THE WAKING NIGHTMARES by M. D. Boncher (and a word from the author)

Reviewed by Infamous 🦀

This is the third volume of the Tales from the Dream Nebula, and truth be told, at this point it feels like Boncher is truly spoiling us with great book after great book. What’s scary is that what he is creating can only get BETTER as he keeps exploring this universe.

But more on that later in this review!

CHARACTERS:

By this stage in the plot development we are clearly beginning to see a more defined outline of a team, and I use the word ‘team’ very loosely here:

• Winston – our ‘flyboy’ and main character
• Billy Joe – the ‘mechoid’ and Winston’s best friend/co-pilot
• Mother – the AI entity who guides Winston and his team
• Doctor Amanda – wealthy and knowledgeable ally to Winston
• Professor Quentin – passionate about history preservation and with the ‘funds and resources’ to make things happen

PLOT:

In this third installment we find Winston and Billy Joe as guests of Amanda and Quentin, who own the entire island-planetoid of Puala’Lolo. This place is not just a lush and beautiful 5-star resort but it’s also headquarters to the most advanced R&D in all of the Dream. Here, Dr. Amanda and Prof. Quentin have the funds, tools, and resources to study, research, and create. Amanda even provides Winston with nano implants to enhance his fighting skills and aggression in combat and she rebuilds Winston’s ship after it was  badly damaged beyond hope (see Book 2).

When an unknown package is delivered by an anonymous sender, a creepy alien infestation breaks out on the island and things get out of control.

WRITERS TAKE HEED:

One thing I need to always mention is how professional this whole series comes across, which is rare in the indie circles. The sharp prose, the witty dialogue, the attention to detail with bulletproof plot lines…This is how a product should be presented to customers to make them feel confident in their purchase. 

INDIE should NOT be synonymous for poor writing/editing, and Boncher is a true professional.

ONLY SCRATCHING THE SURFACE: 

As infectious, compelling, and fascinating this world of The Dream has been in these first three volumes, the pace and relentless action scenes  have perhaps pushed some of the other elements on the back burner for the time being. We might have caught glimpses of the overall atmosphere, feel, and look, but for the most part we’ve taken for granted that this must be a ‘Star Trek’ kind of world, which can’t be further from the truth. Our assumptions are mostly a result of how sci-fi and futuristic tropes in general have been presented to us in the past, generally speaking.

As Boncher put it:

“I’m fighting against a cultural idea about sci-fi. The audience generally believes that nothing they have in the current world is going to be there in the future. That people won’t think about the past, have even minorly recognizable slang or enjoy the simplest pleasures without it being some advanced level technology that replaces it. Meanwhile, I’m going to a society that is very traumatized and fragmented so it looks back to the old days, romanticizing them despite it being inherently flawed as a coping mechanism” 

And it follows: 

“Everyone has access to something like the holodeck as well as still watching entertainment the old fashioned way because they have a desire to connect with what had been taken from them. So movie theaters would still exist, even vaudeville. People still construct their homes in the ways they find in ancient re-discovered media. There will be people who want from the 1980’s Miami art deco inspired mansion to the Tudor revival house”. 

This world called The Dream and ruled by Emperor Xiao, though advanced in technology, shouldn’t be viewed as a gray, aesthetically industrial-looking environment. People still have a sense of beauty, a sense of taste for the classic styles of the past. For example when our friends arrive to Puala’Lolo, Prof. Quentin takes them to visit one of his research centers and says:

“It’s a reconstruction of the Chateau de Sceaux, a rescued art museum from the late nation of France.”

As this series progresses we should be able to further admire these original aspects. We often have these preconceptions of what a futuristic society should look like but Boncher is trying to avoid cliches:

“And that’s where my fault comes in. I did not set the universe well enough to make this seem natural. In my head, it tracks perfectly. But that’s my error. I didn’t explain it well.”

I  cannot express how gratifying it is to witness authors like Boncher putting out such high-quality content yet never getting too complacent and always striving to improve on their craft. 

If you haven’t picked up this series I recommend buying all three volumes at once since they are quick 5-star reads and I am confident that Boncher will continue to fascinate and awe us with more original content soon. And THAT is the exciting part! 

🦀

Dreams Within Dreams – Serial One: Omnipresence by M.D. Boncher

Reviewed by

If Onslaught  resembles a sci-fi/action movie from the 90s, Dreams Within Dreams might recall The Fifth Element and  2002 TV series Firefly. Add interesting characters, a solid plot line, and just the right amount of comedy, and you have an instant winner of modern indie pulp.

What this short and enjoyable novelette also does is prove that you can have a simple, straightforward story without flat-like-pancakes characters and wooden dialogue. In fact, characters like our protagonist, Winston, display a level of humanity and depth that might be subtle on the surface yet very engaging as their adventures progress.

Same with the plot. Boncher will take us for a rollercoaster ride but he is wise enough to avoid tired-out stereotypical tropes that oversaturate the current market. His writing approach is what I admire most: don’t write solely having in mind the reaction of your readers but write what makes sense within the story you are telling.

PLOT:

Winston lives in what is referred to as ‘The Dream’, a reality that resulted from King Xiao destroying the world as we know it. In this new world Winston works for a freight company, moving goods and parcels by way of his space tug the Sierra Madre, and with the aid of a mechanical humanoid named Billy Joe.

After being offered a gig that would earn him more money than he’s ever dreamed of, Winston finds himself caught in the midst of the illegal trafficking of weapons of mass destruction for a dangerous cartel. By the time he finds out what his cargo holds, he’s in too deep! Throw in the mix two undercover officers onboard, Mr. Tollman and Ms. Iverson (aka Holly), and Winston’s plan for a big payday quickly becomes the worst ride of his life!

CHARACTERS:

Character development is important whether we’re talking about a very complex storyline or a very simple one. Simple characters should not be BORING characters. And in this short novel we see that formula applied to characters like Winston or even his mechanical co-pilot Billy Joe or even the attractive yet mysterious Holly. 

Winston on the surface seems to be a very practical down -to-business type of guy.  “Get the job done and get paid” is his mantra. But underneath that seemingly pragmatic persona, Winston hides demons that keep haunting him in his sleep. So much so that he finds himself almost addicted to this virtual reality rig he hooks himself up  to whenever he can, to escape a harsh reality. Readers will learn more about Winston as things progress and Holly will soon become a determining factor in Winston’s life. But not in the way you would expect whenever a stunningly attractive woman is involved.

A NOTE FROM THE REVIEWER: 

The author states that “the idea came to me after watching a whole bunch of old Flash Gordon serials and was like, yeah, that can be done.” The issue is that not everything that works in TV or comic books will necessarily work in novel format. 

I’m particularly referring to how Book 1 ends with a cliffhanger and really makes you feel like nothing got done, or accomplished, or fulfilled despite characters and plot becoming more and more engaging. I think every novel , even in a serialized format , should make the reader feel like things moved from point A to point B and certain goals were reached or accomplished. Here, the end feels truncated and unless you don’t buy Volume 2 you are left with a partial story, literally. My opinion is that the author should have published the entire story including Book 1, 2, and 3 as one single book because, honestly, Book 1 feels somewhat unfulfilling in the end and it felt like someone turning off your TV just when things are getting intense. Is that really how we want to feel after spending money to purchase a book?

CONCLUSIONS: 

Obviously this will get a follow-up review of Book 2, Lucid Reality.

 If anything I hope the quality enjoyed in the first book will continue and then we will go on and cover Book 3, The Waking Nightmare. 

I highly encourage you to get all 3 books together since the author ‘s approach mentioned earlier might leave some of you disappointed, or dissatisfied perhaps, by only reading Book 1 by itself!

THE HAND OF GOD: DARK LEGACIES BOOK 1 by YUVAL KORDOV

Reviewed by

When I consider Book 1 of Dark Legacies, the first words that come to my mind are: professional; competent; pragmatic; cerebral; thought-provoking. This is the type of book I might mention when folks claim that indie fiction is somewhat sloppy, mediocre, and weak. In fact, I would put the writing skills showcased by Kordov against any of the most popular tradpub’s on the market today.

That doesn’t imply that The Hand of God is a perfect sci-fi presentation, but the good FAR outweighs the bad. This is a labor of love that the author has invested years in crafting and perfecting, and that is admirable and inspiring.

CONTENTS:

The book is divided into

• Prologue
• Part 1
• Part 2
• Part 3

Prologue and Part 1 come off as being over-ambitious for no other reason than the fact that they feel too fragmented and confounding. This is where we are first introduced to the character of Esther and the whole narrative is a dissonant amalgamation of thoughts, dreams, visions, and memories relentlessly thrown at a reader over and over again. We see this artistic approach utilized in cinema often, where the  director uses quick cuts to abruptly overlap one scene with the next, as the character goes from awakened state to dreaming to visions, back to awakened state.

This technique doesn’t translate well from screen to prose, and it ends up irritating the senses more than stimulating them. 

THE MEAT:

Part 2 and 3 in my honest opinion is where readers will finally get rewarded and find their footing. The introduction of characters like Baptiste, Sophus, and Rebekah really propels the story to next-level awesomeness!  You will learn of a world which has endured not one but two apocalypses, and a city that carries the hope of man’s reconciliation with God. The prose is exquisite, the attention to details impeccable, the characters breathing with depth and humanity. 

HIGH CONCEPT NARRATIVE:

This story is a classic example of high concept narrative. High concept (as opposed to low concept) is never strictly centered around one single main character (i.e. Conan the Barbarian) but it’s rather about a multitude of characters who contribute to the story at some point.

This is in essence “a story about finding faith and finding purpose through suffering, which materializes through the lives of my characters.” (Yuval Kordov)

CONCLUSION:

If you want to experience a faith-based epic sci-fi legend of ambitious heights you MUST read The Hand of God. If this ever gets a big screen adaptation we could have the best visual feast since Dune and Stalker! This is a book that gives me hope in the indie sphere of fiction writing moving forward.

Will I read and review Book 2? The real question is, how could I not!

🦀

Editor’s note: Time is running out on the Based Book Sale–stop, shop, and enjoy some non-woke books on the cheap or even free for just a few more hours!