Claudia Christian’s Dark Legacies – a Review

I’ve never seen a project quite like this. It’s written by an actress and has a sequential art section and artist’s sketches interrupting a prose narrative. The main characters (even in the prose section) are based on people involved–who are credited as such. Sounds like this would be a fun collaboration.

Back in the ’90s I had friends who were fans of Babylon 5, which is where I think Claudia Christian made a name for herself. So an actor in a sci-fi TV series is now the co-writer of a sci-fi fiction publication–with the main character based on her. That character is Adjudicator Steele.

The Prose Section:

And Hell Followed Him is a western set on a Mars colony. Instead of a shady Indian Agent selling rifles to the Apache, there is a shady outlaw who has been selling people to the mutants. For dinner.

Agent Steele teams up with tough-as-nails Marshall Jake Reeves to rescue a kidnapped teenager before she, too, is eaten by the mutants. There seems to be more going on around Devil’s Ridge than meets the eye, and there’s definitely more to Steele’s mission than what we are told, for now. She hides her true agenda from the Marshall, and from the reader, but if this is just the first installment in a series, I’m sure all will eventually be revealed.

The plotting seems fine, so far. Avid western readers should feel right at home in this opening act. The text could have used some proofreading/editing, though. My guess is Chris MCauley wrote it, based on Christian’s ideas, but there was no other pair of eyes on it before it went to press.

The Sequential Art Section:

Steele is the star of this story as well. Here she investigates a string of murders on a Jupiter “mining platform.” Damage to the victims, plus footage of the murders, suggest the murderer has superhuman strength and wears a “morphic” suit of armor which is more advanced than the most state-of-the-art military combat armor.

It’s a simple mystery, easily solved, but also sets up a longer story arc involving Steele and her homicidal sister, who murdered their parents and now commands a space fleet and works out dirty deals with at least one planetary government.

I’m a little confused about the setting here. What is the mining platform, exactly? I think most of this story takes place indoors–in ships, maybe a biodome or airtight buildings, but some of it is outdoors where it rains. I wouldn’t think the climate on Jupiter would be very human-friendly, yet humans are evidently fine there with just a rain poncho and no oxygen mask or rebreathing system.

Nevertheless, the artwork is very nice. Penciller Staz Johnson seems very comfortable with comic panel work, and his cover art is even more impressive.

My Take:

I watched a few episodes of Babylon 5 back in the day, but never really got into it. I saw it as sort of The Love Boat in Space. But this series looks to be more like Trek Classic: more adventure, with some mystery (and western!) mixed in. It has the potential to be fun. I would like to see what happens in the prose story next, but would like it even more if they transform it into comic form, as well.

The Girl with the Fire in Her Hair

Legends of the Wandered Lands: The Girl with the Fire in Her Hair by Robert Victor Mills

~ A 6-Part Review Series by

Note from INFAMOUS🦀: 

After breaking down Man of Swords in our previous 6-part series, and given how much we loved and enjoyed that first collection of Legends of the Wandered Lands, it was only natural to go ahead and tackle Mills’ second official book featuring our fierce hero Rohye of Kethaine. I’m curious and excited to see how Mills will manage to keep a narrative that is compelling yet not repetitive.

Writing good stories about the same character and the same world can only get more challenging, so it will be interesting to see how this new collection of legends was handled. 

I hope you will join us on this ride back into the Wandered Lands!

 

THE GIRL WITH FIRE IN HER HAIR (Part 1 of a 6-Part Series)

 

~The delicate profile of her nose, the alabaster of her cheek, and the rich raven ringlets of her hair, which tumbled wantonly about her shoulders, impressed of her singular beauty~

 

I’ve said this many times, but when writing multiple stories revolving around the same main character in the same world, there’s a fine balance to be established between writing something new without losing the essence of what made that main character and that world appealing in the first place. Write too much of the same stuff, and readers will say it’s gotten boring; write something too far departed from the original, and readers will say that it’s lost its original appeal. I think Mills understands that, based on this first opening tale, which is named after the book’s title: The Girl with Fire in Her Hair.

The Challenge:

Going back to my opening statement, keeping things fresh and exploring new realms is key when further expanding on an established character. And this is EXACTLY what we witness in this first tale. To begin with, I can tell you that-for the most part-not one single fist is thrown and not one single sword is swung. But instead, Mills focuses on dialogue that is rich, compelling, and enthralling. 

Plot & Characters:

Rohye finds work at a smithee in yet another town far away from his mother land of Kethaine. The well he goes to get water daily leads to a fence which divides the smithee’s property from the next, where a mansion with a luscious garden in blossom presides. And everyday, a beautiful woman is seen tending the garden. This is where Rohye and the beautiful woman strike a conversation and quickly the two grow feelings as they get to know each other from across the fence.Soon though, a harsh truth will  be revealed to Rohye, as things are not always what they seem.

This story also features faithful companion Astropho, a bard/poet/thrill-seeker whose lack of physical prowess he more than makes up for with cunningness and primal intuition. Astropho does not appear in Man of Swords but he does in The Isle of the Shrine of the Sick’ning Scarab which we already reviewed. Astropho is much more than a sidekick, in fact his character is complex enough to have his own series of stories written. 

 In a series of surprising revelations, Rohye is confronted with challenges that don’t necessarily require the use of his fists or a sword. Astropho plays a key role here when he tells his best friend: “perception of virtue oft bears little relation to truth. And, though she has doubtless earned your anger, perhaps she has not yet earned your hate”.

Conclusion:

In closing, I am excited to say that if this first story is any suggestion of what we can expect from the rest of the book, we’re in for a treat! It feels fresh but without losing the key elements that have made the Wandered Lands so special to us!

🦀

See you in two weeks for: The Spherae of Arkimeddon

War for the Planet of the Apes

As a fan of the 1968 Planet of the Apes movie, and even the first sequel, I’ve watched the revamping of the franchise with interest.  Between career drama, family tragedy, and other distractions in my personal life, I missed this film’s release in 2017 and was not even aware of its existence until a few days ago.

Of course I had to watch it.

What it’s About:

After the events depicted in Dawn of the Planet of the Apes, Caesar has led his fellow smart apes into the woods and established a secret colony there. At the beginning of this film, the  evil humans (who apparently have nothing better to do) find the colony and intend to commit genocide against them.

Caesar needs to move the entire colony away quickly to a new settlement where they won’t be found, but breaks off from them to undertake his own revenge mission. To avoid spoilers, suffice it to say that from there, the plot builds toward a climactic battle at the end.

Who Directed this Thing?

Upon looking up director Matt Reeves on InfoGalactic, I was shocked to discover he is Generation X. For reasons that might occur to you while reading the rest of this review, I would have guessed Boomer–specifically a draft-dodging “campus activist” Boomer who probably still has a North Vietnamese flag tacked to his wall. I can only speculate about this: Maybe Reeves is a Boomer wannabe. Perhaps, like me, he grew up immersed in Boomer culture and, unlike me, adopted all of it as his own. (Full disclosure: I still love a lot of Boomer music and some of the American cars manufactured during their rising adult years are still my favorites. In fact, some of my best friends are Boomers.)

Cringe Factor:

The older I get, the more of a problem I have with cruelty to animals. The newest Ape movies have been hard to watch because there is so much of it. And, just like so many pinko directors before him, Reeves uses our empathy for the ape characters in an attempt to make us buy in to his themes and worldview.

On several occasions I felt like apologizing to my dog on behalf of all human beings. He sat watching me, waiting for me to turn off the TV and play with him–much less upset about human cruelty than I was.

Technical Ineptitude:

The screenwriter and director know absolutely nothing about the military, other than what they’ve seen in other movies and TV shows. Which is to say: damn little.

And that’s fine–as long as they steer clear of projects that depict military units and personnel. When film makers make their predictably half-assed effort, it grates on me

Hey, Spielberg is a leftist Boomer who (along with George Lucas) probably has a North Vietnamese flag tacked to his wall. But at least he hired an advisor for Saving Private Ryan so he didn’t vomit his ignorance all over the screen for the entire movie. There were moments when he obviously vetoed the experts’ advice, for the sake of dramatic tension and such. Because Hollywood Boomer. Can’t get your expectations too high with that crowd.  And this movie reminded me that Boomer director Francis Ford Coppola actually did a commendable job depicting soldiers at war (for a draft-dodging Boomer, anyway).

Dismissing exceptions like Spielberg and Coppola, when it comes to draft-dodging Boomers who make movies about war, there are two camps: those who believe the US armed Forces is comprised solely of the Marine Corps, and those who believe every swinging Richard in the military is Special Forces. Reeves was obviously discipled by the latter camp.

The evil humans are led by Woody Harrelson playing his own version of Colonel Kurtz from Apocalypse, Now! Dude shaves his head and listens to Jimmi Hendrix while planning an idiotic defensive battle against other evil humans  who believe his methods are unsound and are coming to terminate his command, with extreme prejudice. At least there was no monologue about watching a snail crawl along the edge of a straight razor.

The “Special Forces” officers and men under his command demonstrate the tactical acumen of a young boy playing with plastic army men. (Maybe the real deal is like that these days. I know the standards have been plummeting across the board as good soldiers have been chased out to open slots for freaks, perverts, womyn and diversity hires.)

However, the movie’s human soldiers do have magic ghost-ninja powers that allow them to repeatedly and easily sneak up and get the drop on the apes, who apparently lost their animal survival instincts, hearing, sense of smell, and developed one whale of a myopia in their vision. At least for the parts of the story that require such handicaps. In fact, these seasoned, professional SF A-Team operators can even have hysterical conversations about 30 yards from an ape listening post and not be discovered.

There’s a lot more I could complain about on this subject, but that would make this a loooooong post.

Theme, Etc:

Much like a Stanley Kubrick film, the big question the screenwriter/director wants you to ask is, “Who actually demonstrates humanity in this story?” Hint: it ain’t the humans.

I give the filmmakers props for driving this theme home with a couple shots of soldiers showing themselves to be more feral than the apes with the motivational mass command and hoowah-ing that grunts are conditioned to perform (but Special Forces soldiers do not, unless their ranks are filled with guys from the Ranger Battalions).  They sounded more like apes than the apes, and this is the closest the movie ever gets to verisimilitude from a military perspective.

Humans are barbaric savages who would rather lose a battle and be wiped out than to miss an opportunity to murder some escaping, unarmed apes. Like the gorilla traitors they employ as “donkeys,” humans are fanatical killers who will follow idiotic orders blindly without question, but are incapable of empathy, gratitude, fair play, or any sort of decency. Except for Nova, who is a young girl in this movie.

Caesar, Luca, Rocket and the other apes are the only characters (besides Nova)  who have any humanity.

This movie really comes off like yet another symbolic summary of Vietnam, as told by a communist propaganda minister–like Little Big Man, Soldier Blue, Return of the Jedi, and Avatar.

Everything you’ll see here has been done before many times. There is no part of this movie that suffers from any modicum of originality.

The acting is fine and the musical score is competent. All the elements of filmmaking come together to sadden, depress, disturb and/or infuriate you over the mistreatment of the apes. And that is pretty much all this film is good for.

Interview with Author Paul Leone

Q1:What inspired The Dweller in Drury Lane? Are there any other related works that precede or follow this that might help further explore these legends you are creating?

 

Leone: Both Ya’el and Renee and Innocence appeared in previous stories, and I thought putting their tales (including a few new ones) side by side would make for an interesting contrast. They’re all part of my Immortal Champions setting, which starts off in my novella The Governess of Greenmere and continues in the short story collections The Hungry Dead of Yü-Ching and Other Stories, Kung Fu Antipopes and Other Strange Stories, The Third Crown and Other Weird Tales and Webs and Shadows: Strange Stories of Barsetshire.

Q1/2: So where do we first encounter Ya’el, Renee, and Innocence?

Leone: Ya’el is first mentioned in “The Holy Woman of the West” in The Third Crown, while Renee and Innocence debut in “A Ride in Barsetshire” in Webs and Shadows.

Q2: The first thing one notices when reading The Dweller is your prose. How did you develop such a magnificent prosaic style? How do you manage to completely block out all traces of modern-day euphemisms and urban jargon in your writing?

Leone: I think it’s a combination of reading (a lot) and writing (a lot). Find an author or two who write like you want to, and just immerse yourself in their works. In my case, I aimed to imitate J.R.R. Tolkien’s writing style, especially in the first half of The Return of the King. 

Q3: Who was Ya’el before becoming an Immortal Champion? How did she become an Immortal Champion?

Leone: Ya’el’s background is still a little foggy to me, but she was the daughter of a shepherd in the 2nd century BC. After an encounter with one of the night people (my general term for vampires, witches and other evil beings), she met Nimrod (then the Champion of the Holy Land) and became his student and eventual successor.

Q3/2: What exactly is a Champion and where did the idea come from?

Leone: Immortal Champions are the chosen servants and warriors of the Angels of Limbo (or Sheol, as Ya’el calls it; there’s many different names). Long ago, the ‘neutral angels’ were cast out of Heaven for not taking a side in Satan’s rebellion, and some of them have since decided to atone for their cowardice by helping humanity against the minions of the Devil. There are 72 Champions all around the world who use their powers (immortality, greater physical abilities, and what might be called ‘magic’) to protect mankind. The basic idea has been in my brain for almost 20 years – what if the Slayers from Buffy the Vampire Slayer were put into an explicitly Christian setting? – and grew until I came up with Elise from The Governess of Greenmere and then her various peers.

Q4: I personally fell in love with the character of Coem from Hibernia. She comes from a land where the Gospel hasn’t spread yet (65 AD), but she does wear her heart on her sleeve and comes off as a young girl with a strong mind. Any possible spinoffs featuring her specifically that you might bless us with in the future?

Leone: Thank you! She’s one of my favorites, too. I do have some plans for her adventures in the Roman Empire, possibly with Victoria of Alexandria, or perhaps later on in history when she meets a certain British-born evangelist in early medieval Ireland.

Q5: Renee and Innocence–are they too Immortal Champions of Sheol? And if not, how are they able to fight the forces of evil the way we see it done in the second half of The Dweller? What exactly sets them apart?

Leone: Renee and Innocence are ordinary mortals. Renee is blessed with luck, a quick wit, and being born into a wealthy family with an indulgent father. Innocence, on the other hand, is a poor country girl (and as a Puritan in Restoration England, doubly looked down on), but her devout faith gives her a power over many things they face.

Q6: As I’ve mentioned to you before, I did read another of your novellas a couple of years ago-The Governess of Greenmere-but truthfully I did not see or notice any of the amazing writing I witnessed in The Dweller. Do you think I was distracted and should go back and re-read it or has your writing changed much ever since that book?

Leone: I wrote that several years ago now and like to think I’ve improved, but I definitely recommend giving it another shot! There’s some passages in it that I’m fond of. (I’d also recommend Webs and Shadows, especially the story “Sigriđ Sigdansdohtor and the Wolf of the Lobbeweald”)

Q7: In closing, Paul I can’t stop expressing my gratitude for getting me inspired while reading your book. You embody everything I work and preach (no pun) every day both in my personal life and my social media life. I want to believe that this world, with all its evil, sin, depravity, and THE AGENDA, still hosts men and women who uphold higher standards for everything that is sacred, everything that is holy, everything that is immortal.

What’s next that we can look forward to? And needless to say, I hope this is just the beginning of having you on Virtual Pulp to promote more NEW LEGENDS IN THE MAKING!

Leone: Thank you very much! I’m very glad you hold the book in such regard. As for what’s next, I’ve got a couple more Immortal Champions short story collections coming eventually. Stay tuned and God bless.

The Hunter by K. Aagard – a Review

(The Hunter of Fareldin Series Book 1)

Reviewed by

~Her eyes watered with tears as she took the first bite. The mere taste of the food seemed to give her body strength. It was nothing like the fine dishes she was used to, but at the time it tasted better than anything she’d ever eaten~

What it’s About:

As I read and analyzed Book 1 of The Hunter of Fareldin, I couldn’t help but keep comparing it to another book we recently reviewed on Virtual Pulp based on certain similarities. Both stories revolve around two seemingly different and polar opposite characters-a young girl and a brooding ranger (or hunter)-caught up in a life and death situation that involves a long journey on foot and on horseback while being hunted by dangerous foes. The big difference is that in The Hunter of Fareldin the writer doesn’t bore us to death and doesn’t create incoherent character behavior as things unfold.

Flow:

Let’s face it, when most of the story consists of marching/setting up camp/building a fire/repeating, keeping things interesting can be quite the challenge. But I’m happy to say that Aagard manages to do so and in a very astounding fashion. Not only does the story hardly ever get boring, but we slowly start feeling invested in the two main characters just as they slowly start building strong emotional ties toward one another!

Plot:

Our adventure starts when a failed kidnapping attempt of young noblewoman Adeline of Fenforde (Addy) finds our young protagonist lost and alone in foreign land. When she tries to steal a sword from a strange man, she strikes a most unusual deal with Strider (aka The Hunter) and his giant wolf pet Greer. She promises that if he can deliver her back home to her family he’d be generously compensated for it by her father. Although Strider accepts the offer, little is he concerned with monetary compensation, but this mission rather gives his life some temporary meaning, which it had none left ever since his family was murdered.

This is a story of powerful but dangerous magic, of spies and inside jobs, but most importantly of lives being restored to hope.

Craft:

If I have to use a word to describe the work the author does here, that word would be BALANCE. Aagard always finds that perfect balance between character development, action scenes, compelling plot lines, and solid prose. And so, just when we feel like the story is getting too slow she gives it a boost with something that gains our attention right back, and when we feel that we should know more about a character she slows things down, taking the time to dig into their minds and hearts.

Although a Book 2 is in the making, the reader turning to the last page will feel satisfied knowing that they read a complete story whether or not they decide to pick up the next book. But given the quality of this first story, I don’t see how anybody wouldn’t want to read more of The Hunter of Fareldin!

🦀

The Dweller in Drury Lane by Paul Leone

THE DWELLER IN DRURY LANE AND OTHER CURIOUS CHRONICLES

Reviewed by

“Above all, she remembered the first time she saw Him, the first time she heard His words. These were good memories, holy ones. Ya’el tried to bury the other memories this place carried with it beneath them. As ever, she failed.”

 

If you follow me on social media and/or are subscribed to the INFAMOUS🦀 YouTube channel, you would have noticed the ample use of terms such as ‘NEW LEGENDS’ or ‘LEGENDARY’. And that is simply due to the essence of what I (and Virtual Pulp) do on a daily basis: exhorting authors to write good stories that resonate through time and that have, for lack of better terms, no expiration date. 

There is a point when a good story is no longer just a good story but becomes a LEGEND. Paul Leone’s The Dweller In Drury Lane is all that, and then some! If there is a work of fiction literature today that encompasses everything I always ramble about, this book right here embodies all those elements to their fullest! 

Before we dive in, I want to officially welcome Paul to our elite group of Virtual Pulp LEGENDARY authors, and look forward to a very needed Q&A interview later on!

What it’s About:

But what is this book with such a long title really about? And what makes it so special? To answer that question we need to mention what author/youtuber Bonsart Bokel stated some time ago: fiction writers should focus more on history while applying new and exciting concepts to it. 

Regurgitating good content that has already been written only creates predictable and boring books. 

We covered a good few authors recently who have adopted the alternate history approach with excellent results. The Dweller in Drury Lane can be categorized as alternate history based on the fact that everything we read is historically accurate, and it’s within this historically accurate environment that Leone works his magic (pun intended!).

The book is a collection of short stories divided in two groups: the first group of stories follows the adventures of Immortal Champion Ya’el, circa 65 AD Jerusalem. The second group follows the adventures of Lady Renee De Launcey and her Puritan maid-servant Innocence circa XVII England.

Characters:

Make no mistake, even though both main characters are female, they are far removed from the modern image of ‘strong independent WAMEN’ portrayed in our modern western pop culture. In fact, Ya’el is constantly torn by two seemingly polar opposite commandments, whereas Renee and Innocence are aware that they need the aid of men when dealing with powerful and dangerous foes.

As soon as we flip to page 1 we are immediately transported to another world thanks to Leone’s prose. There are virtually no traces of modern euphemisms and in fact at times I had to wonder if the author was someone who lived centuries ago. Every chapter  in the first half of the book feels like reading an ancient manuscript translated from Hebrew, Roman, and Greek into old English: think of Homer, Virgil, and of course the Holy Bible itself.

Secondary characters are as rich and complex as the main characters. I particularly loved the character of Coem, a young girl from Hibernia (Ireland) in search of vengeance for the murder of her family by the hands of another Immortal Champion of Sheol. THIS is how you write characters that resonate with us hours and even days after we close the book. Young Coem wasn’t able to kill her family’s murderer because mortal weapons cannot kill a Champion of Sheol. Ya’el decides to aid Coem and tells her of a weapon that can harm a Champion called Aurichalcum-the alloy of Atlantis. To which Coem replies:  “Then will that slice her skin?” How can you not LOVE that delivery!

Prose:

When we move to Part 2 of the book, we are now in XVII England and I’m not kidding when I say that I haven’t been this enthralled ever since reading Jane Austen’s prose! The choice of verbs, adjectives, nouns, adverbs, prepositions, conjunctions, modifiers, syntax, the subtle expressions typical of the period, are all top notch here!

The attention to the historical aspect also deserves great praise. Whether we are walking through Jerusalem in 65 AD or we find ourselves in the countryside of Great Britain in 1665 AD, we keep getting fed captivating historical data as the narrative unfolds. 

In closing, I encourage you all to grab a copy of The Dweller. If this interview doesn’t motivate you to do so, maybe the fact that you can download the entire book for FREE will.

 

Note from INFAMOUS:

This review will be followed up by a Q&A with author where we will uncover even more about all this, and I will also mention how a few years ago I read another book by Leone and wasn’t at all impressed by it!

🦀

Paradox: Promotions, Surprises, and Reviews

(Oh My!)

Seems like just yesterday I was agonizing over turning my monstrous doorstop-sized Great American Novel into a series. Now there are four regular-sized novels in the series published out of a probable six.

 

Pardon me while I flex:

Though they haven’t done as well yet as my Retreads Series, the Paradox books have all become bestsellers–and within a month of release, respectively. But wait…there’s more! Book Four: Provoking Fate made bestseller for two weeks without me lowering the price or running a promotion!

I am disappointed that I’m not getting reviews–those mercurial manifestations of “social proof” with an inordinate impact on visibility. But with all the strings Amazon has attached to posting reviews, that’s probably just how the ball bounces. The Paradox Series has been collecting ratings at a…ahem…rate that’s not bad considering how new it is, and that the author is a relatively unknown indie with no Youtube following. Or social media “influencer” status. Or marketing acumen. I dusted off my old Twatter account late last year, but my tweets are de-boosted to the point that out of 700 followers, only two see them on a regular basis.

Whatever. I’ve got plenty to be thankful for.

Pleasant surprises:

I discounted all my novel-length books for the most recent Big Based Book Sale, and scheduled a coincident promotion of Book One: Escaping Fate on Book Barbarian. The Based Book Sale began, and all my titles started selling. But for some reason, Book Two: Rebooting Fate outsold everything else. It had been a #1 Hot New Release back in December, but now shot up into the Bestseller chart again.

What’s more, Book Three: Defying Fate, which made the Bestseller chart back in February, was back on the chart, a few paces behind Book Two. I shared a partial spoiler about Provoking Fate at the top of this post. What I didn’t share was that it hadn’t even been released yet. It wasn’t scheduled to be published until after the Based Book Sale was over, so it climbed up there behind Book Two and Three from pre-orders…and at full price.

Bingo! Get it?

Rebooting and Defying remained in Bestseller territory for about a week.

Most authors who manage to crack the Bestseller list see their books remain toward the top for a while afterwards, propped up by their momentum. The visibility that comes with that attracts more readers. Hence more reviews. And reviews lead to better visibility. It’s a sort of feedback loop which wins the author thousands of reviews and gazillions of sales. My books, on the other hand…Amazon normally hides them immediately after the spike, and sales drop off a cliff. Reviews don’t roll in, and I’m left with little but a memory of the book’s 15 minutes of fame. Word of mouth really ain’t a thing anymore, so when Amazon hides it, it is swallowed by obscurity.

That’s why what happened next with Book Four was remarkable: after it went live, I went to the product page to proof-check the sample and saw that it was on the Bestseller list again–still at full price, with no promotion! If only I had checked for that earlier!

OK, I know: rah-rah me.

Your next chance to pick ’em up cheap:

Well, I have finally scheduled a promotion for Provoking Fate, for Friday 4/19/24. Price will drop to $2.99 (not just on Amazon, but everywhere) through the weekend. I’m interested to see how well it does with a little boost.

Also, I have advance notice of when the next BBBS and I’m gonna try to schedule the publication of Book Five: Resisting Fate to coincide with that. So at that time, both books will be discounted to 99 cents and we’ll see what happens.

About the books themselves:

The biggest challenge with Paradox was making it episodic. Taking one story arc, chopping it into six pieces, then tweaking each piece into its own separate arc with beginning, middle and end. I’ve got enough distance from where I sit now, that it appears the individual arcs are getting stronger as the series rolls along. Provoking Fate may just have the strongest opening act yet. Maybe that is evident in the sample Amazon provides, and accounts for it exceeding expectations.

In my opinion, the opening act in Resisting Fate is even stronger. I have no idea if readers will agree with me.

It would be great to get feedback on stuff like that. If not in a review, then even here in the blog comments.

EVIL NEVER RESTS by Kevin G. Beckman

The Weird Tales of Silas Flint (The Flint Anthologies Book 1)

-a Review by

This is the third story we find in the Weird Tales, and it seems like Beckman continues to pleasantly surprise us with outstanding storytelling that is well thought-out and well written.

Though each story is its own, there is also a bigger picture in this world and events that keeps opening wider as we go along. And so we find once again witch hunter Silas Flint and supernumerary Ricardo Navarro exactly where the last tale left them.

What it’s about:

When a messenger delivers an urgent message that their aid is needed at a town where supposedly ‘werewolf’ attacks have been reported, the choice for our duo is easy: go investigate and possibly kill some werewolves!

Along the way, we have the chance to briefly meet Charles, Flint’s evil brother, and three very enigmatic witch sisters who will play a major role in the unfolding of the following events. Who are the three sisters? And why do they seem to aid Flint in his mission? 

When our heroes deduct that the murders were not random but strictly connected to key names in the current local political circle,  the story takes on a sort of mystery/detective tone which, coupled with some very captivating characters like Mr Oglethorpe, propels the story to new heights of fun, action, and inspiration. Why do I mention inspiration? You might ask. Well if a character like Oglethorpe doesn’t inspire you at some level I don’t know what will. His faith, resolution, conviction, and toughness, despite his advanced age, is only matched by Silas Flint’s himself! Love the guy and he definitely steals the spotlight!

To conclude, I want to again point out how these tales fully embody the spirit of classic pulp fiction while taking on their own shape and form. Needless to say, see you in two weeks with the next tale: The Gloom of the Grave.

🦀

MAN OF SWORDS: The Beast Beneath Druihmkirk

(Part 6 of a 6-Part Series)

Review by

~She could not stand, no matter how desperate her desire to do so. “Please,” she shrieked in distress, “I cannot.” “Nor do you have to,” soothed the warrior, quite gentle. And he caught her up, handling her as if her frame were a feather.~

 

The Beast Beneath Druihmkirk is the final tale we find in R.V. Mills’ Man of Swords, and I’m happy to say it is yet another memorable read! Mills never ceases to delight us with these legends in the making!

What It’s About:

Our hero Rohye is wanted by the evil city Provost (think of it as a city Mayor) on the charges of freeing a defenseless woman from the cruel shackles unjustly put on her for basically rejecting the advances of the city Provost himself. He and the girl need to find a way out of town, but it seems like the only way to escape is by taking the sewage route where no man dares roam due to the legend of a mighty beast that has been inhabiting the underground for years.

What I like about this story is that-similarly to The Isle of the Shrine of the Sick’ning Scarab– some of the most deciding and crucial scenes take place with Rohye not being in them. This is a fresh take and makes the plot development more organic in a sense, and not as predictable.

Once again, chivalry, loyalty, courage, perseverance are all displayed and highlighted throughout this ordeal. There is GOOD and there is BAD, no gray areas. Modern  narrative today is leaning more towards the concept of the ‘misunderstood’ or ‘alienated’ character, but in actuality all that does is blur the lines of morality. Not in Mills’ book! He is pretty firm on the values he puts forth and THAT is what makes Man of Swords a true classic of our current fiction literature.

Not to mention the superb prose, the attention given to secondary/supporting characters, and the plain realization that this is not just your next book on your TBR list.

To conclude, I want to encourage my man Robert to keep writing and never feel discouraged or swayed by the winds of modernism and progressive trends. This series was a true blessing for me personally, and I hope that more folks will pick this up and come to appreciate these amazing stories. True legends in the making!

INFAMOUS 🦀

This concludes this 6-part series. Hope you enjoyed it and that you will leave us your feedback. Virtual Pulp and Robert V. Mills will be back soon with another 6-part series, this time to cover Robert’s latest work The Girl With Fire In Her Hair! Stay tuned and thank you!

PNW Affliction 1: Recycled by Chance Paladin

(A Review)

Recycled is one of the books I picked up recently on a cyber-shopping trip.  It was a lightning-quick read, in a series of 23 books.

What It’s About:

Our hero is out on a midnight walk when the lights start going out.  He winds up seeking shelter at an abandoned building.

Not an overly ambitious plot, but according to the metadata and a few clues sprinkled into the narrative, this is the beginning of a SHTF survival adventure. I happen to enjoy that genre–especially when the story is told well and protagonist isn’t stupid.

I’ll start with a mild spoiler: 90% of this book is the protagonist exploring a closed down recycling plant, solving puzzles to find a room and the tools he’ll need to keep warm while he sacks out for a few hours.

Reading the book is a lot like watching somebody play a videogame–which I guess is a thing, now, on Youtube. Fallout 1 meets Leisure Suit Larry, but without the hook-up options.

Author’s Execution:

This book read like a rough draft that suffers from no proofreading. There were a lot of typos, distracting shifts from present-to-past tense, and plot points that weren’t thought out very well.

Main Plot Contrivance:

I never understood why the protagonist didn’t just go home, being only a few blocks away. Yes, the night gets dark as the lights go out, but  his eyes adjusted to the dark, we are told–and he has a flashlight. There is mention of homeless encampments and a spree of home invasions. Such would make me even more determined to make it home. In fact, if the danger was too extreme to walk home from the convenience store (being visible to potential threats either because of street lights, or my own flashlight), then I wouldn’t have left home in the first place.

The Magic Cat:

Power is out, but there are keyless entries throughout the building which don’t require electricity to trigger–including at least one outer door. Using his smartphone just before the cell towers go down, our hero finds a BBS or web chat forum used by the employees with a clue that “the groundskeeper” can let you in if you’ve forgotten your key card, or the code to the keyless entry.

The MC doesn’t have to wait for the groundskeeper. The groundskeeper, evidently, is a housecat, with the access code for the door printed on its collar.

After MC and the cat enter the building, the cat is able to access certain rooms via “pressure pads.” It also is fairly clumsy, knocking stuff over with loud crashing noises a few times, to cause suspense I imagine.

Toward the end of the book, when the MC finally runs into some antagonists, the magic cat defends him, dispatching one of the assailants.

Right.

So, this would be unusual heroism for an animal he just met that night–even a very perceptive dog. But a cat? Even a cat who loved you would simply stand by and watch while you got beaten to death–or, at best, run and hide. Exactly how the cat puts the attacker out of commission is not explained. Nor could it be. This creature is referred to as a “monster cat” a few times. It’s evidently an exceptionally large cat. Even so, let’s pretend its feline brain has been replaced with that of a loyal terrier. It can break the skin and cause pain to a human with bad intentions, but to take that human out of the fight, it would need to be a cougar, or at least a bobcat.

The Climax:

After dawn, there is an attack on the building by an organized mob. There’s a city-wide power outage, presumably the beginning of a SHTF scenario, and police are a non-factor for whatever reason. Within a few hours, a bunch of scumbags (leaderless, we are told) find each other and organize into an assault team…and they choose as a target an abandoned recycling center?

Not a gas station (they have a vehicle). Not a clothing, sneaker, or jewelry store (which rioters loot in real life). They don’t attack some statue or monument they identify as a symbol of “fascism” or “white supremacy” (as rioters do in real life). Not a grocery store. A closed down, locked up recycling center.

The MC is hit by a truck, helps the cat fight off the bad guys until the cavalry (former employees of the recycling plant?) rides to the rescue, and then passes out from the blunt force trauma of the truck hitting him.

Reviewer’s Take:

Despite all the above, I read to the finish. I didn’t know much about the MC other than he’s survival-savvy and loves cats, but I wanted him to find a place where he could keep warm and get some sleep.

Will I read more from the series? Well, I’ve already bought Book 6–the other one that was 99 cents. So I imagine I will.

My best guess about this is that Mr. Paladin is pumping these short books out as fast as he can without much quality control because he is convinced quantity is more important. In today’s series-dominated fiction market, maybe he’s right.

This is the kind of story you might write for the amusement of friends or family. It is not the sort of work I would consider ready to sell for a profit to complete strangers. Yet, evidently, the latter is the case.

It suffers many of the problems that are stereotypical of indie fiction. This one would be easier to polish than most, but it already has 21 ratings on Amazon (most of which are favorable), so I suspect the incentive is not there for the author to fix it.

How a book with these problems gets such a favorable average truly is strange, when solid work without these problems are awarded far less flattering “social proof.” But I’ll spare you my speculation about that.