwork has a lot to do with that. The style of the illustration leans to the simplistic side, but it’s drawn with attractive linework and coloring, and striking composition that enhances what storytelling is being done.

There are several NGOs and paramilitary organizations to keep track of in this universe. I’m unwilling, at this point, to put in the homework necessary to keep them all straight. Over time, that might become easier and worthwhile.

The writing is competent, and possibly will prove to be exceptional…it’s hard to say, so far. There were numerous typos. Some of them perhaps intentional, as in the faux newspaper stories and technical documents. The name of the rival company (Utter Krapp) is the only humor I could discern, and as such felt out of place. It reminds me of some of Howard Chaykin’s wink-wink-nudge-nudge verbal humor in a lot of his faux-trademarks in American Flagg–except Chaykin had it spread consistently enough through his comics that the contrast between that and the sober character behavior was also consistent, and seemed intentional.

The bottom line, I suppose, is: do I want to read more of Journey to Elysium? At this point, yes, I do.

Fantasy, Reviews, Steampunk

THE WRENCH IN THE MACHINE by Bonsart Bokel – a Review

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By INFAMOUS 🦀

Though The Wrench In The Machine is officially Book 1 of the ‘Association of Ishtar’ novel series by visionary Bonsart Bokel, this represents just one small cog (pun intended!) in his enormous worldbuilding machine. To call the author just ‘a writer’ wouldn’t do him any justice. The man has a vision and writing is but one single layer of his vision. We will have Mr Bokel in a Q&A interview soon, where we will be able to take a deeper dive into this vision.

 

When Inspector David Ol’Barrow answers the call to a railway triple murder, he finds himself involved in affairs way above his pay grade, involving secret societies, associations, and individuals of questionable backgrounds. With the unusual company of a strange young girl, Igraine, and three-legged mut, Old Boy, Ol’Barrow must rely on his instincts and intuition to stay ahead of the game…And that’s only the beginning!

So you may ask, is this a Sherlock Holmes-ish type of trope? The answer would be: No. It does have a mystery murder element to it but it’s not that. This is something new, fresh, and innovative that is based on three major components: historical, technological, and supernatural. The author is able to combine those components in ways that we haven’t read before, and the result is a brand new sub-genre with infinite possibilities.

Of course many might label this as ‘steampunk’ since the author is and has been a student and expert of the genre for years. But to call this steampunk would too be inaccurate, though it lays some of its roots in the genre, albeit detaching itself from the clique associated to it.

To me, the Association of Ishtar is where new fiction goes ‘next level’. In a fantasy literature market oversaturated with the same old tired out tropes and cliques, it is rare to find some originality comparable to this.

If there is one single personal irk I had with the novel itself that would be the father/daughter relationship that develops between Ol’Barrow and Igraine. I liked the execution and how this relationship grows organically from beginning to end of the story. You can see how Ol’Barrow goes from annoyed with the girl, to curious, to slightly caring for her, to risking his life for her. But in the end, she really comes off kind of cold, not even reciprocating the love he displays throughout their ordeal. I was expecting her to at least be a little more grateful, but honestly she seemed more excited to have her little doll Arwin back than anything…

To finish on a positive note, I’m glad to say that Wrench In The Machine puts Bonsart Bokel in my list of ‘legendary’ guest authors of the likes of R. V. Mills, M. Lane, and E. Laurence Jr.

Looking forward to reading book 2!

🦀

Adventure, Fantasy, Reviews

The Devil out the Wych Elm by Robert Victor Mills – a Review

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Part 3 of a 6-part review series by THE INFAMOUS REVIEWER

 

In the third tale of Man of Swords, we find our hero crucified to a tree and barely alive, before being rescued and restored back to health by a family of fauns. How did Rhoye ever get in this predicament? And why would this local family want to aid a total stranger?

Well you’ll have to read to find out, but my job here really is to analyze the writing from a PCP (prose/characters/plot) standpoint. Objectively and fairly.

The ‘highlight reel’ definitely belongs to the Faun family: father Olnbirch, mother Khirra, and young daughter Zairre. What distinguishes them is their altruism and devotion to live a quiet and peaceful life, never to compromise their beliefs and code of ethics. Zairre particularly has some very special moments. With her innocence, she can melt the most hardened of hearts ( well, almost any). The way these three characters are written is so delightful that we can’t help but feel emotionally invested in their whereabouts.

Trouble starts when a group of greedy miners start harassing our beloved family in order to take their land which supposedly is rich in gold. The family is not willing to leave their land and that’s when things get ‘complicated’ since Rhoye is by now back in almost full health and strength.

This reminded me of a Spaghetti Western film adaptation in a sense. Only that instead of taking place in the Wild West it takes place in the Wandered Lands. It is gripping, exciting…But it could have been executed even better in my opinion and here is why:

Pace: from the time the miners give the family their ultimatum to leave the farm there is a long chunk of time when not much really happens. It’s just Rhoye living with the Faun family and helping them around the farm. This, I felt, was too drawn out: they work the fields, go visit other faun neighbors, go dance at some local harvest festival…

Dialogue: some of the dialogues were redundant and unnecessary. If we witness a particular action scene take place first hand, we don’t need one of the characters to give a thorough account of those events in the first person later, because we already know all about it. This creates unnecessary bloating. 

Overall, The Devil out of Wych Elm remains a solid tale worth reading. Again, the Faun family, their reaction to adversities, their meekness, their willingness to not live by the ‘eye for an eye’ rule, all of that is what makes this so special.

Not the best we’ve seen from Mills, yet highly recommended!

Pet Peeves, Superhero

Superpowers and What They Reveal

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If you could have a superpower, what would it be?

I’m guessing that’s a question that’s been asked in interviews at Marvel and DC for decades, now. Not completely unrelated: in what decade did the last noteworthy superhero debut? I’m thinking the ’60s, but maybe it was the ’70s.

We’ve all seen the creative implosion in mainstream entertainment. That industry has always been crawling with commies and perverts, but back in the day they at least had talent and could create art that decent people enjoyed.

Sometime between when they persistently but subtly slipped their cultural Marxist messaging into movies/literature/music that  otherwise  had merit, and ramming blatant Globohomo narratives down the audience’s collective throat at every opportunity, the vehicles they deployed to deliver their mind control also lost their entertainment value. They lost any modicum of originality, too.

Unable to come up with a single compelling story idea, Homowood can now only recycle what’s already been done several times before, or mine other IP from old TV shows, cartoons, toys, and comic books.

Comic “creators” (what an ironic phrase, when applied to Marvel and DC employees) can’t come up with a single interesting idea of their own. They simply take legacy characters still beloved, and pervert, race-or-gender-swap them to peddle more cultural Marxist narratives that drive fans away from the medium.

Let’s look at some of the efforts of comic writers to develop new, original characters, in the postmodern era, with a specific focus.

The bread-and-butter of Marvel and DC was the superhero.  Characters have personalities (well, once upon a time they did) of course, but what makes a hero super is their superpowers. What sort of superpowers have postmodern comic artists/writers given their characters? (By “postmodern,” I include Boomers, Millennials, and whatever Gen Xers managed to slip in between them.)

There’s a character by the name of Jazz–an aspiring rapper by day who moonlights as a crimefighting (?) mutant. His superpower: he can turn himself blue.

But Color Kid is even more powerful. He can not only turn himself blue–he can turn other stuff other colors, too. Evildoers best beware!

These are far from the only characters with gay-ass abilities, but I want to highlight some more characters with powers that are far less interesting than what they reveal about their creators. Let’s roll the clock all the way back to the beginning of the postmodern era for the first one.

Matter-Eater Lad:

This dude can (and does) eat anything–food, dishes, utensils, wood, metal, glass, whatever. I suspect this superpower was inspired by some real people in the comic company bullpens (and later, typical proprietors and customers at comic shops) who ate a lot more than they exercised. And eating disorders are a nice transition to…

Blob:

His superpower is, he’s morbidly obese. Bet you didn’t know that is a good thing, huh? Well, now you know that our country in the 21st century is overrun with superheroes. Blob is a hero that millions today can relate to.

Seriously, I don’t want to get off on a fat-shaming tangent, but it says a lot about the delusions of our cultural influencers that they would spin obesity as a heroic asset.

Domino:

Her superpower is good luck. I can’t disparage this one too much because, in real life, whatever invisible force is often dismissed as “luck” is more of a determinant of success than talent, expertise, discipline, effort and planning, in many situations. Most of the “creatives” in today’s entertainment achieved and maintain their positions by “luck” (plus checking the correct diversity boxes, and the integrity of a whore). If you don’t have “luck,” then it rarely matters how good you are or how hard you try–you’ll never get as far as the lazy, spineless, amoral, untalented hacks who have it.

Echo:

This one is a Freudian slip, personified. The superpower is the ability to copy somebody else. A comic book glorification of what woketards in the entertainment industry do: rip off the intellectual property of actual creators, and twist it to their own nefarious purposes.

Tattooed Man:

His tattoos come to life. That’s his superpower. Are you starting to see how most of these superpowers are just exaggerations of the real-world attitudes embraced by certain demographics?

In real life, there are NPCs who truly believe they can make themselves more attractive by covering themselves with ink and piercings. In their fantasies, I suppose, such modifications not only make them more attractive and interesting, but also more powerful.

Skunk:

This one’s superpower is, basically, body odor. Along with obesity, another common characteristic in evidence at comic book shops (and in the bullpens, probably) is an aversion to personal hygiene. Little did you lesser mortals know, but this is an inspiring crimefighting tool.

Rainbow Girl:

Her superpower is bipolar mood swings. Are you starting to see that these characters are simply grandiose self-inserts by the narcissists who work at the Big Two? What sane people see as a handicap, flaw, or disorder is ack-shully part of what makes the visionaries in mainstream comics so superior to you.

There’s a character introduced within the last few years whose superpower was the ability to force others to like her. I kid you not. So remarkable and inspiring was this character that I can’t remember her name. Neither, apparently, can the World Wide Web.

Examine the Cultural Gatekeepers:

You’ve got an industry run by fat, unbathed, mentally unstable basement-dwellers (who believe themselves to be secret kings and queens far superior to us, with the knowledge of how to fix the world’s problems), incapable of developing characters that anybody finds interesting–much less heroic.

When you think about it, the “creatives” in the industry today almost perfectly match the personality profile of the fictional mad scientist villains from the Golden Age. (“The fools! They’re threatened by my  superior intellect! But one day they’ll bow before me and be forced to admit I am the ultimate genius!”) Except the mad scientists actually knew enough about real science to build giant robots, resurrect dinosaurs, and genetically engineer monsters. Their real-life counterparts still can’t grasp rudimentary concepts like two genders, herd immunity, and the size of virus particles.

How was it different when our country was healthy?

Go back to the Golden Age, and most of the Silver Age. Characters created back then had superpowers like super strength, invulnerability, flight, X-ray vision, super speed, invisibility, growth, shrinking, stretching, fire, and breathing underwater. As farfetched as they were, those abilities were practical. It was easy to conceptualize how those superpowers could be utilized to protect the innocent, make society better, and counter threats to peace and order.

In the “silly” cultural phenomenon of comic books, we find a bellweather for the state of our civilization. Far from the only bellweather, of course. Just one more corroborating all the other evidence that our civilization is circling the drain.

I was inspired to study this subject by a comment AC (Anonymous Conservative) made on his website some time ago. He has done some groundbreaking work on r and K selection, what that looks like in human societies, and how pop culture reflects it. It’s no wonder that he made this observation.

(I recommend his book on r and K selection: The Evolutionary Psychology Behind Politics, and might review it here one day.)

As I understand it: from the colonial days, up until the end of WWII, America was mostly K-selected. We built stuff, could fix stuff. We protected women and children. We worked, saved, prepared for the future. We were trustworthy neighbors, loyal friends, good Samaritans to strangers, but vigilant about protecting/preserving our own families, property, neighborhood, etc. We didn’t tolerate obvious thieves, perverts, traitors, murderers or rapists. We certainly didn’t allow them to force their amoral attitudes on the rest of society. Superheroes with practical superpowers made sense in that civilization.

Long story short, America shifted toward r-selection in the Postwar era. They abandoned the values and attitudes that helped make us once great. They became , basically, a bunch of indulged brats who threw a party, trashed their parents’ house, then refused to clean up afterwards. In fact, their every effort concentrates on destroying what is left of the house. Every effort that isn’t focused on their own personal gratification, that is. This is exemplified by the forgettable superheroes this r-selected culture has introduced. And by how the iconic superheroes of yesteryear are being corrupted and destroyed.

What do you think?

Adventure, Fantasy, Reviews

The Sword and the Sunflower by Mark Bradford – a Review

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Review by INFAMOUS 🦀

I truly wanted to like this story, and the author is a standout human being, but unfortunately I have to be objective and report that I could find very little to praise about here.

The story suffers from several issues; from character development, to pacing, to some prosaic choices, and even too frequent and unnecessary line breaks.

Basically the story is about two individuals, Stojan and Anastazja, who (after losing their beloved ones, respectively) find one another and build a father/daughter relationship, while traveling across a dystopian world somewhere in a post-apocalyptic future.

On the surface, the premises sound good and intriguing. However a further look will reveal several weaknesses in how this was executed.

We meet Stojan, a former captain turned assassin who lost his will to live since the death of his daughter 3 years prior. When he takes on a ‘job’ by a so-called Bishop to assassinate a particular individual whom the prophecy has indicated to be a future threat to the Bishop himself, Stojan embarks on a journey that takes a strange turn: he falls in love with Anastazja and can no longer fulfill his task.

Now, I get that Stojan has lost his daughter and he’s still mourning, but every time we introduce a character that has the power and influence of healing the pain of a loss, the new relationship has to feel organic and it has to build up in steps, gradually, to feel believable. This doesn’t happen here. From the moment Stojan sets his eyes on Ana he’s already fallen in love with her as a father with a daughter. It all feels rushed and kind of weird in a way.

Another weird plot choice is the way Ana’s biological father dies in the story. For the sake of avoiding spoilers, I encourage you to read that particular scene for yourself.

The other problem I found was the pace: after the two main characters come together and embark on their trip across these lands, everything feels very slow and tedious. They cross the ocean from a region called Poliska (Poland? Europe?) to another region called Amira (America?), and the most exciting thing that happens is ending up in a Native American colony where they spend a whole year just enjoying the lifestyle of their host. Nothing significant happens, except for perhaps having two of the Indian tribal chiefs arguing over what new tribal name to assign to Ana (I’m totally serious).

When the two protagonists decide to leave the Indian community there’s more hiking, more riding horses across vast lands, and more NOTHING….

Some of the prosaic choices I also found not ideal given this world: in this futuristic world most people are illiterate or barely know how to read, yet their spoken language is very articulate and even more sophisticated than ours is today. It’s almost as if these people somehow went back to speaking Shakespearean English though not even having any books around anymore.

To conclude, it is with sadness that I must admit that the only true highlight of this book and most uplifting moment was when I finally turned to the last page.

If you think I must be exaggerating or being too harsh, by all means buy a copy and read it for yourself. I would love your comments.

 

INFAMOUS 🦀

Non-Fiction/Documentary, Superhero

Comics, Manga, Literacy and a Possible Renaissance

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How do you hide something from a Millennial?

Put it in a book

Yeah, I know: harsh generalization. But I bet the statistics would back it up. I would also bet there’s a strong correlation (if not causation) between recreational reading and independent/critical thinking.

When Did the Slide Begin?

Some sources suggest America’s decline in literacy began in the 1920s. I consider it more likely that significant decline can be traced to 1947, when television began to proliferate in middle class homes across America. But whatever.

Two boys reading reading comics at a news stand, USA, circa 1955. (Photo by FPG/Hulton Archive/Getty Images)

What we do know is that  the popularity of comic books exploded in 1938 and lasted into the 1950s (the superhero craze lasted from 1938 until about 1945). Comic books have never been as popular as they were during the Golden Age. And the comic-reading demographic during that time was mostly boys. A lot of teenagers read them, some old enough to serve in uniform overseas, but the scale tipped significantly to pre-teen boys. Specifically, these were late-cohort GI Generation, Silent Generation, and early-cohort Boomers.

Changing of the Guard

Many from the latter generation would continue reading comics into adulthood. Some from that generation would take over the industry, and shift their sights to an audience of their own peers, turning their backs on the following generations.

Fast-forward to today. With some exceptions, the Millennials and Homelanders* are functionally illiterate and incapable of independent/critical thought. Lots of factors have converged to handicap them this way. One factor is there have effectively no comic books that excited them as boys and led them to a transition to “more serious” prose books.

I listened to one of Chuck Dixon’s podcasts recently, He mentioned that Manga has attracted the young audience that comics lost over the course of the Pozzed Age.**

What Manga Proves

If Manga can win back that young demographic, then why couldn’t American comics, too? After all, American comics are the original gangsta that first won that audience, anyway.

Here is a windmill worth tipping at. I have begun some research, starting with Demon Slayer, which a librarian says is one of the more popular titles with teenagers. So far as drawing and writing style, it is more refined than most of the Golden Age comics. But I don’t see the story quality as an improvement. I’m sure there is better Manga out there (and hopefully I’ll find some), but take note, my fellow creators: we can do better than this stuff!

We don’t have the equivalent of Anime to market comics to kids, but we should think of something. The Boomers will begin dying off, soon, and American comics will die with them as a medium, unless we crack the code for finding a young audience.

Share your thoughts in the comments.

 

* I use Generational Theory, as codified by William Strauss & Neil Howe, not the MPAI terms like “Gen Y,” “Gen Z,” “Zoomers,” etc.

** IMO this age began in the 1990s and is still in effect, at least when it comes to mainstream entertainment. Some of us are hard at work trying to usher in an Iron Age…history will determine if we’re successful.

Action, Fantasy, Reviews

Man of Swords: The Knight Who Would Not Kneel – a Review

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(Part 2 of a 6-part series by the INFAMOUS REVIEWER GIO)

“King Orrefiah was downed, bleeding, while all about him brayed death. On either hand his retinue lay slain, pierced and hacked, their faces trodden to the mud.”

 

After reading Eye and the Dragon, the first of the tales in Man of Swords (paid link), we might have assumed that perhaps this whole collection was going to be less story-driven and more gearing towards the ‘abstract’ and the ‘ethereal’…WRONG.

The Knight Who Would Not Kneel once again brings back the R.V. Mills we experienced in the Isle of the Shrine of the Sick’ning Scarab. Only BETTER, if that were even possible!

Let me explain: this second tale is something that sees more action, more glorious army battles, and more fierce individual combats than we can handle…and yet, that’s not how this tale truly sets itself apart from the rest. 

After saving King Orrefiah’s life on the battlefield, young Rohye–now in his late teens–finds himself reluctantly serving as one of the king’s official knights. He distinguishes himself on the battlefield time and time again against the barbaric hordes that keep threatening the kingdom through pillaging and invasions. However, Rohye frowns upon the extreme military tactics used by the king to completely annihilate the foreign tribes.

Fast-forward a year or so to when the kingdom finally seems to be experiencing a longer lasting period of  peace, but the king, now in poor health and hunted by his conscience, asks Rohye to accompany him on a pilgrimage to a mythical tower where a source of supernatural healing lies hidden.

The synergy between Rohye and King Orrefiah is the apex of this entire story. Rohye is not sure why he’s even willing to aid the ill king, but he can sense that there is a reason that would be revealed in due time. The king in his ill state seeks healing (but truthfully, redemption from his crimes of war he has committed). Combine a rich cast of supporting characters, a superb ‘Shakespearean’ prosaic style and you have a true masterpiece! 

The Knight Who Would Not Kneel should be read by anybody and everybody; it should be adapted to plays, movies, music; and it should be the topic of discussion of every literature roundtable across the globe. 

The fact that the story has so many layers to it would make it a challenge to cover it all in just 1 review. But that’s what makes it so special, it puts the reader in a position to explore and discover over and over again.

New legends in the making. History in the making.

Thank you Mr. Mills!

Fantasy, Interview

Fallen Crest Abbey by James Krake

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An inside look by INFAMOUS 🦀



“They fought for themselves and others but paid the ultimate price. They have been buried in the southern cemetery of Fallen Crest Abbey”




There is this author/youtuber I’ve been following now for some time by the name of James Krake. Although known mostly as a cyberpunk genre writer, Krake also runs a webnovel on Royal Road titled The Undying Emperor. This novel departs a good deal from the typical genre Krake is known for. I won’t spend too much time suggesting our readers to start following The Undying Emperor, though they should, for it is truly a marvelous work of sword and sorcery fiction extravaganza. But what I really want to zero-in on is the short story within this webnovel; a true ‘hidden gem’: 


Fallen Crest Abbey.




INFAMOUS: what is Fallen Crest Abbey and what inspired this story?


Krake: Bram Stoker’s Dracula actually. I like exploring form and genre and a gothic horror epistolary story intrigued me. That started the series of questions I had to answer in order to make a satisfying story that would actually matter to readers of my webnovel. I’ve been doing a good deal of thinking about how sci-fi and fantasy should be incorporating matters of faith, so I wanted to take a look at some of the religious aspects of this fantasy world.




INFAMOUS: I’ve read both of your published cyberpunk novels and follow The Undying Emperor on Royal Road, but to me it is in Fallen Crest Abbey that I sense a new level of maturity from you as an author. Do you agree?


Krake: Fallen Crest Abbey was written to have a different tone and feeling to it. I’m not sure I would call it ‘maturity’, but it’s certainly different. The novellas I am writing in 2024 should feel closer to how Fallen Crest Abbey came together, and next year I have a stand-alone I’ll write which should be a full novel length experience that’s even better.




INFAMOUS: sometimes this question gets thrown around a lot: will we ever see the likes of a new Tolkien, or a new Howard, or a new Lovecraft, in the realms of indie authors? I think we have, in the works of British writer R. V. Mills. But when I read Fallen Crest Abbey I see that same ‘sparkle’, that same unrelenting and unapologetic quest–albeit under a different writing style-for new legends in the making. 


Is that something that you have been aware of at all?


Krake: The problem, I think, is that those names became those names because they were able to influence people. They had an impact on future literary endeavors the way Doyle did (or further back, Shakespeare). So, I don’t think the question today is “will we see somebody who writes as well as so-and-so?” but will that person get noticed? Just looking at the numbers, and the advantages today, there are probably MANY people better than Tolkien, who simply haven’t gotten the reverence because society is more connected, critical, and quick to move on.




INFAMOUS: speaking of legends, there is a creature we’re introduced to in FCA called a ‘grendel’. I found some of his features most fascinating. Would you share with us how this grendel came about?


Krake: Beowulf, mixed with my approach to trolls that tries to portray them as early hominids. I coaxed up the legend the way I felt people would rumor-monger around a campfire and indulged the horror aspect it can create.




INFAMOUS: one thing that I loved about Fallen Crest Abbey is how most chapters open with a formal letter written by one of the characters. It really is an effective way to set up a certain mood and pace. Was this a conscious decision or did it just develop that way as you wrote the story?


Krake: It was how I initially conceived of the story, because it posed a technical challenge. I had to figure out how to explain the plot beats, endear the characters, and keep everything well paced, despite using journal entries, letters, posted bounties, and any other ‘record’ that I could come up with. A large reason I became attracted to the idea was the challenge of ending the story, and writing it, without the structure of the story itself giving away the ending.




INFAMOUS: can you disclose future projects-if any-related to Fallen Crest Abbey? What about future works not necessarily related to FCA?


Krake: Well it’s clearly part of The Undying Emperor, which is mostly a life story, hero’s journey of conquest. That has a particular genre to it, however. The world itself has possibilities far beyond what befits essentially a YA action story designed for weekly releases. This year I’ll be writing a novella that is to be like a mix of Romeo & Juliet with The Count of Monte Cristo, taking place in the same world, and I’ve got the start of a novel that started from the question “What if The Odyssey, but the main character couldn’t fight? Can a scholar be a good protagonist?”


On a more immediate horizon, my next paperback release is just around the corner, keep an eye out for Low Key Connections, a Narnia-style isekai. Light hearted, fun, and also high action.




Follow here to not miss out.




Well folks, there you have it. In a world of TikTok, instant gratification, and low attention span, supporting authors like James is important to keep good story-writing thriving. If you’re reading this, most likely you already know that there are great authors out there who deserve recognition and that, sadly, reading books in general is dwindling in our society. 


Support these writers, support books, support Virtual Pulp! 


INFAMOUS 🦀




Click to read Fallen Crest Abbey:


 


	

	
	




	
	

			
	

				

			Adventure, Fantasy, Reviews
		

			
Man of Swords: The Eye and the Dragon – a Review

		

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By THE INFAMOUS REVIEWER GIO


 


Note from THE INFAMOUS: this is the first of a 6-part review series that will cover each tale included in Man of Swords by R. V. Mills. I feel that Mills is the most exciting fantasy pulp writer of the last few years and his latest publication deserves a thorough breakdown which would be impossible to achieve in one single review. Hope you guys will tag along for the ride and enjoy this as much as we will!


 




 


“Through spilt milk of stars, whirls of worlds most wondrous, spirals of splendour spinning atop the fingertips of Gods, through void unimagined he raced to straits and reaches never by mortal seen.”


 


If this short tale does not find an initial overwhelmingly warm reception from a majority of readers, I will understand why. Let me explain.


This is the opening short story of Man of Swords (paid link), and it takes us back to a time of a young Rhoye before he was even called as such. This is not a very story-driven tale and that’s why some folks might find it too slow or even downright boring. Not much happens if you’re expecting epic battles, sword fights, or the rescuing of damsels in distress.


Basically this is about young Rohye’s initiation, the quest to find his identity as a man, and for the most part the story will take us into a world between reality and dream (I wonder what Uncle put in that drink they gave Rhoye!). 


Under the watchful eye of the old Shaman, young Rohye goes up the Mountain to sit in a cave where all sorts of lucid dreams will take him through a trippy interdimensional experience. 


Nothing makes sense on the surface but that’s the nature of dreams after all. It’s hard to deny traces of E. A. Poe and H. P. Lovecraft here.




Despite the slow pace, what makes this a must-read is its prosaic style. Mills is a master of the English language and this is a perfect example of it. It is a delight to read the beautiful words that create this world of visions and dreams. You feel transported to a dream world along with the main character and get to experience the ethereal realms young Rohye visits. THAT, my friends, is worth taking the time to read this opening act! 


It’s not always about the well-choreographed fight scenes or the intricate subplots. Sometimes you just gotta let the magic of exquisite prose take you to another realm!




Our series will continue in 2 weeks with part 2 of 6: “The Knight Who Would Not Kneel”