Free Read: the Infamous Contest Winner

M O T H E R by Sarah Kirk Pierzchala

~   short story ~

Note from INFAMOUS🦀: 

I’m excited and honored to introduce the winner of the first INFAMOUS REVIEWER SHORT STORY CONTEST. You can now enjoy reading this NEW LEGEND for free and for a limited time, courtesy of the author. 

So thrilled was I in reading this short story that I even encouraged Sarah to further explore this world she introducing us to here. It really captures not only the essence of our contest but also our ideals of what constitutes ‘good storytelling’.

NEW LEGENDS in the making indeed! 

We are proud to present:

M O T H E R

*Enjoy and leave a comment afterward!

INFAMOUS🦀 and Virtual Pulp

Bright stars had spun against the black of space beyond the cockpit window, while the walls of the tiny vessel about her wildly bucked and shuddered. Entering the planet’s atmosphere, she became aware of a bewildering kaleidoscope of dazzling colors which swiftly became an incoherent maelstrom. Then had followed impact and fire. And agony. After that, blackness. 
Eventually, tentative flashes of light pierced the darkness, then faded. 
Pierced, then faded. 
Then fleeting snatches of memory crept back, discrete images and impressions. These raked at Maya’s awareness, further shredding her already crippled sense of time and place.
She saw the sweeping white curves of a vast lecture auditorium, with screen after screen of data flashing at her. A mess hall, crowded with classmates sharing smiles and jokes as they hunched over their meal trays. 
She remembered the instructors teasing her when she vomited in the g-force simulator, then again in the genuine zero-g sessions.
She almost didn’t make the crew because of her sensitive guts.
Yet she’d persevered, worked harder than she thought possible, and was rewarded with this disaster.
Caught between past memories and her unknown present, Maya was terrified to move, dreading more pain, dreading what she'd find when she finally looked about herself. She was not certain she could even open her eyes; it felt like her lids were sealed shut. She was lying on her back, apparently in a partially enclosed space. From the left came an impression of openness; she felt a faint breeze. She resigned herself to remaining virtually motionless for the time being, listening to subtle noises, unable to even guess at their origins. 
She thought she heard chirps, rustlings and sharp clicks. Also soft scraping, as of a small, hard thing passing over rock. Or perhaps several small things. Strangely, Maya found these little noises soothing, even as reality hit her.
There was a massive systems failure on my craft. 
She had a soul-piercing moment of blended disbelief and gratitude at the fact she'd survived the crash. These feelings faded as the hard facts of her circumstances began to take shape. 
Am I still in the cockpit? Now she became more desperate to open her eyes, but found they were, in fact, weighed down by some mysterious substance. Traces of the spray cushion foam that had deployed on impact?
Maya tried moving her fingers and toes, but did not have much success. I can't be lying in the cockpit---there isn't room, she told herself, trying to remain emotionless about each piece of evidence that her remaining senses brought her. I'm flat on something hard, like rock. Am I in a cave?
She had no memory of crawling out of any wreckage. How much of the little explorer craft was left? What about the emergency beacon? What about the emergency supplies? 
With a great effort, she finally wrenched her eyelids open. Indistinct darkness met her view, further obscured by opaque gray strands. Fighting a mounting sense of claustrophobia, she wrenched the substance away from her face. She thought she heard rapid scrambling sounds around her as she did so.
Finally pulling herself to a sitting position, the sudden motion triggered a fierce throbbing in her head. Her vision blurred as she tried to examine the filmy substance, almost insubstantial, falling into smaller pieces between her fingers. It disappeared as she watched. More of it was wrapped about her hands and wrists. She plucked it away. By the faint orange light entering the alcove, she saw that her hands were red and wrinkled, as if healing from a burn.
She checked the rest of her body; most of her flight suit was burned away. Where she would have expected to see ravaged skin, she found only soft, normally healing wounds shrouded beneath wispy layers of the mystery fiber. 
Reaching behind herself, she was relieved to feel the integrated backpack still in place. She felt for the clips on either side and released the slim, cushiony pack. Opening it eagerly, she found the contents were all present and in good shape. Stomach growling, she grabbed the emergency rations and peeled off a section of the nutrient-dense film, cramming it into her mouth and feeling it puff up slightly.
Waiting for her hunger to wane, she cataloged the rest of the pack’s contents. These included a recording device, a knife, and some vials for collecting specimens. Also a small solar-powered lantern, a moisture-retrieving kit, some first aid supplies. Compass and astrolabe. An emergency beacon was not included, as it wouldn’t have fit. 
Maya scoured her chaotic impressions for any memory of climbing into this alcove, of interacting with her unseen medics. Nothing came to her. She did however, recall the series of briefings prior to this mission. It had been stated, again and again, that the planet was entirely devoid of intelligent life. Scans revealed abundant flora and fauna, but nothing that had formed even the most rudimentary of societies. 
Apparently, the remote scans were mistaken.
Maya looked around in the dim light and saw no sign of tools or vessels left behind by whomever had brought her here. The rasping-over-rock sounds had ceased and she was surrounded by a watchful silence. After tucking the knife in her belt, she shifted onto her hands and knees, then stiffly crept to the mouth of the alcove. She took the moisture kit with her.
At this tropical latitude, there wasn't much twilight in which to explore her surroundings. Still, she had the impression of emerging on a steep mountainside which loomed high above the ocean; she could hear the faint murmur of waves lapping peacefully far below her. She unfolded the rubbery basket of the kit and fitted it into the neck of the collection vessel. Then she propped the apparatus near the mouth of the alcove. Hopefully, next morning, there’d be enough condensation dripping from the roof that some would hit the basket and be guided into the vessel. 
The vast sense of lonely emptiness was oppressive. She called softly into the dark, “Hello? Anyone out there?” It was irrational to try and communicate in her own language, but at the moment, all the First Contact protocols that had been drilled into her seemed pointless. 
With a sigh, she realized she’d have to pass through the oncoming night without answers. Exploration would wait for dawn.
 
* * *
 
The bright rays of the planet’s star beat on Maya relentlessly as she began surveying the terrain outside the cave. Despite beginning in the cool of early morning, the day had quickly grown very hot. The excitement of being the first human to step here and see these things with her own eyes had inexorably dried up in the blazing heat. The top of her head was burning, stinging sweat trickled into her bright green eyes.
Out of breath, she eventually paused and lowered herself to the smooth stone of the hillside beneath her. The surface everywhere had virtually no topsoil, and was a deep greenish brown, with a variegated, bumpy top layer, like river rocks set in concrete. The color reminded her of the mineral fuchsite, but this mountain seemed to have a different molecular structure. While it was pretty to look at, it was challenging to walk on, which made exploration tiring.
I need a hat, she thought. On a sudden impulse, she unzipped her flight suit and peeled it off. The burned remnants of her thin, silky under garments felt insubstantial, as a refreshing breeze off the ocean struck her sweaty body. She tugged off the shirt and tied it around her head, tucking the fly-away wisps of her wavy, red-gold hair under the band of white cloth. She unfastened the belt from the waistband of the flight suit and put it about her hips. She added the knife from the back pack. The pack she carried in her hands as she stood up and resumed her slow survey. 
Squinting up at the cloudless sky, she muttered glumly, “I’m going to get burned to a crisp and then get more damn freckles.” 
It was weird yet also somehow comforting to hear the sound of her own voice in that empty, alien space. Now she understood why hermits and shut-ins talked to themselves. Why wouldn’t they, if that was their only company?
She paused again and searched through the many inner pockets in the pack until she found a tube of sunscreen. After rubbing some on her face and arms, she then took out a specimen vial and a scalpel and scraped few flakes of rock from the ground. Nearby, there was a formation of low shrubbery. Its leaf-like tendrils were mostly bright lichen green or turquoise, with red-brown stalks. 
She made recording of the organism, and took a few tiny cuttings, which she then placed into a clear plastic sleeve. During this process, the leaves recoiled slightly at her touch, and she noticed her own hands were trembling slightly.
I could really use some lunch now, but I have to ration the nutrient film, she thought grimly. She didn’t like to think how long it had been since her last full meal. She felt a little ill as her empty stomach clenched. Thus far, the scanner on her recorder had not confirmed what was good to eat or what was poison in her environment. 
Maya tried not to think about how long it might be before a search party found her. She knew that by focusing on one moment at a time and diligently learning everything she could about her surroundings, she’d stave off anxiety, even while doing the job she’d trained so hard for. 
It was more than a job—being an exobiologist had been her dream from early childhood. She hadn’t been top in her classes, but sheer determination had made up for lack of intellect. One thing that had set her apart from her classmates was her unusually high empathy score. 
“If I didn’t know any better, I’d almost say you have a talent for reading organisms’ minds,” one instructor had commented. “Or they can read yours.”
Following this comment, they’d had a free-wheeling conversation about the possibility of sentience and self-reflection among lower-order organisms. Despite all the facts and knowledge available, there were still some interesting questions that science didn’t yet have answers for. Personally, Maya didn’t feel she could read creatures’ minds, it just felt like she was better at picking up very subtle clues than most others. 
After collecting a few more samples at this location, she resumed her slow climb up the mountain. She still had not determined if she was on an actual island or not; she needed to reach the top to get a better view of the terrain. She passed through a grove of a different sort of frond-like growth that was of a delicate light blue. Most were taller than herself and seemed quite sturdy as they grudgingly swayed about in the light wind; they were somewhat fleshy, almost like succulents.
As she forced her way through the heavier, lower branches, she abruptly heard a burst of ominous clicking. It was different than the scuttling noises she had heard in the cave. Then, movement flashed all around her, as what appeared to be a nest of frightened organisms exploded out in every direction. They were about the size of house cats, but didn’t appear to be mammalian; with their jointed exoskeletons, they more closely resembled huge pillbugs.
Isopods, she thought excitedly. Dropping her pack, she dived for the nearest creature as it trundled past her. She flipped it over, quickly making a mental inventory of its numerous squirming legs and mouth parts.
Like a lobster, she thought. I wonder—, 
Squatting, she held the creature tightly against the ground with one hand, while with the other, she reached for the knife at her belt. 
Quickly severing the head from the body, she watched as the limbs continued to twitch for a few seconds. A faint shellfish scent came from the liquid oozing from the stump. With only a few swallows of water in her canteen, it was clear that boiling the meat was out of the question. From her pack, she took out a magnifying glass. It was a bona-fide old-fashioned implement, requiring no power cells to operate. 
All she had to do was angle it toward the sun and direct the rays toward the isopod’s underbelly. It pinked up sooner than expected, and while it didn’t exactly smell like lobster or crab, her mouth still watered in anticipation.
The texture was unpleasantly gelatinous with a few fibers running through it; the flavor was bland, but not foul. In fact, at the moment, she was hungry enough that it was one of the best things she ever tasted. 
When her hunger abated and her strength returned, she resumed her steady ascent up the gentle slope. Above her, she could just glimpse what looked like some oblong spurs of a shiny red stone, but it was hard to tell from that angle what the structure actually was.
The frond grove fell behind as she toiled upward in the full sun. When she finally reached the summit, Maya stood breathless from both exertion and from the stunning view. This was an island after all, and was the only land as far as her eye could see. It rose perhaps eight hundred feet above an ocean which stretched endlessly to all horizons. Nearby, the reddish shapes she had spotted from below now revealed themselves as obelisk-type spurs of glistening, semi-transparent stone, that appeared like garnet or ruby. The average height was at least twenty-five feet and she estimated the formation covered almost half an acre.
Her heart thrummed with excitement as she wondered if these standing stones were natural formations or evidence of intelligent life. She stepped closer to explore. At the base of the stones clustered more vegetation, similar to the fronds she encountered further down the slope, but more shrub-like and of a brighter aqua hue. 
Faint noises emanated from the shrubbery and she advanced with caution to discover more of the large isopods swarming over the branches and chewing on the meaty leaves. 
Without warning, the ground lurched violently beneath her feet; frantically windmilling her arms didn’t save her balance, and she crashed to the ground, striking her hip forcefully against the bare ground. Her view of the sky and rock whirled and jittered as she tumbled, slid, then came to rest in another small grove of fronds.
I’m on an active volcano, she told herself as she sat up with a groan. “Maybe a shield or dome,” she added aloud. Examining herself, she was relieved to find nothing broken. However, her palms, elbows, knees and one flank were all scraped and bleeding from the harsh, pebbly surface of the mountainside.
Once again accessing the supplies in her pack, she doused the open cuts with disinfectant. As she debated whether they were serious enough to use the spray bandage, or if she should save that for later, more clicking sounds drifted to her ears. She looked up, eyes widening in surprise to see a swarm of isopods flowing out from the shadows of the frond grove. These were larger than the previous specimens, and dark bronze in color. 
They were also making for her in an undulating, menacing wave.
Forgetting her wounds, Maya drew her knife and jumped to a crouch, bracing against the first line of questing, quivering mouth parts and grasping claws. As fast as she peeled them off her bare ankles and tossed them aside, they returned. When they came back for a second assault, she changed strategy and flipped each onto its back. A few twisted and popped back upright, but most remained incapacitated, legs waving helplessly.
They uttered shrill, high-pitched calls that fiercely scraped her eardrums.
By now, her lower legs streamed with blood from numerous bites and claw marks. Acting quickly, she took her knife and despatched the isopods that lay on their backs, then waited for the others to approach. A handful did, and she stabbed and stomped at these until these were also taken care of.
She had mixed feelings about being so ruthless, but her survival came first.
“Sorry guys,” she said, wiping sweat from her eyes. “Nothing personal, but I don’t think I’d sleep well knowing you were in the neighborhood.”
She applied the last of the disinfectant and decided to not use up her bandages, instead allowing her scratches to bleed a bit and crust over on their own. Reseating herself near the scene of the battle, she wondered if she should cook at least one more and eat as much as possible while the food was available. Or maybe she could cut them up and let the meat dry out on the rocks. 
Turning her attention to the horizon, and the lowering sun, she stifled a regretful, frightened sob. This wasn’t how her first mission was supposed to go. Surely they have some idea of where my ship went down. Surely they’ll find me.
“The wreckage must be nearby,” she muttered. “How else did I get up here?” She decided to rest a bit longer before she’d resume her exploration of the island in a different direction. 
Suddenly, she stiffened in alarm as rasping, grating noises again emanated from the frond grove. Hand on her knife, she watched in wonder as several low shapes emerged from the shadows at the base of the dense vegetation.
Five small crustacean-type creatures advanced toward her, exoskeletons grating over the bare ground. They were almost as large as coyotes and vaguely resembled Earth’s Dungeness crabs. They were an exquisite shade of deep jade green, which faded to rose farther down their bodies. From their backs bristled jewel-like growths of deep, scintillating red, and some fuzzy blue lichen-type encrustations. To Maya’s eyes, the creatures were dazzlingly pretty.
She held her breath as they swarmed nearer, she sensed no hostility or fear. When they reached her, they gently prodded her bloodied shins and knees with their pincers, then the largest made a low gurgling noise and began drawing out threads of some nearly-invisible filmy substance from an organ beneath itself, similar to a spider’s spinnerets. 
Somehow, Maya knew exactly what they were planning to do. She held out her hands and adjusted her position as needed, watching in fascinated delight as the substance, presumably rich in healing proteins, was stretched over her slight abrasions and wounds. When one hand was seen to, she used it to pull her recording device from her belt and captured a few minutes of the encounter. 
“Look at you all, so smart and helpful,” she crooned. When the bandages were complete, she rose, taking care to not make sudden movements. The creatures did not seem concerned when she towered over them, but continued to cluster about her. “Thank you, sweeties.”
She took a few steps away and watched their reaction. Two followed her, but the others wandered off and approached the remains of the massacred isopods. They made angry hissing noises as they poked the corpses and then tore them into smaller bits. 
“Were those guys bothering you, too?” she asked. “Well, I’m glad I could help. And thanks for the first-aid.”
As she continued her exploration of the island, the jeweled crabs abandoned the dead isopods and accompanied her. She was comforted by their wordless companionship, even if they didn’t seem capable of explaining what happened to her ship. 
The more time she spent in their company, the more a strange but reassuring sense of peace and protectiveness seemed to suffuse both herself and the greater atmosphere about her.
 
***
 
After several weeks, Maya fell into a simple rhythm of survival, even as she managed to extract what pleasure she could from her situation, appreciating the beauty of the setting. The condensation collector gathered just enough water to keep her on the edge of survival. She had supplemented with harvesting a little of the local growths, but the crabs flew into a wild frenzy of distress when she tried, so she only did it once. In any case, she did not like the rubbery texture or bitter flavor. However, she felt good about her ability to hold her own against the more aggressive variety of isopod. 
By now, she had conducted a thorough inventory of the place, and was disappointed to discover the entire island consisted of a single, broad shield volcano topped by the large crystalline growths. It had no true beaches, just steep cliffs.
One day she came upon a place where the green, rocky surface of the island was damaged by what looked like an impact crater. She guessed this was where her ship had stuck. Investigating more closely, she discovered there was, in fact, a sort of rough track up from this spot to the general direction of the alcove where the crabs had carried her. 
The craft must have slipped off the cliff edge and fallen in the sea after that, she thought as she stood on the rocky rim and looked down at the waves. There’s no way I can get down there and salvage anything.
To stave of despair, she decided to focus more intently on observing her surroundings and document everything she could. The strange beauty of the small island, and the fascinating life forms it supported, helped distract her. 
And if I am ever rescued, they’ll appreciate my professionalism in sticking as much as possible to my original mission, she consoled herself.
Other than the prospect of being marooned here for the rest of her life, the most frightening thing about her circumstances was the seismic activity.
She began avoiding the brinks of the cliffs, in case a tremor should strike and throw her in the sea. As yet, there had been no sign of magma bursting from the top of the mountain, but she guessed that was only a matter of time. 
Despite the danger there, she was drawn repeatedly to the summit, to explore the irregular, glittering spurs of ruby. The crabs always accompanied her when she visited there. She couldn’t help but notice that they seemed happiest when moving about the shadows at the base of the standing stones.
Maya cataloged every possible aspect of the site. While the idea that it might be a remnant of some primitive, intelligent race was thrilling, she was becoming more certain that the formation was, in fact, entirely natural. 
 
***
 
“Hold still,” said the medic, stretching Maya’s arm out as he prepared to insert the IV needle. 
“It’s not necessary—,” she protested lightly.
“Yes, it is,” he overruled her, punctuating his words with action. 
She hardly felt the jab, and certainly didn’t resent the care the rescue team was lavishing on her. She was both relieved and disoriented to be in the cabin of the craft, after so much time in the wild. The rescue team had appeared without warning that afternoon, and within moments of collecting her samples and records, she had found herself aboard. A small tremor occurred almost simultaneously, and they lifted off just before a second, more violent quake sent shudders through the island.
As the craft climbed higher, she tapped on the back of the captain’s seat. “Hey, can you circle a few times and record everything? Maybe we can catch an actual magma flow!”
“Sure thing!”
The craft banked widely to the left; Maya pressed close to the nearest porthole. They passed over the top of the mountain; there was still no sign of a vent or fissure at the top of the volcano. No steam. They circled again and climbed higher. 
The medic continued to fuss over her, but she brushed him away, gaze riveted on the majestic scene beneath them. 
The place had been her home for almost three months, and she was conflicted about finally leaving. 
“Looks like a tropical paradise,” commented the pilot. 
The many acres of greenish-red rock, the crystal structures at the top, and the waving turquoise fronds, were all deeply imprinted on her mind. She would never forget the experience. Maybe she’d return with others and continue to catalog everything about the mini ecosystem.
“Not exactly paradise,” she murmured. “But it kept me alive.” 
Her breath caught in her throat; from that altitude, Maya could clearly see how symmetrical the entire island was. She hadn’t noticed that when conducting her survey.
It was not a random rock formation, after all.
The pilot shouted, “Holy, heck—would you look at that!” 
Beneath them, the mountain was moving. It was heaving itself up many more tens of feet above the ocean, in an action that was not seismic but blatantly organic. Six massive legs, hundreds of yards long and across, burst upwards while frothing white waves churned, water sheeted off the creature’s limbs and strands of seaweed trailed into the sea.
The witnesses fell speechless with awe. Maya could hardly process the scale of the massive organism as it took a few strides forward, then resettled itself in a slightly more comfortable spot. 
“Okay, that explains why you ended up so far from the wreckage of your ship,” commented the pilot, voice shaking a little.
Maya thought of the friendly crystal crabs, and of their concern for the frond-like structures, of their gratitude to her for her decimation of the isopod population. She thought of all the dawns and sunsets she’d observed, of the new constellations she had charted from the back of the huge crab shell. She thought of her feeling of being protected.
“Thank you,” she whispered, pressing her hand against the porthole’s glass, watching the shape shrink in her view as the rescue craft banked again then shot up to rendezvous with the waiting mothership.

LA RONDE (1950) – a Review

(Directed by Max Ophuls)

Reviewed by

Coincidentally, our third movie is another gem of cinematography directed by Max Ophuls. The film is based on Arthur Schnitzler’ play Reigen (1897). This time the action takes place in 1900’s Vienna, Austria, where we have a ‘tour guide’ to accompany us through the streets of this fabulous and enchanting city and will introduce us to the most eccentric characters caught up in the most curious of situations!

PLOT:

The story is told by the Master of Ceremonies played by Anton Walbrook, one of my all-time favorite actors. Walbrook serves as a middle man between us (the audience) and the characters by often breaking the fourth wall to explain things or give us useful insights to better understand each and every situation presented to us. He can be seen interacting with the characters as well as with the viewers. As the title (which loosely translates to ‘merry-go-round’) suggests, the story is based on a series of personal encounters and how every action will have a direct reaction. This could have funny repercussions at times but at other times even devastating ones for some parties involved!

SOCIAL ANIMALS:

What makes La Ronde a must-see film is first and foremost the unique plot , exquisite sets, costumes, and superb acting, under the direction of Max Ophuls (see The Earrings of Madame de…review). The movie also takes a close inspection at men and women as social animals, and as such only limited in their debauchery by the social constructs they are tied to. You have the soldier, the prostitute, the maid, the poet, the shopgirl, the count (and his dog!)…all of them part of this societal merry-go-round!

CHARACTERS:

The entire cast is stellar, but two names are worth extra mention: Danielle Darrieux as Emma and of course Anton Walbrook as the Master of Ceremonies. They both bring something special to the screen with their charm, humor, but also a melancholy that only the best of actors could achieve.

CLOSING REMARKS:

If you love humor that is witty yet with a touch of realism that sometimes might tug at our hearts; if you love plot, dialogue, and stellar acting; if you love to be transported in a world that is magic, enchanting, stylish, classy, then hop on the merry-go-round and you too will be thrilled for an unforgettable time!

🦀

Sara was Judith by Julian Hawthorne

TRENDS DIE OUT/LEGENDS LIVE ON

The Strange Recollections of Martha Klemm: Sara was Judith 

by Julian Hawthorne

~ Reviewed by

Sara was Judith is a novel that many today label as ‘weird pulp’ but I personally don’t like that term because it unfairly limits the range and multifaceted aspects of this novel.

It first appeared in 1920 as part of The Strange Recollections of Martha Klemm written by Julian Hawthorne. Recently, a splendid new edition was released by Cirsova Publishing in collaboration with none other than Wild Stars’ creator Michael Tierney. Shout out to Cirsova and Tierney; we need more of these gems of fiction literature to be brought back to life (pun intended, for those who’ve already read this story!).

THE AUTHOR:

Hawthorne is a very introspective writer and is able to dissect a character’s profile with surgical precision, both from a physical and psychological standpoint. He also applies this overly descriptive style of writing to things, even natural events. The description of an incoming storm in chapter 9 is perhaps one of the highlights of the entire novel. Not only does it represent one of the most crucial moments in the plot but it is also able to transport the reader right into the middle of this incoming thunderstorm in New England with such realistic description of prelude/destruction/aftermath that the memory of it all will certainly linger in the mind long after putting down the book. 

PLOT:

It would be hard to speak of the plot in a way that would aid this review. Not much can be dispelled if you want to experience the full impact of it. Basically this is all narrated from the perspective of Martha Klemm, who tells us about one of her former school friends, Sara, and how strangely fascinating a person she was since childhood. In her adult life she marries and against all odds (read the story for further details) she gives birth to a daughter, Judith. To the big surprise of Martha, the daughter is nothing like her unattractive and ordinary parents. When tragedy strikes and Judith dies in a tragic accident Sara commits suicide by hanging. But then a few hours after being declared officially dead, she wakes up…Only that as time goes on Martha senses that her long-time friend is acting more like her deceased daughter Judith…

 

LOCATIONS:

Events will take the reader from Boston to Long Island, from Paris to London, from Geneva to Dresden. Again, the blend of Hawthorne’s attention to detail combined with his personal experience (he himself had visited those places) really offer a ‘virtual’ roundtrip fair to these captivating locations: visit the most gorgeous XIX century homes and hotels, attend the most prestigious plays in some of the most renowned theaters, and meet some of the most peculiar and fascinating people. THAT alone is worth reading this book!

MYSTERY:

The story slowly raises a series of mysteries before the reader. Who is Sara/Judith really? What’s her real purpose? Why does her persona seem to have such a magnetic effect on men (and women) alike? Is she angel or demon, Martha asks herself?

SUPERNATURAL–THEN AND NOW:

If we read a novel like SWJ and compare it to most current novels that deal somewhat with the ‘supernatural’ we will notice that much has changed. Today it seems as though readers always expect a very direct and graphic approach: demon-possessed characters who speak with guttural voices, climb walls like Spiderman, or can turn their necks a whole 360 degrees! But I ask: does all that create a more suspenseful and compelling story at the end of the day?

Hawthorne adopts a completely different approach; he is subtle and challenges the reader to try and find out who exactly Sara/Judith is. There’s no need to change her voice, or give her red eyes, or fangs. In fact, her sweet charming voice and irresistible beauty are the most frightening of elements in the story: “Kiss me! I bring you all the kingdoms of the earth! Nothing can stand against legion! Tonight was the beginning of our festival. Together, we’ll depopulate the world! Come—” This is mental and spiritual warfare at its highest level! 

CONCLUSION:

Sara Was Judith is a masterpiece in my opinion. I can’t even classify it into a specific genre because there’s too much it unpacks. I’m not sure if Hawthorne was a Christian believer but there are a lot of Biblical references all throughout the story that are accurate and heighten the intrinsic value of this novel. We also have many references to Greek and Roman mythology, all adding layers upon layers to a story that up to this day, still leaves me in awe and wonder!

Legends live on!

🦀

 

Stay tuned for the next review in our Trends Die Out/Legends Live On series:

SHE by H. R. Haggard 

 

Detour into Graphic Novels Part 3

If you haven’t been following my sad saga about trying to make graphic novels, you can catch up by reading about how the old comic book bug was first rekindled, then my frustrating experience with one artist.

Not being a masochist, I cut my losses, paid the latter for wasting my time, and regrouped.

Back to the drawing board. Pun intended.

I found another artist with a page rate I could swing; and he seemed to understand English pretty well. He was a Manga artist, but said he could draw American-style comics. Since I wanted a more classic, simplistic style anyway (remember: I thought it would be cool if it was a similar style to Milton Caniff or Alex Raymond), I thought it could work out.

I decided to have him try Page 1, and do it in black & white to see if the style was a good fit before thinking about color.

The same kind of issues haunted me as with the previous artist. I literally had to give him the same directions 5 times before he would follow them. Going through that for every panel on a 90-page graphic novel is something I just don’t have the patience for.

After 14 days. he had this, which is much closer to what I wanted:

The artist’s Manga background helped him come closer to the simple, elegant style I thought would fit the sci-fi adventure.

Some stuff I just had to let go. Two of the characters are supposed to be older; but after telling him this over and over and over and him ignoring it, I figure he’s probably never gonna do it for whatever reason.

I wasn’t going to give up; but I was done with Fiverr and maybe even trying to hire artists.

One reason I had been ready to sink thousand$$ into this project was because time is such a precious commodity and drawing is extremely time consuming. Learning how to draw, then drawing, takes even more time. But that appeared to be the only way this was gonna happen, now.

“I have to draw it myself,” sez I.

Read the whole thing  on Substack.

We Have a Winner!! (Infamous Contest)

INFAMOUS🦀 REVIEWER Short Story Contest Winner:

MOTHER

by Sarah Kirk Pierzchala

 

Q1: Sarah, first of all let me tell you that choosing a winner was no easy task for us, but in the end I was very happy it was your story for a few reasons. Can you tell us more about the origins of Mother?

 

Sarah: First, let me thank you for offering this opportunity for us writers to participate in such a fun contest! I’ve never had much success writing stories to prompts, but as soon as I read the parameters for this competition, the setting swiftly formed in my mind’s eye and the different elements fell into place pretty soon after that.

 

Q2: The 1st act, as Henry also pointed out, very much reminds me of that 20-ish minute intro in the original Planet of The Apes (1968). We were both taken by how you handled that part of the story: the lone adventurer exploring a new world. What or who inspired you to go that route?

 

Sarah: This story is more ‘pulpy’ than I normally write, so I definitely wanted to capture that sense of mystery, adventure and survival. There was certainly some influence from ‘60’s films like Jules Verne’s “Mysterious Island”, but I also just imagined what I might feel as that character in that situation. Also, since I’ve written an entire novel that mostly takes place on a small island with limited characters, I knew how important it is to make the story location itself almost as developed as its own character.

 

Q3: The main character is a woman who apparently was not at the top of her class in the academy. What then drove her to keep going and stay alive in such dire circumstances?

 

Sarah: Obviously, anyone who made it through an exobiologist program would meet some minimum psychological requirements to survive in a situation like that. Think how rigorously NASA selects and trains their astronauts! Also, her natural curiosity about the location helped her to not panic and give up.

Q4: For me the deciding factor to award your story 1st place was how you combined the ‘crab’ element with the ‘island’ element in such a creative way I personally didn’t see it coming until the very end. Where did that specific idea come from or was that something you had already brewing in the back of your mind?

 

Sarah: For me, seeing those words in proximity just handed the premise to me without requiring much effort on my part. The main challenge was to develop the drama and sense of wonder within the space constraints.

Q5: The big question now is, can we hope to see more of this universe come to life? I feel like between the MC, the island, the crabs, and the entire element of mystery there could be a lot more to explore here.

 

Sarah: I hadn’t really thought about that, but I’m delighted it made such an impression on you! I really enjoyed crafting the protagonist and creating the relationship between her and her environment, so who knows—there could be more to come some day!

Note from Henry: Gio is right–it was very difficult to pick a winner. All the submissions were solid and fun. We have showcased the work of these talented authors (and many others) on Virtual Pulp, and from our interactions with them came this contest. The quality of these entries reflects on how good Gio is at sniffing out the literary treasures in the colossal slush pile that is the e-book market of today.

The Deepest Circle by Kevin G. Beckman

THE WEIRD TALES OF SILAS FLINT

(THE FLINT ANTHOLOGIES BOOK 1):

Reviewed by

“This kind of Jazz isn’t exactly my style. Always makes me feel down, you know?” “Yes, I believe that is the intention behind this particular genre.”

 

When reviewing a collection of stories, we simply can’t expect every story to score 5 stars, but we hope that the average score will stay between 4 and 5 stars for quality consistency. 

However, when it comes to The Weird Tales of Silas Flint, I just wonder how long can Beckman keep this streak of 5-star gems!

 

The Deepest Circle is yet another success, by INFAMOUS🦀 standards at least. And here is why…

 

Plot Takes Front Seat:

Whereas our previous stories were more character and action-driven from beginning to end, this next story is more plot-oriented and more ‘cerebral’ if you will. Silas’ brother, Charles Flint, is planning BIG in order to gain power and defeat the Witch Hunters once and for all, this time with the aid of witch Lilian Turner (read The Gloom of the Grave for more info on this alliance). Meanwhile the Three Weird Sisters we’ve encountered in a previous tale (read Evil Never Rests for more info on the Proctor sisters) are once again establishing communication with both Silas and Ricardo with questionable motives. This is the second time our hero doesn’t know what to make of these three characters. Their intentions are foggy at best. Are they trying to aid Silas or just trick him in a very sophisticated fashion? What’s their agenda here, really?

 

New Characters:

We’re also introduced to new characters that will greatly affect the narrative, particularly Jennifer Edward aka Alice, a spy working for Charles Flint who is taking out Knight Templars in Fort Ingalls Chapter House at an increasing rate but eventually makes a few stupid mistakes which will help Silas Flint get ahead of his investigation.

Action:

We do see as much action, gun fights, and sword swinging later on in the story, but the pace is slowed down for the plot to build up properly. This was a bold move but in the end it worked out and the payoff was worth the wait.

 

Know Thyself:

This is the last story included in Book 1, and I walked away with the  strong opinion that this was a solid 5 stars from beginning to end. No, this is not groundbreaking fiction, but it does what it needs to provide a satisfying and enjoyable experience. This is due to the fact that Beckham clearly knows who he is as a writer and his transparency and candor are reflected throughout this book. He never tries to overreach or run too far off into the weeds in order to produce a better story, but instead capitalizes on what he knows best and builds on that. A lot of indie authors could learn a thing or two from him!

 

If you haven’t picked up a copy of The Weird Tales of Silas Flint, and you’ve been craving simple, wholesome, exciting pulp fiction, I strongly suggest you do so today, and let us know your thoughts on it!

🦀

TRENDS DIE OUT/LEGENDS LIVE ON

~ by INFAMOUS🦀

In the upcoming series of reviews we will be tackling works of fiction which some of you may not be familiar with yet are INFAMOUS🦀REVIEWER recommended.

This series will focus more on books I consider to be absolute must-read masterpieces from different authors, eras, and genres.

 These titles are not necessarily the most popular or even the most praised from each of their respective authors, yet I always felt compelled to bring more attention to them and give them their deserved credit.

Authors like Mark Twain, Julian Hawthorne, and H. Rider Haggard will be part of our fun ride into this world of Legends. And when I say Legends I am referring to stories that-due to their content and   nature-will not and cannot ever grow old or become outdated. You can read these stories hundreds of years from now and their power will not have faded at all. 

I hope that if you are a writer and have never heard of these titles that you’ll read them and study them. If you’re just a fan of good stories like myself, I guarantee you these stories will find a way to your heart and soul in ways you might not even expect.

Modern trends live a short life before being replaced by other trends, but Legends are forever!

🦀

Stay tuned for the first review of TRENDS DIE OUT/LEGENDS LIVE ON: SARA WAS JUDITH by Julian Hawthorne

Q&A with J. Sebastian King

(Author of BRIDGEHOUSE)

by

Q1: First thing that strikes me most about Bridgehouse is how professional it comes across when reading its content. Hard to believe this is your first publication. Can you tell us more about your writing background?

 

King: I’ve always been into storytelling, especially in movies.  I went to film school (both theory and production) because it offered the broadest applicability.  The rules of good screenwriting and stage direction, blocking, etc., apply to all the forms, whether it’s a novel, comic, moving image or interactive experience.  I didn’t go into the film industry (blech), but I got what I wanted out of the degree.

As for actual writing, I did NaNoWriMo for a few years until I got bored of it.  I wouldn’t show off any of that work, but it taught me how to crank out a serious word count on a daily basis.  That put something on Bridgehouse‘s scale within grasping distance.

That’s about it for background, really.

Putting aside the novel’s development (a story in itself), I just wanted it to be as good as I could make it, and being broke means I have to wear all the hats.  Paying customers expecting quality won’t accept excuses like not being able to afford an editor or typesetter or whoever, so I had to become proficient at all of it.

Mostly, I just didn’t allow myself to get away with being lazy or dishonest about problems.

Still, Bridgehouse does have some rough patches that a pro editor would likely balk at.  I’ve already corrected those bad habits in my current work, and I’d love to some day do a revised edition of the novel with that extra half-percent of polish applied, and maybe with illustrations just for fun.

Q2: Here we have three main storylines which ever so slowly begin to converge in ways that leave the reader in awe, to say the least. How did that concept come about?

 

King: The narrative braid was a central conceit from relatively early on.

Catherine’s story is the oldest part both in fiction and truth, since I began working on it circa 2014, but it got set aside for a while.

Pon’s story came next, beginning sometime in 2015 or 2016, and was initially unrelated to Catherine’s altogether.  His story went through the greatest evolution, growing in scope and scale the more I poked at it.  I’d originally envisioned it only needing around 25k words to tell!  Hilarious, given that just his introduction chapter in the Overture is nearly 10k.

Also, it was more obviously science fiction in its earliest form.  Proto-Pon lived on a standard-issue sci-fi colony world, though the intelligence arc and overall journey plots were the same.

Then came the idea to combine the two stories, and Catherine’s tale became the backstory to Pon’s setting.  From there, his turned increasingly fantastical the more I worked on it and the more I took the time scales seriously.

Qona’s story emerged during the development of Pon’s.  Proto-Rado already existed as the typical Magic Helper, but proto-Qona was only a nameless background character, with her role being something like Moses’s sister Miriam.  At that point, Lilia wasn’t much more than a love interest motivation for Pon.

But then, while I was massaging the event that became the Vei’id Wohen, I realized I could do something really cool with the proto-Qona if I promoted her to first-class character with her own arc and setting.

Thus, Qona Itarte was born.

I thought the neatest way to present the resulting super-story was something like a crab canon—which is a kind of musical palindrome where an arrangement and its backwards complement are played at the same time.  So Pon and Qona’s stories began spiraling around each other, and Catherine’s story made the third strand of the braid.

Everything fell into place after that, though it still took several years of pondering and false starts before the first draft began in 2022.

Q3: Qona Itarte is a main character that seems to embrace the mantle of a national hero, a legend, and even a martyr. What inspired this character originally?

King: Qona is something of an Athena; she popped out of my head as a fully-formed symbol, though I didn’t fully understand what that symbol meant until I was approaching the climax in the first draft.

In the particulars, she’s very much my synthesis of the ancient Sumerian goddess Inana/Ishtar and the princesses Nausicaä and Kushana, from Miyazaki’s Nausicaä of the Valley of the Wind (the manga, not the film, which has a very different Kushana).

Symbolically, though I wasn’t thinking in these terms at the time, what I wanted was a kind of Queen David or Solomon, an inspiring, near-superhuman world-shaping leader who is nonetheless fatally human, whose mistakes and failures are as consequential as her victories and whose spirit is greater than her flesh.

She ended up stealing the show, so I think I got it right.

Q4: Essentially this book could be labeled as sci-fi but really incorporates other genres into it. It feels as though you wanted to write science fiction, but also sword and sorcery and perhaps space opera like Star Wars, and Bridgehouse was the result. Is that even close to how you look at it?

 

King: I subscribe to the notion that fantasy and science fiction are both subcategories of speculative fiction, diverging in one fundamental way: fantasy exists in an unknowable universe, and SF exists in a knowable one.

The setting of Bridgehouse is a knowable universe.

I like to fancy it hard science fiction, but perhaps crunchy science fiction is more honest, and the completed three-volume story will probably be correctly labeled space opera.

I do my best to adhere to known physics; thermodynamics is a first-class concern, relativity applies, etc.  But, especially in Pon’s story, I don’t explain things that way, if I explain them at all.

As an example, in Chapter 15 (Crest), the river leading to Highest-Home is hot and muggy for days, the karst-landscape valley filled with a stinking mist that later clears.  That mist is created by waste heat being pumped into the river by a mysterious process occurring ‘off-screen’, but I only use it as environmental description.  Readers who have reached the end of the book can guess at the nature of that process.

That said, one of my favorite books and biggest inspirations is Vernor Vinge’s A Fire Upon the Deep, and what really struck me was how Vinge used character perspective to achieve a really slick fantasy flair atop a serious sci-fi story.

The genre-jamming in Bridgehouse is a deliberate use of this effect.  Catherine’s story feels like traditional hard sci-fi because that is the world she perceives, Pon’s story feels like fantasy grounded in myth because that is the world he perceives, and Qona’s story carries an operatic mode because she lives in the decline of a post-Singularity galaxy of wonders.

Books Two and Three continue the genre-mixing trend, including proper space opera; I’m hoping to achieve a full Macross moment by the end.

The downside is that it makes explaining the book in a succinct way very difficult.

Q5: What I admire the most is the scope and ‘massiveness’ of this project. It was also what initially made me doubt the outcome. But you proved me wrong. Is there any advice you can give to upcoming independent authors in order to never lose control of their ship, for lack of a better term?

 

King: I’m still riding this particular boat, and Book Two is a much more ambitious and complex work than Bridgehouse, so any advice I give might be flawed.

Nonetheless, I am an admirer of the aviator and writer Antoine de Saint-Exupéry, author of The Little Prince.  He believed in a beautiful premise, which he stated as, “Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away.”

Bridgehouse readers will note his full name is Antoine Marie Jean-Baptiste Roger.

In practice, don’t worry about hitting every note during the first draft.  Focus on getting the core narrative down first, with clear story beats and a well-defined structure, and resist the urge to overly world-build.

Then, during revisions, you can figure out what the story actually needs.  If it has too much, cut what doesn’t help the story.  If it needs something more, add only the minimum needed to make the story work.

That’s much easier when you’re working backwards from a tangible ending.

As an example, in Bridgehouse, the mechstrosities present a major environmental threat.  Though they were always planned for the story, they never appear in the first draft.  In fact, the first time I wrote them was in an early chapter of Book Two!

Also, Kalas disappeared after Chapter 9, most of the Angel Bay men were nameless background characters, the Sorceress Jevim didn’t exist nor did any of the Anjhall Security soldiers we follow through the war.  Watru only came into being the moment I needed a medic in Chapter 12, and Ladhe appeared in revisions to support his new sections.  Poor Braedh was never seen at all.

If I’d tried to juggle all of that on the first draft I would have been completely bogged down in the details and wasted a lot of time trying to develop characters without a clear goal for many of them.  Each piece was added only after I worked backward from the ending and determined something in the narrative was lacking.

The first draft took three months.  Revisions took over a year.

Q6: As I wrote in my review, your approach to story writing at times reminds me of another indie author, James Krake. You both seem to be very pragmatic and very analytical. Do you make a conscious effort to pay attention to even the slightest details that go into a story?

 

King: Of course.  Everything is there for a reason, or in some cases many reasons, some of which won’t become clear until the later books.  Even the occasional oblique cultural references are carefully chosen for secret meanings.

Bridgehouse generated about 30k words of notes during revisions, and the glossary features around five thousand words of extraneous details I just thought were fun to include somewhere.

 

Q7: Finally, I want to thank you for not only blessing me with a new great universe that I thoroughly enjoyed, but for proving me wrong when I was convinced this book was going to be a FAIL! What can we expect in Book Two and can we hope to still see Qona, without giving too much away?

 

King: I’m glad you enjoyed it.  I know the story’s length is a big reader investment, and I aimed to reward that investment.

Book Two continues right where Bridgehouse leaves off, following Catherine, Lilia, Pon and Amata, and we’ll also meet new main characters in new storylines.

The narrative katamari keeps rolling and the scale keeps increasing.  We’ll explore the Many Worlds and Bridges, meet the Starborne and learn more about the natures of the Vei’id Wohen and what the people of LW642 called the Isema System.  There will be space battles, Deadworld ruin explorers, a cute intrepid space girl, high weirdness, cosmic horror, betrayals, tragic revelations and devastating victories.

And romance, of course.

As for Qona, I’ll point out that the Codetta ends with her rose chapter emblem as a cadence.

Book two’s tentative title is Matron of the Many Worlds.

It will probably be published in 2025.  The first draft is done, but just as with Bridgehouse the bulk of the work is in the revision process.  Even in rough form it can knock your socks off, though!  It’s going to be great.

In the meantime I have two other, much more modest books I’m prioritizing for release this year.

One is the first in a series of planned Bridgehouse-related novels, collectively titled Malin and the Sorcerers of Virsh.  (I call it MatSoV.)  It tells the story of Malin ir Malin and his equine Crashing-Storm as they begin a return home following the events in Pon’s story.  It’s canonical to the other books but outside the scope of the proper sequels, and can be read independent of Bridgehouse.

It will be a pure sword and sorcery pulp serial, with a straightforward and focused narrative.  This first book will be somewhere in the range of 60 to 70k words, so relatively bite-sized.  I’m in revisions now, plan to get it into beta-reader hands in July and will likely publish this autumn at the latest.

The other book is a semi-secret project I’m taking a completely different production approach with.  It’s a fast-paced noble-bright pulp space opera thing that might be comparable in length to the MatSoV book, but I’m still cranking on the first draft so it’s hard to say.  I’d like to get it out this year.

 

Remember: Virtual Pulp is your go-to website for reviews and interviews of indie fiction, plus movies and comics.

The Earrings of Madame de… (1953) – a Review

(Directed by Max Ophuls)

Reviewed by

The second pick on our list represents what some consider to be a masterpiece of French cinema. I tend to agree, though I hardly heed to what the experts usually have to say. 

Directed by German director Max Ophuls (who moved to France due to a little man with a funny mustache taking over Germany in the 1930s), the film is based on a 1951 novel by the same name. Though at first glance this may appear as a female-oriented movie, to  call it such would be a gross generalization. And for several good reasons.

PLOT:

The story revolves around these precious earrings owned by aristocratic Lady Louise, who’s married to Baron and Army General Andre. Things heat up when an affair begins between Louise and Italian Baron Fabrizio Donati. Now if at this point you are rolling your eyes, stay with me a little bit longer.

 

PRODUCTION/DIRECTION:

Due to the outstanding performances, unique camerawork, and clever dialogue, the audience easily gets sucked into this world of opulence, excesses, infidelity, and beauty. In a succession of rich, decorative displays, in all of this visual delight, the characters take on a life of their own, and they invite us to follow along. We start caring for them, fearing for them, even getting angry at them at times! Ophuls knows what he’s doing here, and in the hands of any other director this could have turned into a disaster.

 

THE EARRINGS:

The precious jewels, a gift from Andre to Louise, become the  nucleus of everything that happens in the story, and what was meant to be a valuable commodity quickly becomes a curse. The jewels change hands often throughout the movie, and in doing so it seems as though it is the earrings that control the narrative (think of the ONE ring from the writings of a very popular British author!).

 

THE PROTAGONIST and RANGE:

French actress Danielle Darrieux had the very difficult task to play the lead as Louise. And I say ‘difficult’ because this was a role where a woman could very easily try too hard to play the shallow high class lady and miss out on expressing those human traits that were necessary in order to propel the story to that next level. But she did such an outstanding job that in the end we  can’t help but feel for her fate. Her range is exactly what most actresses lack in Hollywood today. I’m frankly tired of all these one-trick ponies (no disrespect to women by that) that Hollywood keeps putting on the big screen. Darrieux shows such range in this performance that I guarantee, by the time the end credits roll, you too will feel for her character!

CLOSING REMARKS:

Story: 5 stars

Sets: 5 stars

Costumes: 5 stars

Lead Performance: 5 stars

Supporting Cast: 5 stars

 

I think that is good enough for closing remarks! Watch The Earrings of Madame de… and when you do, drop a comment whether you’re going to love it, hate it, or somewhere in between!

🦀

 

Bridgehouse by J. Sebastian King – a Review

Reviewed by

Books like Bridgehouse by J. Sebastian King demonstrate that the indie scene can offer fiction literature that is as competent, as skillfully elaborated, and as professionally written as the best of them. 

This is a very ambitious project; it is vast, and complex, and it doesn’t hold back!

This is also not the type of story where everything gets spoon-fed to the reader. If you want a straightforward narrative, this might not be a good pick. If you want your mind to be stimulated and even challenged at times, pick up a copy today!

 

INITIAL DOUBTS:

Based on how the book is structured, I had my doubts that J.S. King would be able to pull it off, and this seemed (at first) like a house of cards about to crumble under its own weight. And here is why:

3 STORIES/1 BOOK:

Three separate storylines run parallel in this book, with three main characters each, for a whopping 700+ pages:

  • Captain Catherine A. Russo (classic sci-fi)
  • Lady Qona Itarte (space opera)
  • Pon er Lugal (sword and sorcery)

 

What I found annoying at first was how we keep getting thrown from one story to the next every few chapters, and with no apparent connections among all storylines. Obviously we know that these characters and locations must be all connected somehow but for quite a while we feel like we are reading three separate books, with the author dictating which one to read and when.

It’s only ¾ into the book that we start seeing clear links and connections, but the way it happens is so subtle that when it finally hits us we can’t help but be left in awe of what we are going to find out!

 

ATTENTION TO DETAIL:

King is very pragmatic in his approach to fiction writing and in some aspects he reminds me a lot of another author we have covered before, James Krake. These two are both very analytical writers who really stress all major and minor details of story writing. I was honestly waiting for King to slip at some point by trying to cover so much ground , but the guy doesn’t miss a thing; everything is accounted for, and no stones are left unturned. This can be particularly challenging given the scale of this vision–again showing that level of professionalism I mentioned earlier.

CHARACTERS/PROSE:

All main and supporting characters are well developed, they are all memorable and they feel ‘tangible’ to us because so much detail is revealed about them over the course of this story. 

The description of places, cities, buildings, mountains, rivers, and oceans is top notch, thanks to a prosaic style that comes off as seasoned and competent. Hard to believe this is King’s first publication!

 

MINOR ISSUES:

Only a few things I personally had minor issues with that are worth mentioning:

 

  1. Some of the language used in the ‘sword and sorcery’ story, with some F bombs and S bombs that at times felt out of place, especially on the lips of a character like Lilia (imagine LOTR’s Galadriel throwing S bombs if she got upset!)

 

  1. The military experience displayed by Qona Itarte in the ‘space opera’ story felt forced. Here is a woman with apparently 0 military experience; she is surrounded, outnumbered and yet always able to counter every move of the invaders on the battlefield.

 

  1. The English language used to create the native speech of some foreign tribes like the Nabadeans was hard to read at times, thus making some passages a chore to get through.

 

But again, these are just personal minor issues and pale in comparison to the awesome moments this sci-fi epic offers. They certainly don’t detract from the compelling aspects that make this a must-read work of fiction.

CONCLUSIONS:

What strikes me most about Bridgehouse is how professional it all comes across. It puts to shame not only a lot of indies but most tradpub as well. I look forward to book 2, but the real question is: is it going to be another 700+ pages with 3 books into 1? Just kidding of course! If King can capitalize on what he’s done here, I am convinced this could be one of the most epic fiction works of our times!

🦀

Red-Blooded American Men Examine Pop-Culture and the World