The King of Elfland’s Daughter – a Review

TRENDS DIE OUT/LEGENDS LIVE ON:

The King of Elfland’s Daughter by Lord Dunsany

Reviewed by

Where most modern sword and sorcery tales come to a conclusion, 1925’s The King of Elfland’s Daughter is just rounding up its prologue. Let me explain…

In most traditional stories that find a knight in pursuit of a fair princess in a distant and dangerous magic land, things usually wrap up after the knight goes through a series of trials and tribulations (like breathtaking sword fights with terrible creatures)  rescues  the princess, and manages to escape so that they will get married and go on to live happily thereafter. But in KOED--written by legendary author Lord Dunsany–that constitutes just the initial set up for the main plot of the story!

 

PLOT:

When the parliament of the Kingdom of Erl decides that it’s time for the kingdom to add magic to the land in order to gain more power and respect among the other nations, Prince Alveric is assigned to the task of infiltrating Elfland, kidnapping Princess Lirazel, bringing her back to Erl, and starting a new magic-powered dynasty.

With the aid of witch Ziroonderel, who forges a magic sword for Alveric, mission is accomplished: the princess is brought back to the world of mortals and a new royal dynasty thus begins.

The love of Alveric and Lirazel will bring to life a son, Orion. 

THE FIELDS WE KNOW/ELFLAND:

The author defines a clear-cut divide between the world of mortal men (aka the fields we know) and the world of the elves (Elfland). The atmosphere is different, the flow of time is different, even the objects of worship differ between the two realms.

Soon Princess Lirazel grows weary and heavy-hearted in the world of mortals despite her love for Alveric and son Orion. She feels overwhelmed by this mortal realm and by the concept of Time itself even. Alveric even realizes that:

 

“And the days that remained to her now seemed scarce more to him, dwelling beyond the fret and ruin of Time, than to us might seem a briar rose’s hours when plucked and foolishly hawked in the streets of a city. He knew that there hung over her now the doom of all mortal things.”

 

 Lirazel panics and flees back to Elfland, and by the power of her father the King of Elfland, the entire elvish kingdom disappears from sight, becoming inaccessible to both human or beast from the fields we know.

Alveric in a hopeless quest will spend long years on the road searching for Elfland and his wife, but to no avail. 

All the while son Orion grows into a healthy boy who loves hunting with his pack of well-trained hounds, though no signs of magic are apparent within him, to the disappointment of the citizens of Erl… Until he makes contact with troll Lurulu, who roams on the edge of the two kingdoms and is spotted first by Orion’s hounds. This sends a clear message to the people of Erl that perhaps they do have a magic-imbued heir at court.

NEXT LEVEL FANTASY:

To be quite honest, many are the fantasy titles available today but few are those rich in the main ingredient: FANTASY! 

What I mean is that most contemporary fantasy novels utterly fail in portraying places and characters that truly feel foreign to our world. What Lord Dunsany accomplished in KOED is bringing about something that feels more like an ancient legend or myth not written by mortal hand. 

This is truly ‘next level’ fantasy. Whereas it is Lirazel not understanding the way of humans or Lurulu the troll trying to grasp the meaning of ‘tomorrow’ or the act of ‘sleeping’ (coming from a land where time has no meaning and sleep is a foreign concept), Lord Dunsany uses a compelling prosaic style that will make you wonder in awe again and again: it’s beautiful but foreign; inviting yet mysterious.

 

CONCLUSIONS:

We hear the term ESCAPISM a lot these days in the fantasy genre, but truly we won’t know its full meaning until we read The King of Elfland’s Daughter! To read this is to ‘leave’ Earth and to visit lands that exist between reality and dream. 

Keep in mind that Lord Dunsany published this before Tolkien even wrote Lord of the Rings, and in some aspects I believe he laid the foundation for the fantastic and the ethereal literature of the future. Whereas this is accomplished through the introduction of the elves, the trolls, the unicorns that roam Elfland, the magic sword yielded by Alveric…

LEGENDS start right here! And they start with The King of Elfland’s Daughter!

🦀