Category Archives: Reviews

My All-American

I’ve been at this point before–where I’m convinced the entertainment industry is incapable of producing any movie other than formulaic pap, recycled vehicles from decades past, chick-flicks (overt or disguised) or “social justice” agitprop. Then I stumble across something like My All-American, and am amazed that something worth watching can still slip through the cracks.

There are only so many plot variations to be utilized in a jock story, so, granted: one can argue that this film should be included in the “formulaic pap” comment I made above. In fact, you might note many similarities between this movie and Rudy and The Express (or, going back farther, to Brian’s Song, or, changing sports, The Natural). Nevertheless, this biopic should be celebrated by red pill masculists everywhere–especially those raising a son, yearning for something worth watching together.

My All-American tells the story of Freddy Steinmark, who was born to play football. Gifted with natural athletic ability, his fatMyAllAmerican1her, while working two jobs to support the family, pushed Freddy to relentlessly expand on his talent with rigorous conditioning. His mother (a stay-at-home mom, it seems) was on-board with her son’s disciplined upbringing, complimenting her husband’s stern agenda with loving encouragement.

That family dynamic may not have been so unusual in the stories of yesteryear, but it is downright alien in the reality of America today.

Not only is the home life of Steinmark idiosyncratic in our present cultural context, but Freddy himself was exceptional, in any time and place. He is the model of what a young man should be–and what most parents would once have aspired to raise. To list his positive qualities would make this post too long, but I’ll list three that would seem to be diametrically opposed in any other film coming out of Homowood, Commiefornia. He is:

  • Forthright
  • Humble
  • Thoroughly masculine

Ah, crap, I have to list a couple more. The Freddy Steinmark of this film shows the guts, determination and toughness that once exemplified the average American male. Considered too small for most college football programs to take him seriously, there is no “quit” in him, and he fights an uphill battle toward a full-ride scholarship with the Texas Longhorns. I should mention here that other players on the team, and the coach, are developed just enough to make me want to read the book for more details. Despite Steinmark being a terror at defensive back, the team was a team, not a one-man-show. I’m thankful for the authenticy of the film’s depiction of how a football team works (or can work, anyway) from the inside.MyAllAmerican

One very interesting subplot depicts the starting quarterback–a phenomenal player with a cannon arm–losing his position to a fourth-stringer with better instincts for reading opposing defenses, and who more readily adapts to the coach’s new “triple option” offensive scheme.

Though he is a devout Catholic, Steinmark’s portrayal (by Finn Wittrock) is a case study in Christian integrity–not the wussified churchianity so en vogue on both sides of the pulpit in pretty much every denomination today. Even the leading lady’s (Sarah Bolger) portrayal is a departure from the obligatory grrrrl power! cliche`s rammed down our collective throats everywhere else. The only time she gets “assertive” with boyfriend Freddy, it is due to genuine concern over his well-being. (Director Angelo Pizzo, however, does overdo it trying to milk our emotions in a few smarmy scenes no doubt included to appeal to the females in the audience.)

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I’m not sure how faithful the movie is to the true story of Freddy Steinmark, though it does ring true. In any case, you won’t find many movies made since the early 1960s or so which present unabashed manhood in such a positive light.

We Defy!

There was activity by one of the vans. Some agents were trying to get back to a van, probably to get some gear they intended to use.
Roberts figured that had to be stopped. We can’t afford some
counter sniper activity, when it came down to it there would be no extra risk tolerated to either his men or himself. “All X-ray
elements, this is X-ray 47, prevent equipment recovery from the van on the highway, 4th vehicle from the last.”
The FBI Hostage Rescue Team was in a bad spot. They (or more
accurately, previous members of the Team) had been present at Ruby Ridge and at the Branch Davidian compound in Waco.
Those incidents were sore points with the tea bagger movement, and the agents on the Team knew that if given the opportunity, the tea baggers would kill them with relish in revenge. The agents had to get the sniper rifles into action, or they would be dead men.
There was no way the average agents, even those who had SWAT training, were going to get the Team out of this situation. The tea baggers were over 300 meters out, and they knew that most agents couldn’t hit an elephant at 200 meters. The Team had to get back to the van.
Roberts RTO was approaching, saying into the microphone
“Standby for X-ray 47 actual.” And then he handed the mike to
Roberts.
“This is X-ray 47 actual, over.”
“This in X-ray 72, request to take targets by van down, over.”
“Shred the van, knee cap them if you can, then take them down, over.”
“Roger, out.”

Above is an excerpt from the action chapter of this book, when the JTF (Joint Task Force) raid runs into an ambush by a well-organized militia.

To describe this book in one sentence, I might say Atlas Shrugs meets Armor at Fulda Gap. There is no character development, to speak of. In fact, character establishment is mostly lacking throughout. Yet it is a gripping story of a few good men who have had enough of the long march to a 3rd World police state, and band together to do something about it–something more effective (and realistic?) than “going Galt” to some fantasy retreat where the jackbooted Feds will just leave them alone.

In this speculative tale of a near future secession effort in Texas, the focal character is Jim Roberts, a former armor officer who is well-versed in military SOPs, TOOs and overall military doctrine. He also knows a great deal about the law and politics, though toward the end we discover he hates politics (and I can relate). From a storytelling perspective it seems he’s not all that necessary for 2/3rds of the narrative, which is in a summary format. Nevertheless, after a couple pages it was hard to quit reading.

I’m tempted to call this “an optimistic dystopia” because everything seems to fall into place for the good guys. Oh, they have opposition, and that opposition is depicted credibly. The optimistic part is how so many individualists can put aside petty differences, come together with realistic plans, attainable goals, and work selflessly to actually make a change while pretty much getting everything right along the way. From my experience, this would never happen. Nevertheless, it is an engrossing read because I like to dream about how we COULD preserve some of our freedoms IF IF IF this, that, that, and this all went right, and if key people handled thus situation exactly in this fashion, and Joe and Moe could check their pride at the door in order to work together, etc. Perhaps patriots and Texicans would enjoy this book as much as I did. It might be just the ticket for those who don’t normally read fiction (or read at all), because it’s full of information and action plans which could, theoretically, be mimicked in real life.

The version of this book that I read was not edited. It reads like a first draft by somebody who doesn’t know (how) to punctuate, with seriously challenged spelling and grammar skills…and who only made matters worse with what spell check function was utilized. In other words: a typical Indie e-book. Difficulty telling dialog from inner-dialog from narration was compounded by a haphazard use of quotation marks. During one passage of dialog which went on for quite a while, there were no attributions at all and you might could figure out who was saying what if you took notes and kept score. There were several paragraphs I had to re-read a few times to deduce what the meaning would be without so many errors, and more than a couple places where the sentence construction was so mangled that I just couldn’t figure out what information the author was trying to convey.

I was given a free copy of this book in exchange for an honest review.

Phantom Leader

In the third book in the Wings of War series,  Mark Berent has not lost any steam. In fact, some readers think he picks up the pace as the series goes on. In any event, I still maintain that you will not find a more authentic big picture of the US involvement in Vietnam (the air war in particular) in any single non-fiction work. Certainly not in movies (though Go Tell the Spartans is a suprisingly credible depiction of the early days on the ground) or in other fiction ( though Jim Morris’ Above & Beyond is certainly an accurate depiction at the tactical level, from a Sneaky Pete who was there).

Court Bannister was tantalyzingly close to getting his fifth confirmed MiG and making ace, but was yanked from MiG CAP (Combat Air Patrol) over Hanoi and reassigned to strike missions in the Steel Tiger. Now he’s in charge of a “fast FAC” mission, for which he builds a unit out of volunteers for aerial search-and-destroy of trucks and guns along the Ho Chi Minh Trail.

Special Forces officer Wolf Lochert is back, and as primary a character as ever. Toby Parker is back, too, sobered up and straightened up, but the more responsible he gets, the more he slips to the background. And one of the previously minor characters, Flak Apple, becomes major in this novel, as he becomes a guest at the Hanoi Hilton.

Unfortunately, like too many US citizens, I am so squeamish (and infuriated) at the torture our POWs had to go through in North Vietnam that my instinct was to avoid being informed at all, and I was tempted to skim over the chapters focusing on Flak Apple. But I didn’t. Whoever was responsible for leaving our men over there to suffer and die deserves to burn.

The “fast FAC” was a Forward Air Controller mission flown in fast movers, rather than propellor-driven observation planes–namely, in this case, F-4 Phantoms.

Before reading Berent I didn’t appreciate just how huge a fighter jet the F-4 is. Evidently it weighed more than a WWII B-17 bomber. There’s a whole lot more you will learn from this book, and the series, despite yourself. You’ll be too caught up in a hell of a good story to realize you’re being educated.

Even though Wings of War is a five-book series, I had intended to only read the first three. For some reason I assumed the characters and story would be spent after that, I guess. But they’re still all going strong. I’m in for the whole shebang, reading Eagle Station now, and couldn’t stop if I wanted to.

Executive Orders: Homeland #2

The second book in R.A. Mathis’ SHTF series has just gone live on Amazon. I was fortunate enough to have read an advance copy (after nagging the author a little bit–that’s how much I liked the first one: Falling Down), so I’m ahead of the curve.

I reviewed the first book here; then the author and I had a conversation about our books and TEOTWAWKI in general here and here, if you want to get up to speed. You can also read an excerpt.

Executive Orders follows the three main characters from Falling Down as order is established from the chaos. But order isn’t always what it’s cracked up to be–especially when the chaos was purposely orchestrated to bring it about.

Unfortunately, I think the author’s take on how easy it is to manipulate the masses is spot-on (which is to say: even easier, when they’re facing starvation and other severe hardships, than it is now).

America’s “second founding” is how characters in this story refer to the whole order-from-chaos/pheonix-rising-from-the-ashes plan to swallow the USA into the globalist dictatorship certain insiders have referred to as the New World Order . They have utterly destroyed the US economy; taken down the power grid; hijacked the Armed Forces; implemented martial law; begun to kick off their population reduction and relocation initiatives; blamed the patriot resistance for all the above; obliterated what individual rights Americans had left; and made the average Joe beg for servitude by using food shortages as a weapon. This is all right out of the globalist playbook.

I was a bit surprised at how much freedom and initiative Sheriff Hank was able to enjoy, given the stranglehold Big Brother has on everyone and everything. In retrospect, perhaps he was merely given enough rope to hang himself. And scapegoats are always needed in situations like this.

The stranglehold was achieved very quickly. The author has illustrated just how fast our way of life can permanently change. (The same government/media complex that so expertly herds the population using the Hegelian dialectic before the fall will have an even easier time herding with the simple carrot-or-the-stick paradigm.) They waste no time weaponizing the surviving population (now reduced to property of the State), starting with the very youngest.

I got irritated with Sheriff Hank a couple times, due to his naivite`…but, to be honest, he’s no more naive than most people are, or will be, in real life. Will normalcy bias linger on, even after normalcy has been shredded, napalmed and nuked into oblivion? Yes, it probably will, while evils are sufferable.

This is a dark vision of the near future. However, there were just enough glimmers of hope to read on. And Mathis has set the stage for the resistance to bring some major smoke on the bad guys in the third book.

Truck Stop Earth by Michael A. Armstrong

A Guest Post by Jim Morris

The most important thing to know about this book is that it’s fun. It is, in fact the most fun I’ve had reading a book in a long time. Other books have perhaps explored more profound emotions but if you want to spend a few hours alternating between a grin, a rolling chuckle, and laughing out loud you probably won’t do better with anything contemporary.

What we have here is the memoir of a screaming nutjob, as told to author Michael A. Armstrong. The nutjob in question, James Ignatius Malachi Obediah Osborn is a multiple alien abductee, fierce fighter in the Resistance movement against the Alien Occupying Government. He can spot ‘em among the general population, because he knows their disguise tricks. Or maybe he’s just nuts, hard to say.

That’s where a lot of the tension in the story comes from. Some of what he believes is pretty convincing. Some of it just seems Loony Tunes.

After a scary encounter with the grays in Florida Jimmo heads for Alaska where the adventure continues. Aside from maybe being nuts Jimmo is a pretty competent fellow who can find work and do it well, fighting fires while fending off alien attacks.

He purports to be a spec ops veteran of Desert Storm, although while others were defeating Saddam he was further out in the desert, hunting grays with Delta Force. Thing is, he still talks the talk right. The guy has definitely been somewhere and done something.

Another thing this books does well is present the society of adventurous spirits who have absconded to Alaska as the last frontier where you can get a decent latte. A more brave and gaudy collection of tatted, pierced and bizarrely coifed expats can hardly be imagined. And, to paraphrase Ronnie Hawkins, Jimmo gets more trim than Frank Sinatra.

Warning: if you have a problem with people who unabashedly talk nasty, well, maybe you should read Jane Austen instead.

Michael A. Armstrong was born in Virginia, raised in Florida, and has lived in Alaska since 1979. He graduated from New College of Florida, and received a master of fine arts in writing from the University of Alaska Anchorage; his master’s thesis, PRAK, was published by Warner Books/Questar as After the Zap. Armstrong has published in The Magazine of Fantasy and Science Fiction, Asimov’s, and Analog, as well as numerous anthologies. A writer in the Janet Morris Heroes In Hell series, he most recently was published in Lawyers in Hell.
He now lives in Homer, Alaska.

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Steel Tiger

Number Two in the Wings of War series, this novel gets its name from an air interdiction operation against a segment of the Ho Chi Minh Trail.

Author Mark Berent was a fighter pilot in Vietnam who also took the initiative to find out what the war on the ground was like. That means his characters/stories have, as a backdrop, a fairly cohesive strategic and tactical overview (such as a strategic concept was, in Vietnam).

SteelTigerpatchJet jock Court Bannister has finished his first combat tour and has managed to earn a slot in Test Pilot School for the second time. That’s a step toward becoming an astronaut, which is his ambition.

Meanwhile, Toby Parker is also stateside, officially earning his wings. His hoity-toity family is pleased with the enhanced status he lends them by having become a hero, but not so pleased with his intentions of remaining in the Air Force. Given his alcoholism and increasingly rebellious behavior, not everone in the Air Force thinks he should stay in, either.

Wolf Lochert, fighting a whole different sort of campaign on the ground, is an unconventional warrior in an unconventional war who is just too unconventional for the typical snooty brass who are overseeing the lose/lose experimental quagmire in Vietnam.

Both pilots are privileged offspring of wealthy parents, but also way too cowboy for their chains-of-command. By saving another test pilot’s life, along with an expensive aircraft, Bannister is judged unfit for the astronaut program. Parker is an outstanding flier, but his reckless antics get him barred from flying fighters. Both of them wind up returning to Vietnam.

Berentbyjet
The author, back in the day.

A fatal barroom brawl lands Wolf Lochert in military prison, and his fate appears grim.

From available information, it would seem that Berent was a good pilot. While I wasn’t there, hence can’t confirm or deny, I can confirm that he is a great storyteller. Tom Clancy said Berent spun yarns of “good men in a bad war” and that sums up Wings of War quite well. His three primary characters work within the idiotic constraints they are saddled with, and pursue a victory that is forbidden by Washington.

The author interprets the jargon and explains some technical details which might otherwise confuse some readers; but doesn’t interrupt the story flow long enough to be a nuisance. He’s also got some “character sketches” that will probably resonate with anybody who has served some time in the military.

With all this you get a Soviet MiG pilot, a wartime sting operation, plus glimpses inside the Hanoi Hilton and the Johnson State Department.

Steel Tiger is credible, informative, and great fun to read.

Rolling Thunder

Rolling Thunder is the first novel in Mark Berent’s Wings of War series. The title comes from a strategic bombing campaign during US involvement in Vietnam.

Here’s a little about the author:

Lt Col Berent began his Air Force career as an enlisted man, then progressed through the aviation cadet program. He attended pilot training at Columbus Air Force Base, Mississippi and then Laredo Air Force Base, Texas flying the T-6, T-28 and T-33 aircraft and then moved on to F-86s at Nellis Air Force Base, Nevada. He served on active duty for 23 years until retirement in 1974. He began his operational flying career in the F-86 and F-100 flying at various posts throughout the United States and Europe. He later served three combat tours, completing 452 combat sorties, first in the F-100 at Bien Hoa Air Base, South Vietnam, the F-4 at Ubon Royal Thai Air Base, Thailand, and then in Cambodia for two years to fly things with propellers on them and through a fluke in communications timing, to personally run the air war for a few weeks.

He has also served two tours at the United States Space and Missile System Organization (SAMSO) at Los Angeles, California working first in the Satellites Control Facility and later as a staff developmental engineer for the space shuttle. In his expansive career he has seen service as an Air Attaché to the United States Embassy, Phnom Penh, Cambodia and also as Chief of Test Control Branch at the Air Development and Test Center at Eglin Air Force Base, Florida. He also served as an instructor at the Air Force’s Squadron Officer School.

His decorations include the Silver Star, Legion of Merit, Distinguished Flying Cross with one oak leaf cluster, Bronze Star, Air Medal with twenty four oak leaf clusters, Vietnam Cross of Gallantry, Cambodian Divisional Medal, and numerous Vietnam Campaign ribbons...

Quite a guy. And Berent tells a rip-snorting story of the air war over Vietnam.

The characters are great–Hollywood prodigal Court Bannister, soul sick rich boy Toby Parker, and devout killer Wolf Lochert. Much like W.E.B. Griffin, Berent seems to like privileged, wealthy characters who don’t have to serve, but do anyway and prove to be natural, superb warriors. Not easy for me to relate, but the author did a fine job winning my sympathy.

mapRollingThunderBannister is a jet jock who flies the F-100 Super Saber during his first combat tour. While males all over the USA were finding ways to escape serving in Vietnam, Bannister turned down his dream of Test Pilot and Astronaut training to serve there.

Toby Parker wasn’t even a pilot, but circumstances threw him into a situation where his exceptional skill and bravery earned him recognition as a hero. Unfortunately, a drinking problem might just ruin his career and reputation.

Wolf Lochert is a Special Forces officer and the consummate warrior. He’s no dummy, but one of his most trusted indigenous soldiers is determined to frag him when the opportunity presents itself.

SuperSaberVN

You will probably learn more relevant information about Vietnam in this one novel than you can from any and every history book that covers US involvement in the conflict. I’ve read plenty of fiction and non-fiction about Vietnam, and this has become my favorite so far–just from one reading.

I’ve also read Steel Tiger, the second in the series, and have started Phantom Leader. Reviews are forthcoming. It’s a fantastic series and well worth your time.

High Couch of Silistra by Janet Morris

Guest Post by Jim Morris

High Couch is a classic. It is also, so far as I know, sui generis. In a long life of writing and editing in which I have written nine books, edited more than two hundred and read thousands I do not know of another book like it, not even remotely. On one level it is an exciting sci-fi adventure. On another it is a sword and sorcery epic, and on yet a third it answers Freud’s famous question, “What do women want?”

A brilliant woman has decided to give the game away, and guess what? Feminists have attacked her for it.

The writing style is heroic, but readable and fun. The characters are recognizable, the plot is satisfying, and the world it creates is like nothing you have seen before, but is still believable. It also contains what I consider the most erotic single sentence in all the thousands of books I have read:

“Flesh toy, come here!”

If that doesn’t set up a scene in your mind then you have no business reading fiction.

I’m not going to give the plot away. I’m just going to recommend it. Highly.

Janet Morris began writing in 1976 and has since published more than 30 novels, many co-authored with her husband Chris or others. She has contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne.

This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages.

In the 1980s, Baen Books released a second edition. The third edition is the Author’s Cut edition, newly revised by the author for Perseid Press.

The IX by Andrew P. Weston

Guest Post by Jim Morris

The IX is the most inventive science fiction novel I have read since Stranger In a Strange Land. That’s saying a lot. The plot is highly complicated, and yet so clearly and gracefully written that it is easy to follow.

In the far future in a galaxy far far away the Arden are besieged by the Horde and though it will take a long time it is clear that their defenses will eventually crumble and they will be destroyed … unless.

The Ardenese, in an act of creative self-immolation sacrifice their lives to save their DNA, in hopes that someone will eventually reseed the planet with its original inhabitants. Their lead computer, The Architect, also recruits defenders through time and space, specially selected for qualities that are not apparent to the Ardenese, from a far off planet called Earth. They snatch great fighters from different eras just before they were about to die anyway. So they’re thrown into a probable suicide mission with their bonus time.

There are problems integrating fighters who were snatched in the act of trying to kill each other, and from far different times, the IX Legion of Rome and Scottish tribesmen, the US Cavalry and Indian tribes, and 22d Century Royal Marine Commandos and terrorists, all welded into an integrated force.

The ending is to wildly inventive and too brilliant to give away here. Suffice it to say I ended the book with tears in my eyes.

Andrew P. Weston is a Royal Marine and Police veteran from the UK who now lives on thel Greek island of Kos. An astronomy and law graduate, he is the creator of the bestsellers The IX, and Hell Bound, (a novel forming part of Janet Morris’ critically acclaimed Heroes in Hell universe). Weston is also a member of the Science Fiction and Fantasy Writers of America, the British Fantasy Society, and the International Association of Media Tie-in Writers.

When not working he devotes spare time to assisting NASA with two of their remote research projects, and writes educational articles for Astronaut.com and Amazing Stories. He has also been known to do favors for friends, using his Royal Marine Commando skills.

Captain America: Civil War is More Than a Slugfest

In the Silver Age of comics, when Marvel became a serious competitor for DC, there was a distinct contrast in the storytelling styles of the two publishers, especially in the team titles (DC’s Justice League of America and Marvel’s Avengers, primarily). While DC spent most of its comic panels on plotting, Marvel’s approach was something more like: “Forget this silly script treatment–let’s have somebody fight!”

The “Marvel Misunderstanding” subplot became an inside joke with comic book readers–when there were no supervillains handy, excuses were dreamed up to have Marvel’s heroes duke it out with each other.

CAIM

The difference between Marvel’s characters on the silver screen and in comic book pages is almost as drastic as the spy novels of Ian Fleming compared to the cinematic James Bond in the Roger Moore days. Still, we got a little “Marvel Misunderstanding” throwback in the first Avengers flick.

As the title of this movie (“Civil War”) suggests, most of the screen time is dedicated to fraternal conflict among Marvel’s big screen pantheon. But not due to a misunderstanding–because of a fundamental disagreement about “oversight.”

Collateral damage caused in the previous Marvel movies has caused various globalist interests to call for “hero control” (my term, thank-you).

Iron Man, at one point a free market capitalist hero, is now more of a corporatist bleeding heart who believes the answer is for the Avengers to be leashed by the United Nations. Now there is a brilliant quantum leap in logic: collateral damage caused by saving the planet from despotic monsters must be curbed by putting the good guys under the direct control of an organization with a horrific track record, run exclusively by unelected bureaucrats who don’t believe in representative government and are not accountable to any people anywhere in any way.

Introducing, in the red, white & blue corner: the Title Character! With him are Scarlet Witch, Hawkeye, Falcon and Ant Man,
Introducing, in the red, white & blue corner: the Title Character! With him are Scarlet Witch, Bucky (AKA the Winter Soldier), Hawkeye, Falcon and Ant Man,

On the other side is Captain America. He doesn’t spell it out like I did, but amazingly, he senses the danger in such an arrangement, that would make the problem they’re trying to solve even worse (which is pretty much the de facto purpose of the United Nations).

Interesting analyses can be drawn from this scenario. It can be a metaphor for the whole “gun control” struggle or, more broadly, the march toward police statehood, and the belated reaction to it by Americans who prefer to be free men, partly represented in the Trumpening. Again, it’s amazing how accurately Tony Stark and Steve Rogers represent their respective sides, considering Hollywood’s blatant myopic axe-grinding in every other movie touching on the subject.

Marvel’s done a great job with characterization and humor in their movies, and that continues here, even though this might be their most somber one yet. Suddenly there is a whole subplot regarding Stark’s parents which affects his frame of mind in this movie. Robert Downey Jr. pulls it off with his usual panache.

...And, in this corner...the Invincible Shellhead, with a record of one knockout, one not-so-bad sequel, and one idiotic swan song! Backing him up is Black Widow, Black Panther, the Vision...
…And, in this corner…the Invincible Iron Man, with a record of one knockout, one not-so-bad sequel, and one idiotic swan song! Backing him up is Black Widow, Black Panther, the Vision, and War Machine.

There’s a lot of character tweaking I found annoying, as a one-time comic afficionado. Of course, I quit reading comics as they became 100% SJW converged, so a lot has probably changed since then. Black Widow is about 20X more badass than in the comics I read, but she has been that way in all the movies, because vagina. It was cool to see Black Panther on the big screen, but he punches way above his weight here, too. But the most annoying is Spiderman.

Apparently the webslinger is getting yet another reboot. This time Peter Parker has a younger, attractive Aunt May, and is given his costume by Tony Stark who, somehow, has discovered his secret identity without ever having met him. Normally Spiderman would be the heavy hitter of all the heroes in this story (when the character was introduced by Stan Lee originally, only Thor, the Thing and the Hulk were stronger), but he is reduced mostly to comedy relief. The way he was brought in, and dismissed, makes him seem like just an afterthought in the script. Too bad, because the actor played him better than any other has, IMO.

spidermanshield
…With special guest cameo by Spiderman 3.1! Or is it Spiderman XP? Spiderman Vista?

Physical prowess is treated inconsistently in every superhero adaptation for big and small screen. Of course part of this is necessary to conform to the feminist aspect of The Narrative. Much of it is no doubt contrived to make scenes more dramatic. Then there is the star clout of Downey Jr., who frankly got more attention in this film than the title character did. Spiderman and Captain America are not played by actors worshipped to the degree he is; therefore the characters must be depicted as inferior to his, one way or the other.

In any case, most moviegoers don’t know much about the source material anyway, so this should be a fun diversion for a couple hours.