Category Archives: Speculative

Speed Week Plus: The Road Warrior – a Review

 Mad Max cannonballs through the wasteland in a world devolving back to the Iron Age.

Mad Max cannonballs through the wasteland in a world devolving back to the Iron Age.

 

You think you’ve seen road rage before? Let’s cruise on over to post-apocalyptic Australia for a high octane killing spree!

Mad Max was such a cult action-adventure hit, the film makers came back with a bigger budget for the sequel. In addition to launching a young actor named Mel Gibson into superstardom, it also inspired too many doomsday visionaries to count…including another film maker who would produce a time travel thriller a couple years later about a killer cyborg sent back from a future similar to this one, to assassinate the mother of a resistance movement’s leader. You may have heard of that flick. It’s called The Terminator.

In the roar of an engine he lost everything…

 

roadwarrior1

 

In the first movie, Australia was on the verge of societal collapse. As this story begins, that collapse is a done deal. Max, once a good cop and happy family man, is now a lone drifter with no ambition beyond surviving in the New Dark Ages.

What we have here is actually a sort of post-apocalyptic western. Max is the jaded gunfighter who is numb to death and has nothing to lose.

The vermin of the wasteland (I guess I’ll call them VOTL for short) have tried to bushwhack him before, but he’s a little too much for them to handle. The prize they’re really lusting after, though, is a strange outpost of civilization in the wilderness.

A small community which still clings to the mores and values of non-barbaric society occupies an oil refinery, defending it with flamethrowers and pneumatic dart guns from the perverse savages who rape and murder any who attempt to break through the siege and run for freedom.

After defeating (then taking captive) a snake-charming gyrocopter pilot, Max encounters this situation just as two would-be escapees meet their gruesome fate.

The alpha-dog ruling over the VOTL barbarians is a buff baddie called Humongous. Don’t ask me where he finds his vitamins, energy drinks and steroids out there in the post-apocalyptic desert. And though he probably has plenty of time on his hands, where he finds a gym to work out in is also a mystery.

Humongous’ go-to lieutenant is an acrobatic Sodomite who puts his crosshairs on our hero early when he gets wounded during road combat with Max. Later he comes totally unglued when his butt-boy is killed by a razor-edged boomerang that belongs to “the Feral Kid.”

The R rating is strictly for the violence…plus some brief non-titillating nudity. I don’t believe there’s any cussing at all. But the violence is on an epic scale for 1981–dished out with a mixture of Medieval weapons, improvised munitions and fast machines. There are only two firearms in the film–one owned by the hero; one by the villain. The ammo supply for both is extremely limited.

 

Those fast machines are what makes this movie required viewing for Speed Week Plus. Not only is Max’s Falcon Interceptor back (with the Hollywood clutched blower) but there are other Australian musclecars and some vehicles that look like hybrid dune buggies or sand rails.

The Lord Humongous…the Ayatolah of RocknRollah!

One of the suicide machines has two engines. One of them has a crude nitrous system (“noss” for those of you who acquired all your automotive knowledge from watching the Fast and Furious flicks). Add to all that horsepower the added boost of camera undercranking , and the result is insane speed for the chase sequences.

The Road Warrior has its flaws, which become more obvious over time and repeated viewing, but it’s still a great action adventure movie that requires no more suspension of disbelief than most of the CGI/green screen enhanced claptrap Hollywood’s been churning out in the new Millennium.

This is perhaps my favorite post-apocalyptic movie. What’s yours?

Dialog at Twilight’s Last Gleaming #2

This conversation took place during the New York demonstrations against the results of the election.

 

SILVER SPOON BLACK WOMAN: This country was built on the oppression of dark people!

WORKING CLASS WHITE MAN: First of all, slavery was brought over here before there was a United States of America. Second, we fought a war to end slavery. We fought and killed our brothers and cousins to free the slaves, because we’re “so racist.” Slavery lasted about 80 years here. Care to compare that to another country? Take your pick: Africa, Asia, Europe, Central or South America…pick your continent.

SSBW: Slavery wasn’t as brutal  in other countries. It was more like just being servants. It’s America that made it such a dehumanizing thing.

WCWM: (Scoffs) You’ve been watching too much TV. African slaves in Latin America were treated much worse than in the USA.

SSBW: That’s just what you say. You don’t know that.

WCWM: I study history because I want to know the truth. You should try it. The information’s out there. You read a few memes on Facebook and assume you know everything there is to know.

SSBW: And so what if you ended slavery? That’s nothing to pat yourself on the back about. The fact is, you still did it. And you took this land from the people who were here before, so it’s hypocritical to want to keep other people from coming in and taking it away from you.

WCWM: Can you name one country where the territory wasn’t won by a group that displaced another group? Why is nothing bad unless Americans do it?

SSBW: I’m talking about this country. This is the one I live in. And just because other countries have done something doesn’t make it right when America does it.

WCWM: So the standard for America is perfection, but every other country can do whatever, and are superior in your eyes?

SSBW: I didn’t say they are superior.

WCWM: You want to make us just like them. And you act like I’m wrong because I don’t want their invasion of us to continue. Why is that?

SSBC: The point is, this is a racist country, and you’re too blinded by your white privilege to understand what I go through as a person of color.

WCWM: I understand. You’re given scholarships for nothing but being born your color. You’re given hiring preference for nothing but being born your color. All by oppressive, racist America. You poor victim.

SSBW: Those things are just compensation for what we have to go through every day in life just because of the color we were born with.

WCWM: Oh yeah, I keep forgetting how oppressed you’ve been. Your parents weren’t allowed to work any job except maids or butlers; you weren’t allowed to live in a well-to-do suburb; you were denied an expensive education and you weren’t given a six-figure job right out of college.

SSBW: I had to work for all those things!

WCWM: Ah, so you’re a victim because you have to work for something? They should have just handed it all to you because you’re black?

SSBW: (Under breath, grumbling) People who never experience prejudice just can’t see it.

WCWC: Now you’re assuming I’ve never experienced bigotry, and you assume it because of my skin color. That’s textbook prejudice, right there.

False Flag Is On Sale

The third book in The Retreads series is now on sale for 99 cents at Amazon.

False Flag is a near-future SHTF speculative saga of economic collapse and civil war, in which the specops-veterans-turned-military-contractors from Hell & Gone and Tier Zero face catastrophes on the home front.

“Henry Brown takes down some very dark paths in this cautionary tale of the near future USA. Using lots of story straight from today’s headlines (and back page articles…) we see a very nefarious plan against the citizenry…..and the Retreads spring into action putting their mettle to the test….” – J.G. Scott

“Henry Brown is a talented author, a man with a mastery of dialogue and pacing that knows his craft intimately. This book, I can tell, was his attempt to try something a bit…uncomfortable. A challenge. And he pulled it off with the same dexterity I’ve come to expect from him.” – Nate Granzow (Author of Hekura, The Scorpion’s Nest,  the Cogar series)

“Henry Brown has crafted an action-packed romp that is both enjoyable and terrifying.” – R.A. Matthis (Author of The Homeland series, Ghosts of Babylon)

“This book keeps you wanting to know what happens next – and really makes you wait to find out. The divergent story lines of regular Americans eventually tie together to culminate in a larger story of a nation in crisis.” – Amazon review

What an exceptional story.” – Amazon review

Third book in the series,. Could stand alone but you don’t want to miss the first two. So go back and purchase Hell and Gone (one of the best military thrillers ever written) and then Tier Zero. You won’t be disappointed.” – Benjamin Drayton

 

 

Dialog at Twilight’s Last Gleaming #1

There’s some notable conversations taking place in “flyover country” these days. I think I’ll document some of them.

NGV: I know (our co-worker) has a family to provide for, but stealing from the company…pissing off the customers…I don’t see how they wouldn’t fire him.

RAV: I don’t want anybody to lose their job–especially in this economy. He needs to go on welfare or something, because he’s damaging our reputation.

NGV: I feel bad for his family, though.

RAV: Yeah. There ain’t that many jobs out there, and frankly, depending on what happens in this election, there might not be an America for much longer. It could be a lot more like Brazil or Venezuela pretty soon.

NGV: Speaking of that, when the shit hits the fan, you’re welcome to bring your family and follow me to (redacted) in Idaho.

RAV: No kidding? (Wow, he’s a lot more prepared than I thought.)

NGV: Yeah, seriously. If all you’ve got is your bug-out bag, that’s cool. Ammunition won’t be a problem, either–we’ve got plenty to share.

RAV: Oh yeah? (Holy cow, he’s blowing OPSEC all to hell. Doesn’t he realize we’re talking on cellphones?) I don’t know where I’ll be when the day comes, or what my travel options will be, but I really do appreciate that. (I just wish you’d be wiser about what you say on an unsecured line.)

Amerigeddon–A Review

There’s a scene in the movie The Right Stuff which takes place during the first few months of “the Space Race” after Sputnik was launched. An American muses, “Why do our rockets always blow up on the launch pad?” or something to that effect. I would have had the same question, seeing as how America was still an industrial giant and the world leader in technology. How could Russian rocket scientists be enjoying more success than ours, especially in a country like the USSR where people capable of creative thinking are among those targeted and routinely murdered by the state?

I’ll bet I have the same kind of frustration those late ’50s rocket scientists had. How is it that smart, hardworking, independent thinkers are consistently outperformed at cinematic storytelling by the left-wing hive mind? Why do our movies always suffer poor story telling, cheesy dialog and generally inept suspension of disbelief?

The first couple minutes of Amerigeddon are promising. But then the primary villain was introduced and my cringing began. But I didn’t cringe because of how eeee-veel the bad guys are. The ensuing conversation is corny enough to embarrass a B-Movie Nazi, and it doesn’t get better from there.

Unfortunately, some of the characters are soldiers in the 101st Division. I say unfortunately because the film makers evidently did not bother to recruit a technical advisor with some basic military knowledge. I suppose they get things wrong no worse than most movies and TV shows with alleged military elements, but this is a big taboo for me. I wouldn’t try to shoot a film about doctors or stock brokers without consulting one or more. With all the veterans out here, there’s no excuse for getting the basics so utterly jacked-up.

The plot is fairly weak, though I have seen worse. The hero confronts a Congressional committee about our state of helplessness in the case of an ElectroMagnetic Pulse (EMP). One wonders what he hoped to accomplish, other than get himself placed on a Domestic Terrorist (“red”) List. The politicians ignore the warning and make veiled threats against the hero.

The EMP occurs once all the exposition is established. A few of the characters know it’s an EMP from the moment the lights go out. Meanwhile, the “soldier” character realizes that the US Army has been subsumed by the UN, and deserts. The rest of the movie depicts a small conglomeration of family and friends retreating to the safety of the rich prepper hero’s backwoods retreat; then fighting off an attack by UN troops in a slipshod, lackluster climactic sequence.

Filming the climactic scenes was probably more exciting than watching them is.

wearenotok

Even though the producer is a millionaire, and millions probably went into making this film, it comes off as very low-budget. With the right choices, that wouldn’t have been as obvious. But no budget is big enough to compensate for what coulda’/shoulda’ been straightened out in the screenwriting stage.

I wanted this movie to be good. It is not.

The only people who will cut this movie some slack are those like me who appreciate what the film makers were trying to do. Watching it is not going to change anyone’s mind, or nudge fence-sitters into an epiphany…because the glaring problems result in a total package which doesn’t come off as believable.

The culture war is not a fair fight. The left has been sneaking their messages into entertainment for a long, long time. They could afford to be subtle because they had so much time to program the minds of the masses, and almost nobody called them out for it (before the Internet came along, anyway). Most people alive today have had The Narrative spoon-fed to them for all their lives. We can’t boil frogs the way they have, for a number of reasons.

And frankly, we are running out of time. We haven’t yet felt the bite of efforts like “Net Neutrality,” just as the “greatest generation” didn’t suffer the full consequences of the New Deal until it could be blamed on convenient scapegoats (like the free market itself), and like the Great Recession and “housing bubble” didn’t manifest until their architects were retired and could safely blame their successors. And like the catastrophic effects of Obamacare won’t be fully felt until Hussein is duly whitewashed, canonized, and (with the media’s willing assistance) can blame his political rivals. But even beyond “Net Neutrality,” Hillary has hinted at her intent to shut down the alternative media. A clear violation of the law she will swear to uphold and defend, but who is going to hold her accountable to her oath–the FBI?  The DOJ? The Supreme Court? Congress? You?

Yeah, just like Obama has been held accountable.

Ahem. So with time running out, we can’t plant little seeds like the left did over the course of generations. Besides, they were virtually unopposed while we have opposition everywhere. When it comes to the arts, the left has an overwhelming numerical advantage. When it comes to film, TV, video games and other expensive arts, they have every conceivable advantage (other than their Narrative itself, which is built with and on lies, and routinely contradicts itself).

So what can we do?

I’ve drifted too far off-topic already. This movie will not win hearts and minds.

Below is a link to some speculative SHTF tales that are much better (though the plausibility of the Red Dawn remake is questionable).

Random Musings on Apocalyptic and Post-Apocalyptic Entertainment

CATEGORIES

TEOTWAWKI or “The End Of The World As We Know It” is a brand which has been traditionally applied to post-apocalyptic movies, games, and books. In such narratives, the story begins AFTER some cataclysmic event has forever altered life on Earth.

SHTF or “Shit Hits The Fan” stories are about, or take place DURING the cataclysmic event. (Most “patriot fiction” fits inside this genre.)

It occurred to me we’ve been throwing everything under the TEOTWAWKI umbrella (including my own latest novel). Because I review so much work in the genre, I have now made a SHTF category and moved all (I hope) the relevant posts into it, for ease and accuracy of navigation.

UNFINISHED STORIES

I’ve been consuming a lot of SHTF and TEOTWAWKI entertainment lately. Recently I’ve tossed two books aside before finishing them. That has prompted me to create a new category called “Pet Peeves,” and this is my first post to be categorized that way.

There are a few different tropes that often annoy me enough to quit watching or reading whatever incorporates them. As regular readers of Virtual Pulp can probably guess, left-wing propaganda is one of them (explaining why I rarely go to movies anymore, and never watch TV). Another nauseating trope is the obligatory “strong female character,” which in action/adventure manifests as the obligatory Amazon Superninja.

Another deal-breaker for me is excessive stupidity, in whatever form. Going back to TEOTWAWKI, this is why I didn’t get very far watching the Jericho series on Netflix. It started out with a lot of promise, but smacked me out of my suspension of disbelief too many times to even be engaged by the point where we discover the EMP was caused by the Right Wing Boogeyman (egads! What a surprise!).

I recently picked up a handful of books on free promotion, for my Kindle. One of them featured a rare (for the SHTF genre) protagonist: an extremely naive civilian suburbanite victim of normalcy bias. I know too many people like this guy in real life (throw a rock in North America, and you’ll hit one), and find them a real challenge to engage with on any meaningful level. Yet, for me, it was a unique storytelling perspective (and perhaps overdue), and I guessed he would have to wise up in order to survive.

The character did show signs of maturing over the course of several chapters, and I gritted my teeth through his Pollyana attitude/reactions. I even held my peace, with an eye-roll or two, at how cash was still accepted after the economy, infrastructure, and even government itself were all rendered moot.

Then I came to a scene in which the protag and his companions are waylayed by literal highway robbers. Our hero is armed. The villains are not. He has some supplies he and his pals will require to survive along their journey. The bad guys want to take it.

So he lets them take it, in an alleged compromise (they won’t rape the girl traveling with him).

You have to wonder why some people even have guns, if they’re unwilling to use them even in matters of survival. The sad part is, this character is all too real, and the “compromise” is too perfect a metaphor for how we’ve allowed our freedoms, our government, and our country to be “compromised” away from us. Real life and its stupid people are more than enough, thank-you. This story and character is too much stupidity for something I read voluntarily and sacrifice time for.

OVERHAULING STRAIGHT AMERICA

The population has been so relentlessly conditioned that it’s hard to escape from the malignant sodomiphilic echo chamber even in indie fiction.

Another book in the genre was also from a suburbanite perspective. There were some trace amounts of the “all men are rapists” attitude in this one, but it wasn’t so “in your face” as to make it unreadable. I had finished reading about 90% of the book before the author sucker-punched me by revealing a character as homosexual.

The reaction to this by one of the main characters was how all reasonable, “open-minded” people are supposed to react: immediate support, equal or surpassing what a “straight” individual should get. Just in case there are still some dirty brains still out there, the efforts to wash them are ubiquitous and never-ending.

No thanks. Pass. I have no interest in reading the remaining 10%.

THE ROAD/JOURNEY PLOT

This really should have been pondered long ago, but only lately has it really become a point of fascination to me that 95-99% of post-apocalyptic tales depict a journey of the protagonist. Most often, the journey is taken in order to reunite with family.

On the one hand, this makes a lot of sense. When the SHTF a lot of people will be separated from loved ones by varying distances. They’ll be away on a business trip, or at the office, grocery store, etc., when disaster strikes. So it’s a valid plot.

It’s also a grossly overused plot. So overused that I’m now rethinking a few sequels to False Flag, and a zombie parody I had in mind.

That’s all for now. Happy weekend.

We Defy!

There was activity by one of the vans. Some agents were trying to get back to a van, probably to get some gear they intended to use.
Roberts figured that had to be stopped. We can’t afford some
counter sniper activity, when it came down to it there would be no extra risk tolerated to either his men or himself. “All X-ray
elements, this is X-ray 47, prevent equipment recovery from the van on the highway, 4th vehicle from the last.”
The FBI Hostage Rescue Team was in a bad spot. They (or more
accurately, previous members of the Team) had been present at Ruby Ridge and at the Branch Davidian compound in Waco.
Those incidents were sore points with the tea bagger movement, and the agents on the Team knew that if given the opportunity, the tea baggers would kill them with relish in revenge. The agents had to get the sniper rifles into action, or they would be dead men.
There was no way the average agents, even those who had SWAT training, were going to get the Team out of this situation. The tea baggers were over 300 meters out, and they knew that most agents couldn’t hit an elephant at 200 meters. The Team had to get back to the van.
Roberts RTO was approaching, saying into the microphone
“Standby for X-ray 47 actual.” And then he handed the mike to
Roberts.
“This is X-ray 47 actual, over.”
“This in X-ray 72, request to take targets by van down, over.”
“Shred the van, knee cap them if you can, then take them down, over.”
“Roger, out.”

Above is an excerpt from the action chapter of this book, when the JTF (Joint Task Force) raid runs into an ambush by a well-organized militia.

To describe this book in one sentence, I might say Atlas Shrugs meets Armor at Fulda Gap. There is no character development, to speak of. In fact, character establishment is mostly lacking throughout. Yet it is a gripping story of a few good men who have had enough of the long march to a 3rd World police state, and band together to do something about it–something more effective (and realistic?) than “going Galt” to some fantasy retreat where the jackbooted Feds will just leave them alone.

In this speculative tale of a near future secession effort in Texas, the focal character is Jim Roberts, a former armor officer who is well-versed in military SOPs, TOOs and overall military doctrine. He also knows a great deal about the law and politics, though toward the end we discover he hates politics (and I can relate). From a storytelling perspective it seems he’s not all that necessary for 2/3rds of the narrative, which is in a summary format. Nevertheless, after a couple pages it was hard to quit reading.

I’m tempted to call this “an optimistic dystopia” because everything seems to fall into place for the good guys. Oh, they have opposition, and that opposition is depicted credibly. The optimistic part is how so many individualists can put aside petty differences, come together with realistic plans, attainable goals, and work selflessly to actually make a change while pretty much getting everything right along the way. From my experience, this would never happen. Nevertheless, it is an engrossing read because I like to dream about how we COULD preserve some of our freedoms IF IF IF this, that, that, and this all went right, and if key people handled thus situation exactly in this fashion, and Joe and Moe could check their pride at the door in order to work together, etc. Perhaps patriots and Texicans would enjoy this book as much as I did. It might be just the ticket for those who don’t normally read fiction (or read at all), because it’s full of information and action plans which could, theoretically, be mimicked in real life.

The version of this book that I read was not edited. It reads like a first draft by somebody who doesn’t know (how) to punctuate, with seriously challenged spelling and grammar skills…and who only made matters worse with what spell check function was utilized. In other words: a typical Indie e-book. Difficulty telling dialog from inner-dialog from narration was compounded by a haphazard use of quotation marks. During one passage of dialog which went on for quite a while, there were no attributions at all and you might could figure out who was saying what if you took notes and kept score. There were several paragraphs I had to re-read a few times to deduce what the meaning would be without so many errors, and more than a couple places where the sentence construction was so mangled that I just couldn’t figure out what information the author was trying to convey.

I was given a free copy of this book in exchange for an honest review.

Executive Orders: Homeland #2

The second book in R.A. Mathis’ SHTF series has just gone live on Amazon. I was fortunate enough to have read an advance copy (after nagging the author a little bit–that’s how much I liked the first one: Falling Down), so I’m ahead of the curve.

I reviewed the first book here; then the author and I had a conversation about our books and TEOTWAWKI in general here and here, if you want to get up to speed. You can also read an excerpt.

Executive Orders follows the three main characters from Falling Down as order is established from the chaos. But order isn’t always what it’s cracked up to be–especially when the chaos was purposely orchestrated to bring it about.

Unfortunately, I think the author’s take on how easy it is to manipulate the masses is spot-on (which is to say: even easier, when they’re facing starvation and other severe hardships, than it is now).

America’s “second founding” is how characters in this story refer to the whole order-from-chaos/pheonix-rising-from-the-ashes plan to swallow the USA into the globalist dictatorship certain insiders have referred to as the New World Order . They have utterly destroyed the US economy; taken down the power grid; hijacked the Armed Forces; implemented martial law; begun to kick off their population reduction and relocation initiatives; blamed the patriot resistance for all the above; obliterated what individual rights Americans had left; and made the average Joe beg for servitude by using food shortages as a weapon. This is all right out of the globalist playbook.

I was a bit surprised at how much freedom and initiative Sheriff Hank was able to enjoy, given the stranglehold Big Brother has on everyone and everything. In retrospect, perhaps he was merely given enough rope to hang himself. And scapegoats are always needed in situations like this.

The stranglehold was achieved very quickly. The author has illustrated just how fast our way of life can permanently change. (The same government/media complex that so expertly herds the population using the Hegelian dialectic before the fall will have an even easier time herding with the simple carrot-or-the-stick paradigm.) They waste no time weaponizing the surviving population (now reduced to property of the State), starting with the very youngest.

I got irritated with Sheriff Hank a couple times, due to his naivite`…but, to be honest, he’s no more naive than most people are, or will be, in real life. Will normalcy bias linger on, even after normalcy has been shredded, napalmed and nuked into oblivion? Yes, it probably will, while evils are sufferable.

This is a dark vision of the near future. However, there were just enough glimmers of hope to read on. And Mathis has set the stage for the resistance to bring some major smoke on the bad guys in the third book.

A Counter-Narrative Hits the Big Screen

…On May 13 in select cities.

Not since John Milius filmed Red Dawn (the original) has Hollywood been slapped in the face like this. And while that cold war kiddie flick has aged poorly, and dealt with only the most superficial threat to America, this one digs much deeper.

Imagine this: In the not-so-distant future, a large-scale electromagnetic pulse (EMP) attack on the U.S. energy grid wipes out all power in the country. Electronic devices cease to function. No more phones. No Internet. No TV. Credit cards become useless as the entire banking system grinds to a halt. Food, water and mere survival become every person’s primary concerns.

Amerigeddon” depicts a dystopia in which the American government reacts to a debilitating EMP strike by declaring martial law and stripping Americans of their constitutional rights and their guns. And by the way, it was the U.S. government, in conjunction with the United Nations, that staged the EMP attack in the first place.

It was a plot that none of the studios wanted to touch, so Norris and Heavin independently produced and financed the movie. In an interview with WND, Norris called it “a film of passion” that he and Heavin very much wanted to share with the world.

“We just decided we’re going to do it ourselves,” said Norris, the son of legendary actor and WND exclusive columnist Chuck Norris. “We said we’ll go take it to the theaters in areas that we think people would gravitate toward a film like this, and [hopefully] it’s something that resonates with people that believe in the First Amendment, the Second Amendment; people that believe in the Constitution, the Bill of Rights – this is a movie that was created just for them.”

 

Amerigeddoninterrogation

No kidding the studios didn’t want to touch a story like this. Their mission is to condition movie-going audiences to irrationally fear “right-wing extremists,” not seriously consider some of their concerns.

I don’t know for sure yet what kind of quality we’re looking at, here, in screenwriting, acting, etc., but it does seem to comprise some themes that need to be explored…all of it related to the fate of our country and the world, and how it will affect each of us–our lives, liberty, and property.

Those themes have been explored in indie fiction–including some published here at Virtual Pulp. But for people who haven’t opened a book since high school and never intend to, this movie could get them thinking. At least, I hope so.

Kudos to Norris and Heavin for the guts and commitment it took to put this on the big screen. Here is a list of theaters that will be showing it.

All This and Civil War Too (Part Two)

Here’s the continuation of our discussion of Homeland: Falling Down, and the trends which inspired it.

 

HENRY BROWN: So, whether faced with our own military or with modern-day Hessians under globalist command (assuming the 3 percenters have prepped adequately enough to avoid being simply starved to death) with no support from a foreign ally and probably without popular support, how viable do you consider a guerilla resistance effort to be?

R.A. MATHIS: You mention in False Flag that no insurgency has ever won without foreign intervention and popular support, which I thought was a very good point. The two things America has to counter that are the 2nd Amendment and the 2008 election of the best gun salesman the country has ever seen. We have over 300 million citizens and about as many firearms in this country. We are also buying up ammo as fast as it can be produced (at least what is left over after DHS gets their share). Combine that with hundreds of thousands of highly trained combat veterans scattered to every part of the country, and the odds don’t look so long.

(HENRY BROWN: What a coincidence that veterans, patriots and gun owners top the list of potential “domestic terrorists” the government is most worried about, eh?)

R.A. MATHIS: This alludes to the working title of book three, “Every Blade of Grass.”

HENRY BROWN: How appropriate–that very quote (whoever said it) was just going through my mind as your words sunk in.

R.A. MATHIS: I think the success of a resistance would vary by region. Rural areas would be virtual no-go zones for regime forces. Some urban areas may just welcome them like the Vichy French.
It seems to me that the biggest problem for the resistance would be the lack of electricity. If the regime restored power to each region as it was brought into compliance, it could make for effective deadly propaganda against the resistance. It’s the old “freedom vs security” dilemma on steroids. I’m not sure which way the populace would go in that case, especially in winter.

HENRY BROWN: Very good point. Most people  take electricity for granted. Few of us have any concept of what a struggle life will be without it. And that’s even without somebody intentionally trying to kill you.

R.A. MATHIS: How would you go about establishing a resistance? Could it succeed?

HENRY BROWN: That endeavor would be a kettle of quandries stuffed full of dillemmas and wrapped in Catch-22s. What I would encourage is a cellular structure perhaps similar to the French Underground or other successful resistance movements. But if it is successful, at some point it would have to take the offensive. And that would require somewhat centralized leadership–anathema to the principles hopefully held by those who constitute such a movement. That would require very rare leadership–willing to step down and surrender the reins of power when victory was secured–as George Washington did.

Could it succeed? Yes. But it would be an uphill struggle from start to finish, with no room for mistakes at the strategic level. At a tactical level I like its chances a little better, partly because of the points you made.

In Falling Down, Cole’s father, Hank, is an honest cop. In my experience that’s a rare, dying breed. But now and then I come across memes regarding certain sheriffs who have gone on record stating they will not comply with unconstitutional orders from the Feds, including civilian disarmament. As with the military, I’m skeptical that many who wear the badge will honor their oaths at crunch time. How do you see it?

R.A. MATHIS: Again, I think this may be regional. I believe small town sheriffs would be more likely to resist the regime as they personally know most of the people they would be asked to arrest, kill, etc. The impersonal nature of bigger cities allows collaborators to see numbers rather than real people. Like Stalin said, “The death of one man is a tragedy…”
Of course, there would be exceptions on both sides of the spectrum. And we must always remember that power not only corrupts, it draws the corrupt.

That last sentence ran through my mind as I read the McMillan scenes in False Flag. You mention window tint citations a few times in regard to this trooper. Was this character and situation inspired by actual events?

HENRY BROWN: Actually, yes. I made friends with a state trooper a few years back. Unlikely, but true. Stories he shared fit with things I’ve heard from other cops and ex-cops. Basically, somebody with a badge can make your life hell now for any reason at all. Window tinting was one of the specific excuses he used to harrass people and help eat out our substance. And that BS fits thematically so well, because the Surveillance State just HATES it when something impedes their invasion of our privacy.

In Homeland: Falling Down, Cole strikes me as a character who’s just an honest soldier who wants to do his duty and avoids politics like the Plague. First of all, is this an accurate assessment?

R.A. MATHIS: Yes. Like most people, he just wants to be left alone. But also like most people, politics affects him in huge ways, whether he likes it or not.

HENRY BROWN: Like the saying goes: You may not be interested in politics, but politics sure has a keen interest in you.

R.A. MATHIS: I found your character Adiur rather fascinating. His connection to Greeley, the secret government training program, the other members of his unit with equally unusual qualities and names. Can you go into detail about this character and your inspiration for him?

HENRY BROWN: This goes back to my research on the occult and mind control, again. There are documented cases of this kind of thing, including superhuman strength, drastic voice changes, change in spoken language, and being oblivious to pain. There’s other bizarre stuff like “remote viewing” and “automatic writing,” too, but I don’t know much about those phenomena yet. Anyway, molestation as a child is pretty common in these “sleeper agents” and sex acts are incorporated into the occultic rituals for adults, too. This is where Greely comes in.

It’s all pretty horrific stuff, which is why I left it behind closed doors, and only implied “vanilla” sex, at that.

Is Cole based to any degree on some particular individual?

R.A. MATHIS: He is the personification of the dilemma faced by our troops in such a time. Hank is the same, but for civilian authorities.

I’ll ask you the same thing about Greeley and Adiur.

HENRY BROWN: Greely and Handel are amalgam characters, based on different people I’ve known and met. I’ve never been involved in drugs or the occult, but I’ve rubbed elbows with others who were. Niether of these characters are what they seem to be on the surface. Greely appears to be the sultry cougar-type “strong independent woman.” She’s the object-of-every-schoolboy’s fantasy. But deep inside she’s a sick tool who is about as independent as a marionette.

Handel’s facade is perhaps just Joe Blow Normal Dude. He’s handsome, clean, in his prime, average intelligence, a “good person” on paper…but there’s more to him than superficial observation would ever indicate. He’s been horribly abused since childhood and doesn’t even know it. He’s fractured. At the risk of spoilers, he has been conditioned to surrender his will and his body over to be used as a vehicle by Adiur–a malicious personality given access to Handel when his psyche was fractured.

I don’t know for sure that anyone I’ve ever met was a bona fide MPD. But I’ve known some guys who were blank slates like Handel, susceptible to that sort of conditioning in my opinion. Such a person has a hole in their soul, and nature abhors a vacuum.

When you first introduced Eduardo in Falling Down, I couldn’t help thinking of Geraldo Rivera. But as the story progressed, I shelved the connection. You really drew a 3-dimensional character in him. He’s a disingenuous self-promoting media whore on the one hand, but he proves to have streaks of decency as well. Congrats on that, BTW. What were your thoughts when you conceived the character, and did he wind up like you first envisioned him?

R.A. MATHIS: He actually was inspired partly by Rivera, especially after I saw how Geraldo behaved on Celebrity Apprentice (not a good look for him). He represents exactly what you stated: the self-serving, headline-grabbing media. He doesn’t care if his reporting is biased or disingenuous. The next step in his career is all that matter to him. He’s not an ideologue, but he will toe the line and support ‘the narrative’ his superiors provide to get ahead. He is a tool (in more ways than one).
It’s interesting that you ask if he is winding up as I first imagined him. I like the question because it implies Eduardo has a life of his own and makes his own choices. As a writer, that’s when I know I’’m onto something…. When I stop directing the characters and let them do their thing, writing down what I observe. That’s when it’s most fun. I don’t know what Eduardo will do or how he will turn out. How will he react when he discovers the true nature of the regime? I don’t know. He is a bit of a wild card.

HENRY BROWN:  Definitely onto something. He lives, breathes, sweats and stinks. Seriously: kudos. Very well-drawn character.

Will the presidential candidate from the prologue appear again in subsequent books?

R.A. MATHIS: The candidate, Martha Jefferson, will have a big roll down the road. And that road is gonna be a rough one.
The assassin’s “little green book” will be a factor going forward.

HENRY BROWN: How many books do you think the Homeland series will last?

Right now I.m thinking at least three, maybe four. It really depends on where the characters take the story…and sales (You’re laughing–I’m not laughing).

HENRY BROWN: Not laughing, really. Just smiling. But think of it as a smile of solidarity.

Is there anything you’d like to share about Executive Order?

R.A. MATHIS: Yes. President Tophet is just getting started. If you thought things are bad now, just wait.

Can you give a hint as to what is in store for the next Retreads book?

HENRY BROWN: I haven’t woven it all together completely yet in the cobweb of my mind, but there’s got to be a showdown between Adiur and Tommy Scarred Wolf. Also between McCallum and either Rennenkampf or Cannonball. The latter would be more dramatic. An EMP. Grid down. Starvation. Dissident extraction. Internment camps. The clergy response team. Jihadi terror cells completely unleashed. Texas secedes. Rocco and his crew take in some refugees. Clashes with occupation forces. And, oh yeah: World War Three. That’s a few off the top of my head.

Changing gears a bit, where did the idea for Ghosts of Babylon come from?

R.A. MATHIS: A few months before deploying to Iraq, I found a picture of my grandfather taken in Germany during WW2. With the photo was a note written on the tissue paper issued to GIs to write home with in those days. He had just learned of Germany’’s surrender and was looking forward to coming home and not sleeping in a foxhole anymore.

I wished I had more. More of his experiences. More of his thoughts and feelings. More of him.
So I kept a journal during my Iraq deployment so my family would have more than a picture and a note decades from then. When I finally got back home, I started writing, using the journal as the basis for a memoir. It was partly self-therapy and partly out of a desire to pass my experiences down to my children while they were still fresh on my mind.
It eventually morphed into a novel. I still don’t know why. Maybe there were things I needed to say that could only be said through fiction. In any case, it eventually turned into Ghosts of Babylon.

We all begin writing for different reasons. I once read that no one writes because they are happy. What inspired you to start writing?

HENRY BROWN: First of all, that is a cool story unto itself. Thanks for sharing that.

As for me and writing, I’ve always had an active imagination, for one. Also, from a very young age, no matter how much I liked a story (either on film or on paper) I saw room for improvement. “It would have been even better if this was changed, that was tweaked, if so-and-so would have said/done such and such…” At least that motivated me in my first creative efforts.

I kind of did that with real stuff throughout my life, too. “Hey, what just happened would make an intense scene in such-and-such type of story.” Or, “Oh wow–check that out! I’d love to be able to capture what I’m seeing/feeling right now and reproduce it.”

There have been times when I really should have been completely focused on reality and my part of whatever task was at hand, but part of my mind was already busy plagiarizing the situation. Somebody once called me “a cultural scavenger.”  I still have mixed emotions about that remark. Maybe he meant it as a compliment, but it still seems a bit insulting. Nevertheless, there must be some truth to it, since I’m constantly compelled to weave fragments of life experiences together into stories (which are much more exciting than real life).

In fact, that’s still at work today, in yarns like False Flag. All these trends are converging toward a perfect storm that promises a bleak future and an end to life as we know it…so why not insert some guys like the Retreads, who won’t take it lying down, no matter the odds. Islands of integrity in a world of treachery. They’ve got the skills and wits to bring smoke on some scumbags in the process. And most important, they’re compelled to try to make a difference.

You strike me as a voracious reader. I sure used to be. When I was on active duty, when possible, I always had a paperback stashed in my cargo pocket or rucksack, for the inevitable “wait” phase of the old hurry-up-and-wait S.O.P. Did you keep a book stashed in your tank?

R.A. MATHIS: I read a little of everything. I especially enjoy sci-fi, fantasy, history, philosophy, and even a little horror. Unfortunately, working and writing leave far less time for reading than I would like. I read as much as I can, but am frustratingly slow at it. I often supplement reading with audio books and YouTube.
I usually had a book handy in the Army, but never got to read it on the tank as I was the platoon leader and barely found time to eat and sleep during operations. But I read constantly during after-operation downtime. Like you, there were also the times waiting on the tarmac for a flight, leaning on my rucksack, stealing a few pages here and there.

HENRY BROWN: Oh yeah, I got a lot of reading done sitting around Green Ramp in my lower enlisted days.

R.A. MATHIS: What do you enjoy reading most?

HENRY BROWN: Excepting horror and philosophy, the same ones you listed, plus classic pulp; westerns; war (fiction and non); military history; and various & sundry fare from the blogosphere in the “neomasculine” genre.

Have you/do you read SHTF or TEOTWAWKI fiction from other authors? If so, which do you recommend? (Some authors I recently discovered, who have written some enjoyable books, are “Joe Nobody” and Mark Goodwin. I’m curious about “A. American” and some others, but haven’t taken a chance on them yet.)

R.A. MATHIS: Oddly enough, I haven’t read many other SHTF works other than False Flag (which I thoroughly enjoyed) and a bit of James Wesley Rawles first book, Patriots. I want to keep Homeland original as possible, so I’m avoiding similar works right now. I do plan to read them once I’m a little further into the Homeland series.

HENRY BROWN: Interesting. It seems that it’s paying off–Falling Down did not seem derivative or imitative of any other SHTF works I’ve read. And thanks for that!
I read Patriots as well, and have considered trying more of Rawles’ fiction…but haven’t, yet.

R.A. MATHIS: Which authors do you recommend I start with?

HENRY BROWN: Me, of course. But seriously, you might want to try “Joe Nobody“–he blends prepping info into his narratives fairly well. The protagonist in the ones I read was easy to root for. The action was believable. Overall a good read.

R.A. MATHIS: Thank you again for having me, Hank. Your questions were enjoyable and thought provoking. I truly enjoyed them.

HENRY BROWN: Hey, same here. We should do this again some time.