Speed Week Plus: Ronin – a Review

Welcome to Speed Week Plus! You’re in the middle of a series of blog posts dedicated to a specific selection of action adventure, featuring blazing horsepower, shattered speed limits and melting tire rubber.

Up this time is Ronin, an action flick that is part caper and part espionage, with plot twists and double-crosses in all the right places. Robert DeNiro is a superb actor who is brilliant in the villain role but no sloucher as a hero, either, as proven in this movie. In this one he’s a former spook who, like a samurai without a master, must rent out his skills to make a living. He is hired along with some other “specialists” to pull a job that grows increasingly complex as the twists pile up.

It’s a solid action yarn that is well worth spending an afternoon watching. But it was recommended to me specifically for the chase scene.

To be honest I found the car chase rather unremarkable. Its popularity probably has a lot to do with the body count in vehicular destruction, and the now obligatory driving-into-oncoming-traffic segment.

Anyway, the car chase is above for your viewing pleasure and you can decide for yourself how good it is.

I agree with Jean Reno, BTW: De Niro should have just shot her. But then there wouldn’t be an excuse to flog these European luxury sedans through traffic for eight minutes.

This is actually an idiosyncratic selection for me. Stay tuned to watch some American iron raising hell next time.

Speed Week Plus: Vanishing Point (1971) – a Review

In this low budget counter-culture extravaganza from the Vietnam era, a former race driver Kowalski, whose current job is delivering new cars, makes a bet Friday night that he can deliver the new white Dodge Challenger from Denver to San Francisco by 3pm the next day.

That’s it–no medical situation, family emergency or secret assignment from the Impossible Mission Force. But he’s destined to become a famous (or infamous, depending on the culture of the beholder) antihero just the same.

Kowalski is plagued by flashbacks, hopped up on speed and just wants to put the hammer down in a tire-melting musclecar for the heck of it–even though the delivery’s not due until Monday.

Needless to say, local police don’t endorse his spontaneous quest for a burst of freedom and a chase ensues which lasts for the entire movie.

I don’t know if it’s intentional, but Kowalski’s driving evolves as the film goes on. At first he flogs the Challenger around like…well, like he’s on drugs, and not used to the car. But he tightens up during the chase, and there is a lot of hard driving scenes and a few stunts that make this cult favorite worth watching.

Stunt Coordinator Carey Loftin chose the Challenger R/T because of the fantastic horsepower and the toughness and handling potential of the torsion bar suspension. Though the trailer (above) calls it supercharged, and a police character in the film says, “We have reason to suspect it is supercharged,” the cars used during filming were bone-stock 440 four-speed cars, except for one 383 automatic. The only modification made was to install beefier shock absorbers in the car used for a stunt jump. Actor Barry Newman (who played Kowalski) remembered the 440 engine to be insanely powerful. Max Balchowsky, who also prepared the cars for the famous chase scene in Bullitt, tuned the stock suspensions of the Mopars in Vanishing Point.

The soundtrack is possibly a sample of the worst records produced in 1970, with the exception of Mississippi Queen by Mountain, which rocks so appropriately for a car scene that the Dukes of Hazard feature also employed it. The distorted power chords during the climactic scene fit nicely, too. Otherwise, you might as well replace the entire soundtrack with the psychadelic jams from the period.

Vanishing Point was remade as a TV movie in 1997. Though the script was a pleasant surprise, the acting and direction leave much to be desired. And the “high speed” chase scenes appear to top out at about 25 MPH. Couple that with the needless (yet obligatory) destruction of two fine automobiles and Viggo Mortensen spending 90 minutes auditioning for a toothpaste commercial, and the remake won’t be getting a write-up from me for Speed Week Plus.

Below is a scene with loads of potential…if only they’d filmed it at speed! BTW, somebody called the other car a Porsche. It is actually a Jaguar E-Type roadster. And trying to fender-bang a musclecar off the side of the road in one of these would be suicide. But Hollywood film makers consistently prove their ignorance about cars to this day, and this aspect of the scene is an example. What they got right: the Jag gains ground in the corners, and holds its own on the straights…until Kowalski bangs the Challenger into fourth gear.(Apologies, but this is the best presentation of the scene I can find, anymore.)

Finally, here’s the Charger vs. Challenger scene from the remake with Faggo Mortensen, in case you like:

Speed Week Plus: Cobra – a Review

The centerpiece of NASCAR’s Speed Week–the Daytona 500–just took place. We’re considering a Speed Week of our own right here. Or maybe a Speed Month, anyway.

I have been informed that Virtual Pulp is lacking a review of Cobra, and this simply will not do. So without further ado…here it is:

I would call this action movie a “guilty pleasure”…but I’m really not all that guilty about liking it. When it first hit theaters in 1986 I watched it for every weekend pass while it was still showing at the Cross Creek Mall in Fayetteville. As soon as it came to video I bought a copy, too.

Cobra has a lot in common with the prototype renegade cop flick Dirty Harry. Obviously they’re both about cops who teeter on the edge of vigilantism, ridding civilization of scum that the inept “justice” bureaucracy lets terrorize decent people. But it goes even further than that. Both Harry Callahan and Marion Cobretti have the same partner…at least he’s played by the same actor. Last name is Gonzales in one, Garcia in the other. Remember the villain from Dirty Harry? Same actor plays Cobretti’s nemesis inside the police force in Cobra.

And now for what, more than anything else, made me a fan of this classic action adventure cop movie: Cobra’s ride–a chopped and channeled ’50 Merc lead sled. This is my kind of cop.

“I know what you’re thinkin’: ‘Did he drop two gears or only one?’ Well, to tell you the truth, in all this excitement I kinda’ lost track myself. But seein’ as how this is an American V8, the most powerful engine in the world, and would blow your doors clean off, you’ve got to ask yourself one question: ‘Do I feel lucky?’ Well, do ya, punk?”

Okay, we can all pick this scene apart if we choose to. There are continuity errors throughout–bulletholes in the trunk that disappear in the next shot; cars doing over 110 MPH on the freeway in one shot, doing 15 on a back street in the next… Obliteration of the laws of physics: a burst from a submachinegun causes a pickup truck to flip bed-over-cab and explode… And in typical Hollywood fashion the best car in the movie is needlessly destroyed. But it’s still fun while it lasts. (Despite some continuity problems of its own, the best car chase ever filmed is probably in another cop flick called Bullitt.)

Another similarity to Dirty Harry is in the blatant attempt to generate memorable lines. Cobra has a few of them, but not all of them are as bad as its reputation suggests.

Now, I agree that “I don’t like lousy shots” isn’t terribly noteworthy (and there is some even worse dialog at the end). But “Go ahead–I don’t shop here,” is hilarious. Stallone even pulled off “You’re a disease, and I’m the cure.” It’s when the marketing people decided to put it on the posters that it became groan-worthy. “Crime is a disease. He’s the cure.” Ugh. Puke.

Did you catch that Sly said, “Drop it!” right before ventilating the ugly psycho at the grocery store? Me neither, the first time. Bang! Bang! Bang! “Stop, or I’ll shoot!”

Trivia note: When Sly Stallone began working on the treatment that was later developed into the Cobra script, the title was Beverly Hills Cop. The suits wanted a comedy though, and the ideas diverged from that point.

Razorfist Rants on a 1980s Action Classic

We’ve only recently discovered Razorfist AKA the Rageaholic. Not only are his epic rants impressive simply for lung capacity and linguistic aplomb, but a whole lot of his observations are savvy, too.

I can’t believe this, but there is no review of Cobra posted here or at the Two-Fisted Blog. How can this be? I was sure Hank had posted one years ago…

Well, that just means we have to do one, and soon. Stay tuned.

An Cosantoir reviews Hell & Gone

An Cosantoir is the official magazine of Ireland’s Defense Forces. Sgt. Wayne Fitzgelarld, the editor, has recently reviewed Hell & Gone.

From his review:

Henry goes for all action with his ‘Dirty Dozen’ like squad sent on a daring mission in Sudan, with a final battle that reminded me of Black Hawk Down.

The ending of the book is explosive; you are in the thick of it.

Nice to find out that folks across the pond appreciate it, too. My thanks to Wayne for taking the time and effort to share his thoughts. His complete review is available in An Cosantoir, or on Hell & Gone‘s Amazon page.

And speaking of that, Hell & Gone has been picking up some reviews lately. In fact, it has received more reviews in the last couple months since the BookBub promotion than in all the preceding years. Wish I had done this much earlier…but then, I did almost everything wrong with my first few books, and squandered or missed out on numerous opportunities out of my marketing ignorance.

Don’t forget: the first two Retreads novels are available as Audible downloads as well as E-Books and paperbacks. If you’re like me, then listening to a book is the best way to “read” these days, with our busy schedules and drive time. Hell & Gone is narrated by David H. Lawrence XVII, and Tier Zero is narrated by Johnny C. Hayes. Both voice actors have their own style of delivery, and the contrast is interesting. I’m toying with the idea of recording the third book in the series, False Flag, myself. Don’t know if/when I’ll get around to that, or if it’s a good idea. We’ll see.

Anyway, if you can’t spare the time to read the first two normally, buy the Audible versions and let us entertain you while you work, drive, or whatever.

Marvel Comics Regains its Senses?

Probably not. This is more likely economic reality putting the temporary kibosh on their agenda.

Comic book fans are among the most loyal fans. Few things run them off of their favorite books. For some reason, Marvel decided to do three of the most likely things to cost them fans: remove their favorite characters, tarnish the histories of those characters, and insult the fans who complained. The latter proved most insidious because the insults accused fans of racism, sexism, homophobia, and bizarrely resorted to stereotypes about comic book fans.

As Marvel did this, their new politically correct fan base proved not to be fans at all. As Marvel published book after pandering book, the books enjoyed initial high or good sales only to drop most of their audience within the first quarter. The prime example of this is the recent Black Panther book, which lost 70% of its audience in one month.

As far as I’m concerned, they have permanently lost me as a reader. Both DC and Marvel have gone too far off the deep end to ever get me back. They may dial it down a little bit for a while but I don’t believe for a second that they’re going to abandon trying to push The Narrative.

McCarthyism, “Witch Hunts,” and Coincidence Theory

A lot of people in 2017 are aware of the deceitfulness of the mainstream media, academia, and Hollywood, and the duplicity of those in government. But it would no doubt surprise them to learn this is nothing new. It’s been going on for generations–but with no alternative media to blow the whistle on them.

Before “triggering,” “microagressions,” and “safe spaces” came out of the SJW vocabulary to infect our everyday language, one of the old-school terms left-wingers liked to throw around was “McCarthyism.” Ironically, the term is used to describe what they (leftists/SJWs/feminists, etc.) do to people who challenge their Narrative. Use your own money to support a cause they don’t like:  admit in private that you believe in creationism; wear a T-shirt that they determine “sexist; or even just make a “dongle joke” to a friend; and they will launch a witch hunt of their own that won’t stop until you are fired from your job, or worse.

“McCarthyism” got it’s name from Senator Joseph McCarthy, who noticed our government being hijacked after WWII (actually, it started well before that). It turns out, with declassified documents and a non-hysterical examination of the facts in retrospect, that he was absolutely right in his whistle-blowing. (Not that truth matters to those who craft The Narrative.)

What McCarthy began to uncover was an orchestrated effort to usurp our Constitutional republic. But hell hath no fury like a conspiracy exposed, and it is the Deep State’s M.O. to assassinate the character of anybody who might be taken seriously, who would shine a light on the pattern and connect the dots.

Coincidence theorists, of course, will find some excuse to reject what stares us in the face. And the speaker in this video, himself, might be one, despite all the dots he highlights, just begging to be connected.

Stefan Molyneux has really done a good job assembling a lot of pertinent information. He gives an in-depth background so we have a context to put it in and compiling it into a pretty thorough presentation. Then he breaks down what McCarthy and his contemporaries actually did. If you’ve got the attention span, this is well worth the time it takes to listen.

Ding, Dong, the Fraud is Gone!

Pray tell what fraud?

The Muslim fraud.

Ding, dong, the Muslim fraud is gone!

He’ll take Jimmy Carter’s role

More apology tours on the public dole

But let’s make our country great again,

And bring those jobs back!

 

Now he can’t worry ya.

Send the candidate back to Manchuria.

Worship Allah and Karl Marx

You fart-blocking weasel!

 

Ding, dong, and adios!

He’s coming out? Well that’s just gross.

Ding, dong, the queer impostor’s gone…

Movie Fight Scenes

When the audience is young, suspension of disbelief is much easier. I watched some abysmal movies and TV shows up into my teen years that usually didn’t bother me.

Whether the movie is good or bad, though, the fight scenes are almost always laughable. Once you begin paying attention, it’s hard not to notice the cheesy aspects–like Western Union Punches, for instance.

See if anything bothers you about the clip below:

Now, granted, this fight scene is from a comedy. But what’s sad is, films we’re supposed to take seriously are just as bad.

Notice the Adam Sandler character, who has been a brawling goon up to this point…how he just stands around waiting to be hit. It’s in the script for him to lose the fight to Bob Barker, so he just plays crash dummy.

Maybe I’ll post an example of a good one some day, if I can find one…

My Dream Superbowl

I stopped being a sucker for bread and circuses a few years ago. My irritation with the NFL had been growing for years before that.

Free agency destroyed team loyalty among players and coaches, and even team coherency in most cases. Officiating has been inconsistent at best, and smacks of fixing at its worst. And bad calls have affected the outcome of big games in recent history. But the last straw is the league’s descent into cultural Marxist PC activism. In collusion with other SJW-controlled organizations, for instance, the Nasty Faggotized Leftists bullied Georgia’s governor into overturning the will of the people to trample religious liberty in favor of LGTB thought police.

Despite all this, I still like football. When I happen to be in a place where someone has a game on, it’s a big temptation to get engrossed. At one point, I was a football fanatic. I played it with 110% effort, both on the field and in the sandlot. And when I didn’t play, I watched. When there was no game to play or watch, I read about it. I had every Superbowl outcome memorized–all the way back to the Packers’ 35-10 shellacking of the Chiefs in ’67.

History inspires me to imagine various “what if” scenarios, and sports history is no exception. So, what’s my dream matchup for the Superbowl?

vikingsbillsscrimmage

Minnesota Vikings vs. the Buffalo Bills.

The Bills were originally from the American Football League, and won the AFL championship in ’64 and ’65, before O.J. Simpson ever lined up in their backfield.

The Vikings were the 1969 NFL champs.

Both teams are 0 & 4 in the Superbowl however.

So the ultimate argument in favor of this Dream Bowl is that one of these cursed teams would have to win that Lombardi Trophy (that is, assuming it wouldn’t end in a scoreless tie after quadruple overtime).

Both franchises have had teams that were good enough to win the Big One, yet they underachieved at the moment of truth and lost to lesser teams.

And while I’m dreaming, why not draft team rosters from history?

The dream Buffalo team isn’t hard to pick. I don’t know much about the AFL Champion Bills, so I’d go with the Marv Levy would-be dynasty with Jim Kelly and Thurmon Thomas on offense; Bruce Smith and Cornelius Bennett on defense.

KellyThomasReed

Had they won that first one in 1990, their subsequent three-in-a-row Superbowl appearances likely would have turned out much differently. Winning big games becomes a habit, and it’s still fairly rare for a team that has won that prize to lose it the next time.

And the Bills were the better team in 1990. The loss is blamed on the kicker for missing a gimme field goal, but it was really the Buffalo receivers who lost the game.  Neither Kelly nor Thomas committed a turnover all game. In fact, Kelly was laser-accurate, hitting his receivers on the numbers all day…only to have them drop the ball for drive-killing incompletions. New York, with a lackluster ball-control strategy that gave them a lopsided time-of-possession, squeaked it out by one point. That Buffalo team never got their groove back in the Big Game, despite a record four-straight appearances.

NFL Hall of Famers

I’m more familiar with the Vikes, and so the choice of would-be dynasty is harder to make. The old Purple People Eater lineup seems like the obvious choice. The only team to ever send the entire defensive front four to the Pro Bowl in the same season was also the first team to ever make it to the Superbowl four times. But whether with smashmouth Joe Kapp or scramblin’ Fran Tarkenton at quarterback, the offense was always lacking in something. They never had a great offensive line, a big receiving threat, and a marquis running back all at the same time. There was only so much even a spectacular defense could do.

cartermosshighfiveIt’s hard not to finger the 15 & 1 team from 1998, with a red-hot Randall Cunningham under center, explosive runner Robert Smith in the backfield, and both Chris “All He Does Is Catch Touchdowns” Carter and phenomenal rookie Randy Moss as a deep-threat tandem, while John Randle anchored a respectable defense. That record-setting season came to an end with a game that was also blamed on the kicker, which is understandable–Gary Anderson had been perfect all season, then shanked what would have been the winning kick before overtime.

But that game’s outcome should have never rested on the kicker’s leg, either. John Randle was playing hurt in the game, which allowed the Atlanta Falcons to run up a high score, and Coach Dennis Green’s idiotic play calling made it a one-two punch…in their own face. For instnce: your guys (the most powerful offense the league had ever seen) have a first-and-goal with seconds left on the clock and the game’s outcome in doubt…what play do you call? With all the weapons they had, any number of plays would have given them the margin of victory. Green chose to have Cunningham take a knee to end regulation.

As fantastic as that team was, they turned out to be a flash-in-the-pan. Their next season was lackluster and they choked even worse in subsequent playoff appearances.

My choice would probably be the strike season wild card team, with Minnesota Vikings 1980's - File PhotosWade Wilson at quarterback, Anthony Carter at Wide receiver, and D.J. Dozier in the backfield. But they were slopping over with talent on both sides of the ball. Their defense had a young Chris Doleman and Keith Millard on the line, and defensive backs like Joey Browner and Reggie Rutland shutting down opposing passing games.

That roster is hardly remembered today, because despite winning their division a couple times and sending record numbers of players to the Pro Bowl, they never quite gelled as a team, and didn’t have the heart to win the big games.

Except for that exceptional 1987 post-season, when the flu and a crucial dropped pass ended their Cinderella Story in the 4th quarter of the NFC Championship at RFK Stadium.

Who would I choose to coach them? If it had to be a Minnesota coach, I’d choose Bud Grant.

Red-Blooded American Men Examine Pop-Culture and the World