Category Archives: Adventure

The Flash on Netflix

Smallville paved the way for Arrow, and The Flash spun off from that. If you noticed that Smallville became increasingly ridiculous and unimaginative after Season One, you might suspect that the same writers are churning out episode teleplays for the spinoffs.

The Flash TV series is not without its assets, on display here.
The Flash TV series is not without its assets, on display here.

The Flash does have something going for it–namely special effects and an 8+ babe in the regular cast.

Unfortunately the directing does not raise the bar for superhero adaptations. So many times the Flash is shown moving at super-speed, but repeatedly the actor is instructed to stand around and wait to get punched or shot or zapped when the script calls for a reversal or increase in dramatic tension. This is much harder to forgive in live-action than it is in the panels of a comic book.

Also, Barry Allen, as depicted, couldn’t fight his way out of a paper bag.

The first few episodes suffered from overacting and desperately over-dramatic writing. The actors and writers settled down a little after a while, but it became painfully obvious soon thereafter that this is just another example of a comic book stalwart being hijacked by SJWs and transformed into just another chapter of The Narrative.

Here are two factors that were final nails in the coffin for me:

The Obligatory Sympathetic Homosexual Character

This time they made him a police captain. The creative team are simply/dutifully following Step 1 and 4 of “The Overhauling of Straight America.” (The other steps have been followed so religiously that the cultural svengalis can just maintain The Narrative now–it’s already been programmed into Millenials, Gen X, Gen Y and most Baby Boomers.)

The Obligatory Amazon Superninja

One of the villains (I can’t recall his moniker) could turn his entire body into iron or something. He was a very similar character to comic book villains like the Sandman, Clayface, the Molten Man, etc. In this series the Flash is a lousy fighter and gets his butt handed to flashgreenarrowhim by nearly every opponent (except Green Arrow–Barry Allen suddenly and mysteriously knows how to fight using his super-speed when a feud between him and Oliver Queen is contrived). The Iron Baddie is no exception–always able to transform into iron faster than the Flash can move.

The diversity-by-the-numbers team at Star Labs (Hispanic scientist; female scientist; ostensibly handicapped evil genius white male scientist) tap their keyboards a few times and decide that the way to take out Iron Baddie is for Flash to deliver a punch while running faster than he’s ever run before.

So our hero gets a running start and tops out at like 800 MPH before

This is Hollywood's vision of a badass ultimate fighter.
This is Hollywood’s vision of a badass ultimate fighter.

nailing Iron Baddie right on the button. Iron Baddie recovers and comes right back at the Crimson Chump the Scarlet Speedster. Ah, but never fear: the aforementioned 8+ babe (Iris West) steps in and knocks him out with one punch. She has no superpowers (unless you count hypergamy) but is obviously superior to ANY man, even the superpowered ones. Because vagina.

Need I waste more verbiage on this series?

Superheroes and “The Narrative”

Just what is “The Narrative,” you ask?

The Narrative is a conglomeration of messages rammed down our throats by government, academia, every medium of pop culture, and the blue pill sheeple who orient their worldview according to what those sources tell them.

The human mind is the most incredible computer the world has seen; yet the most powerful computer is only as smart as the data that is fed to it.

TVherding

The Narrative comprises all the data that the cultural programmers deem acceptable for processing by the proletariat. Any data which does not agree with The Narrative is treated like a virus to be isolated and destroyed.

The Narrative is a tool to propagate and reinforce the sheeple’s faith in the elected and unelected criminals who are herding us into a third world police state where cognitive uniformity will eventually be dictated and regulated by the state. The homogenized message is Marxist/cultural Marxist, feminist, environmentalist and sodomiphilic.

supermancitizenship

More and more surfers of the Manosphere are becoming aware of The Narrative. Roosh V is somebody I haven’t followed all that closely because my impression of him was that he was primarily concerned with sowing wild oats. But he is definitely taking notice of more weighty matters of late. I recently discovered this astute observation about how the defacto ruling class in America is composed of individuals who hate America.

…(A)n individual or idea that is supported by the establishment also hates America, or at least pushes an agenda that will certainly lead to America’s decline. If the mainstream media reports on someone in a favorable light, that person hates America. If they report on a specific public policy in a favorable light, it will lead to America’s destruction. If the mainstream media reports on someone in a negative light, they love America, or at least promotes ideas that would lead to a stronger America.

It really is that simple. Furthermore, you can accurately predict which party a person votes for simply by observing their attitude toward America. (The problem with that is that the GOP is now about 95% Democrats/Marxists who speak with a forked tongue, pretending to love America while they sell her down the river.)

starwarsracism

The Manosphere is becoming so vigilant that they sounded the warning about the latest Star Wars movie before it even hit the big screen. They even lampooned the title in the same way Hank or I probably would have (The Farce Awakens).

What the latest George Lucas flick demonstrates is that there is no genre or medium that has not been turned into a tool to push The Narrative. What the Manosphere’s criticisms indicate is that a growing subculture is finally waking up to this.

Know what else people are waking up to?

The soul of a nation is won or lost in the culture a generation or more before the struggle.

 

Today’s systematic and institutionalized discrimination against thorinawhite heterosexual men, for instance, took nobody by surprise who has been keeping track of pop culture for the last few decades. It is obligatory that heterosexual men are portrayed as inept buffoons in sit-coms; sensitive wimps in rom-coms; abusive cheaters in dramas; serial killers in suspense thrillers; neo-Nazis in political thrillers; and physically second-best in action-adventures. And frankly, you have to hand it to the pop culture svengalis because it takes talent to sell an aspect of The Narrative as oxymoronic as feminism (that women are superior to heterosexual men in every way, yet simultaneously oppressed victims of them).

In all forms of entertainment, people make themselves vulnerable to suggestion because they are prepared to suspend disbelief going in. Especially with TV and movies, mental programming is even more effective than a trained hypnotist would be.

Contrary to the pose struck by the pop culture svengalis and their legions of lemmings, they are not content merely to get their message out there. They must innundate everything, everywhere, with their Narrative. They must infiltrate and spread like cancer (some even call themselves “progressive”). On the feminism front they infiltrate male genres like science fiction and action-adventure; and male mediums like comic books.

The comic book industry exploded in the late 1930s/early 1940s. Its success rode on the back of superhero stories, and the overwhelming majority of the audience was pre-adolescent boys. The age of that audience has increased since WWII, but has remained largely male.

Superficially, a fan of the comic book heroes would assume that the world is a better place than ever right now, with so many characters being adapted to the bSpider-Man, Barack Obamaig and small screen. But they’re being adapted in more ways than format. Pop culture svengalis have been busy subverting the superhero genre into just another gynocentric soapbox. More and more long-time heroes are being retrofitted into the homosexual agenda. Just as in action movies, the female characters are written to be superior in prowess to their male counterparts, and sometimes famous male heroes are just suddenly re-written as females. And when political shots are taken, there is no surprise what direction they come from, either.

So for the next few blog posts I plan to have some fun examining some of the subversions adaptations in recent times. Virtual Pulp has previously blogged about Arrow. Three I have in mind right now are Gotham, The Flash and Daredevil.

Other than that, Happy New Year.

 

Praise For the Harboiled Gearhead Rock&Roller Detective

Deke Jones is an unapolagetic alpha male (sigma according to Vox Day’s breakdown of the socio-sexual hierarchy) but also an irreverent loner, whose passion is cars and music, and just happens to make a living as a private detective.

I haven’t marketed my books much, and it shows in the anemic sales and Amazon reviews. But then, these are niche novels, focused at an audience that is apparently even smaller than I guessed. Until today (I’m writing this on Saturday 10/10/15) the latest Deke Jones romp, Shadow Hand Blues, didn’t have even a single review.

Well, that threshold is finally crossed, and here is the review:

I loved Fast Cars and Rock&Roll so,naturally,I was excited to see another Deke Jones Romp. After a few paragraphs,I thought that this book was not going to live up to it’s predecessor. Boy was I WRONG! I soon realized that this story was more about Deke Jones the private detective/musician and not about Deke Jones the race car driver. I’m a car guy through and through,that’s what attracted me to the first book,but I also like a well written story. That is exactly what I got here. The characters are complex, the plot is riveting and the book moves like a roller coaster! Maybe it’s just me,but when I read this story,I felt like I was there. I was in the courtroom when Deke was reading the transcripts. I could picture the expressions on Fuller’s face. I witnessed his encounters with the local police. I felt Deke’s rage at the injustice of it all. Very intense. There was also,indeed, enough automobile related content to satisfy the gear head in me. Some drag racing, high speed driving and vintage auto repair,in detail.

I’m not very good at expressing how much I enjoyed this book. My review is crudely written and lacking details. Writing is not my forte. However it is Michael Kayser’s forte, and thank goodness for that. I will be anxiously waiting for the next “Romp”.

Well, I beg to differ. Not only was this review thoughtful and detailed, it was also well-written. I’ve read plenty of Amazon reviews and appreciate this one all the more.

 

A Knight Without Armor in a Savage Land

Grant Cogar is a reporter.

An old-school reporter–the kind you see characterized on movies and TV but hasn’t dominated actual journalism probably since WWII: he reports the facts regardless of how they relate to whatever political worldview he subscribes to (which he also keeps to himself). And yet he is decent and passionate about humanity.

That passion collides with Cogar’s objectivity and, in this novel, we find him waist-deep in the chaos that is present-day Syria.

…A knight without armor in a savage land…

That line from the theme to Have Gun, Will Travel fits Cogar’s Crusade pretty well. But it’s worse than that–Sir Cogar has no weapons, either. Oh, they’re available; he just won’t use them in anything but the most desperate of circumstances. Of course desperation is a relative concept when you’re already wading through a civil war. Hint: risk of his own life and limb is not sufficient desperation.

I was here, they were here, and since we weren’t shooting at each other, we must be on the same side. Today.

Cogar is a strange character to find in any generation of men’s adventure. He’d be more at home in a drama that takes place down the street from your urban or suburban reality. Looking at my own characters, pretty much all of them are comfortable with both feeding and cheating death. Cogar may have a remarkable reserve of courage, but his squeamishness at the prospect of dealing out deadly force is more commensurate with yours, your neighbor’s…pretty much any civilian you would classify as “decent folk.”

Granzow’s prose is savvy, ascending to the poetic in places.

…There is no limit to the depth of human depravity, and wars in this part of the world don’t come with expiration dates. The Middle East is an island buoyed by corpses, rocking unsteadily atop a bottomless lake of blood–a lake that Sherman only briefly canoed over during his stint as general. Here, every drop of red spilled in the sand fuels the strife like gasoline on flame…

I prefer the devil-may-care adventurer in most genre fiction of the civilian persuasion, but what Cogar has seen forces him to care. It might force readers to care as well, by proxy.

A Post-Modern Pulp

As far as I know, Jack Badelaire coined the term “post-modern pulp.” It describes the “men’s fiction” paperbacks that replaced the old classic pulp magazines in the publishing world. Jack’s blog was recommended to me back around when my literary career was just getting started. I found his tastes and interests to overlap mine in several areas.

He still reviews books and movies on the PMP blog, but in Killer Instincts, Badelaire has pumped the heart and soul of the genre he loves into a post-modern pulp of his own.

Killer Instincts is like The Punisher/The Executioner, Deathwish and The Professional all crammed together.

New England millenial William Lynch loses his family to an old-school crime syndicate back East, and vows revenge. He is trained by professionals for his war on the gangsters, and transforms into a killer himself. One might worry, based on the title and the original synopsis, that this is an intense psychological thriller delving deep into the id (or superego?) of a privileged frat boy transforming into a homicidal vigilante. While that transformation certainly does take place, and even though the story is told in first-person, the author’s camera  follows the bloody, bullet-ridden action rather than lock on a close-up of the hero’s tortured psyche.

Driven by revenge and punctuated by white-hot violence, Killer Instincts reads like a film Sam Peckinpah could make with current special effects.

It’s a warm, fuzzy way to spend a day or two, escaping from a reality where murderers rarely get what they deserve and the very worst criminals rise to positions of authority in civilized society, as a matter of course.

An Alpha Male Hot-Rods Through SJW-World

[avatar user=”V8Kyze” size=”thumbnail” align=”center” link=”http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=deke+jones+romp” target=”_blank” /]

SJW=Social Justice Whiner.

I’ve never taken drugs but I understand that pushers often hand out the first fix for free in order to get somebody hooked. Cunning strategy, sez I.

So starting today, the E-Book of Shadow Hand Blues will be free on Amazon for a few days.

Deke Jones debuted in Fast Cars and Rock & Roll, where he learned some lessons about women, and people in general, while playing in a band and racing in a “One Lap of America”-style campaign.

This  time it is his private investigator creds which are put to the test.

The purchase of a vintage electric guitar leads Jones into a 40-year-old cold case murder mystery involving an enigmatic blues man, swindling record producers, hop-head disc jockeys, and dead prostitutes.

To dig through all that, Jones has to temporarily set up shop in a bizarre hippie town seemingly caught in a time warp. Meanwhile Deke encounters some of his old friends, a sweet country girl and an intriguing older woman…just to name a few.

Suffice it to say: there’s a lot more that comes to light than just clearing up the murder.

 

Shadow Hand Blues

In 1954 budding blues virtuoso Waymon “Tornado” Fuller is executed for the murder of a North Carolina woman. In 1994 nomadic hot-rodder, moonlighting private investigator and blues aficionado Deke Jones stumbles upon Fuller’s guitar, triggering a mudslide of buried truths. Fuller’s innocence is one revelation. Another is “Shadow Hand Blues”–the last song he recorded, which Jones has never heard of.

An impromptu search for the studio where the recording session took place leads Jones to a small hippie town seemingly still enjoying the Summer of Love, where the psychodelic atmosphere turns from surreal to hostile when he begins asking questions.

Vintage Fender Telecaster in one hand, steering wheel of his radical Cyclone Spoiler II in the other, Deke Jones launches a one-man crusade to exonerate the infamous musician and find the obscure recording. The blood trails are 40 years cold, but neither corrupt good ol’ boy cops, sex industry sadists, nor fanatical pyramid-schemers can throw Deacon Jones off this case.

This investigative pilgrimage propels Jones right into the bloodstained fingers of a clandestine power elite Tornado Fuller called the Shadow Hand.

SHBebook

 

This is set four years after Fast Cars and Rock & Roll. While that book dealt with Deke Jones’ racing exploits, and playing in a band (some even call it “coming of age,” since he learns some lessons about women…and people in general), this one is a cold-case mystery.

A fusion of the hardboiled P.I. genre with whodunnit, Shadow Hand Blues also has a strong musical element. Deke Jones is now in a nomadic phase, and this story takes place in North Carolina—far from his Southwest stomping grounds.

But You’re White! Don’t You Want to Preserve Our Heritage?

Sneak preview of my dystopian thriller/paramilitary TEOTWAWKI novel.

 

PROLOGUE
D PLUS THREE
LAS ANIMAS COUNTY, COLORADO

 

It was determined some years ago that 0300 was the ideal time to raid a home.
That was when normal people enjoyed their deepest sleep. They would be slower to wake. When they did wake, they’d be disoriented for a few crucial moments.
The assault transports, which looked like unmarked SWAT vans, rolled up on the gate at 0245. The gate was simply a cable hanging across the driveway, suspended from trees on either side. Hanging from the cable was a metal sign which read: “NO TRESSPASSING.” An officer hopped down from the van, unhitched the cable and let it fall across the road, taking no small satisfaction that the sign would be run over by multiple vehicles momentarily. He jumped back into his seat and the small convoy rolled onto the rough snow-covered dirt drive.
The DomTer’s house was a ways up the mountain from the road, and isolated enough that it made surprise more difficult than normal. The sound of engines straining to pull heavy vehicles up the steep drive could potentially give warning to the perps. Helicopters would be faster to put boots on the ground, but were even louder than their assault transports. Helicopters were also of limited availability, and in high demand these days. In any event, somebody high up had decreed this operation go in on wheels.
The assault transports and the supporting armored vehicle and communications van arrived at the end of the drive at 0303. Doors flew open and a full platoon of federal agents burst out of the transport to deploy.
It was supposed to be an especially cold winter this year, and up here it already was. Thick white clouds hung overhead, threatening more snow any time now. Their black uniforms stood out in stark contrast to the white landscape.
All was quiet. No lights were on. Good–likely the perp was still asleep or only just stirring–if he heard the truck engines at all. Either way, there was nothing he could do now that wasn’t suicidal.
Satellite imagery of this property hadn’t been a terrific help, as the buildings were well-camouflaged. It took a few confused moments for the agents to locate the house–a dome-shaped structure back in the trees.
Funny though—no sign of the dogs. They’d been worried that shooting them would also tip off the perp prematurely, but that seemed to be a non-issue. Everything was working out in their favor today.
The breech team went forward, bristling with weapons, explosives, armor and night vision devices. The blocking team circled around to close off any escape routes in back. The other teams dispersed to search the barn, sheds, and the rest of the property. The breach team leader got confirmation via his radio headset that the blocking force was in place. His team stacked on the front door, primed and chomping at the bit. The ram was passed forward.
“Go!”
The two agents closest to the door swung the ram back, then forward with all their strength, at the door.
The door didn’t give way, but they never had a chance to wonder why, or batter at it a second time.
From a distance the explosions didn’t seem that impressive. There was no fireball, and though the blasts all occurred simultaneously, the report was loud but not ear-splitting.
Up where the breach team stood, however, it was hell on Earth for a split second that would forever alter their lives permanently…and end some of them.
Big bore armor-piercing rounds tore through them from the front, sheering the bone of one agent’s arm, passing between armored sections of another and punching through his torso. But the worst of it was underneath them.
The very ground they stood on erupted. White-hot shrapnel streaked upward all over the kill zone. It ripped through boot soles and feet, through legs, buttocks, and at angles through their bodies, blowing tunnels through vital organs allegedly protected by their state-of-the-art body armor.
Other blasts sounded around the property as agents evidently stepped on mines or tripped booby-traps.
The commander, sitting in the passenger seat of the communication van, surveyed the scene in wide-eyed horror. “Ambush!” he cried. “It’s an ambush!”

1
Y MINUS ONE
TEXAS PANHANDLE

Jimmy and Bill stopped by the game warden’s office, went through the usual routine, then headed for their favorite diner with the eight-point white tail gutted and wrapped in a tarp in the back of Jimmy’s pickup.
At the diner, the two ravenous hunters ordered coffee and lunch.
Jimmy and Bill knew each other from high school, but hadn’t been especially close friends. After 9/11 Bill joined the Marines and Jimmy became a medic in the Army. After returning home they ran into each other at the V.A. Since agonizingly long waits were standard at veteran’s hospitals, they had plenty of time and nothing better to do than talk.
It turned out they had a lot in common. Both liked to hunt. Both were firearms enthusiasts. Both were disillusioned about the “war on terror.” Neither of them liked the way V.A. doctors were trying to classify them as PTSD. Nor did they like nurses and doctors asking them if they owned firearms. And both were pissed off about what was happening to their country.
A strong friendship developed after that, and many of their conversations centered around speculations on what kind of country America was going to be in a few more years, how the transformation might take place and what, if anything, they could do about it.
They hunted together; went to the range together; introduced girlfriends; invited each other over for Superbowl parties. Now and then one of them met others who shared a lot of their concerns over the state of the Union. Sometimes those others made it a habit to join them at the range and at bull sessions in the diner. Sometimes they brought wives and/or sons. A few times they asked Bill to talk about what he’d done and seen in the Sandbox. He obliged by explaining small unit tactics at length. A few quizzed Jimmy on combat medicine, and techniques he’d used in Ass-Crackistan. A lot of those folks bought weapons and gear, showing it off to the two veterans, or sometimes seeking advice and approval before buying. All of them bought ammunition with every available dollar, including Jimmy and Bill.
When the two friends entered the diner, they left their cellphones in the truck–even though both phones were rooted, and they had removed the hidden backup batteries which allowed third parties to remotely turn the microphones on.
As they discussed the hunt, the buck, and what Jimmy would do with the hide, the meat, and the antlers, a Toyota Tundra swung into the parking lot and pulled up right next to the GMC. They sat facing each other in the booth, but both noticed the new arrival through the window.
Arden Thatcher exited the Toyota’s cab and wandered up to lean over and look into the bed of the GMC, flipping up the tarp to snoop under it. He was a little below average height, thin and bowlegged, but compensated with cocky swagger for what he lacked in stature. With clod-kickers, a cowboy hat and a Rebel flag on his Levi jacket, he was the poster boy for Texas rednecks.
Arden had come upon Bill engaged in a conversation with some other folks at a survival expo, and jumped right in. He talked like a gun enthusiast, who hated the present administration. After that first meeting he bumped into one or the other of them by coincidence–like the way he just happened to show up at the diner just now.
Jimmy and Bill watched him turn from the GMC and saunter toward the diner’s front entrance.

***

Arden Thatcher didn’t leave his smartphone in the truck. Nor had he taken it apart and removed the hidden backup battery. He stepped inside the diner and swept his gaze over the patrons until he found Jimmy and Bill. Jimmy was dark-haired, with a big crooked nose. Bill was a redhead with Scotch-Irish features. Both still wore woodland cammies with matching baseball caps.
Arden smiled and nodded before heading their way.
Jimmy nodded back. That was a good sign. Maybe they were warming up to him. They still hadn’t invited him to go shooting with them or otherwise hang out with their local gang.
He felt sure he could earn their confidence in time.
“Hey Jimmy,” he said. “Howdy Bill. Mind if I pull up a chair?”
“Howdy Arden,” they mumbled, neither of them scooting over to make room on their booth seat.
Arden found an unoccupied chair at a nearby table and slid it over to sit perpendicular to the two veterans. “About due for a bad winter, I hear.”
Jimmy and Bill nodded, chewing their food.
“Who bagged the eight-pointer?” Arden asked.
Bill chinned toward Jimmy, who grinned. “We knew it would be winner-take-all,” Bill said. “That first shot would scatter all the game for 20 grid squares.”
“I hear the mating cry of the sore loser,” Jimmy remarked, smirking.
“Grid squares,” Arden repeated. “Does that mean you had a military topo map of the area?” He seemed to be a little proud that he knew about military grid, and had shown them he knew his stuff.
“Naw, USGS,” Bill said, blowing on a spoonful of soup. “Gotta use latitude, longitude and minutes. It’s just habit to think in military grid.”
“Oh,” Arden said.
Silence fell over the table for a moment. The waitress came over and asked Arden what he’d like. He ordered a cup of coffee and a slice of cherry pie.
“Y’all hear this latest thing about the illegal aliens?” Arden asked.
Both men grumbled in the affirmative.
“More and more people are rejecting the mass media brainwashing,” Jimmy said, finishing off his enchilada. “The globalists have to bring in more illegals to cancel out their votes.”
“Ain’t enough that the sheeple get to vote five or six times every election,” Bill added.
“Elections are a total sham anymore,” Jimmy said. “And what choice do we get every time? Communist or Communist Lite.”
“Tastes great!” Bill blustered, drunkenly.
“Less filling!” Jimmy blustered back, pounding his fist on the table and adding a hiccup for effect.
Arden’s coffee arrived and he took a big gulp, oblivious to the once-famous beer commercial referenced. “It ain’t just about elections,” he said. “It’s genocide against white Europeans.”
Jimmy and Bill both raised their eyebrows, shared a glance and looked back to Arden.
“Genocide?” Jimmy asked.
“Sure,” Arden replied. “It don’t always take gas chambers—if that even happened. They’ll breed the white outa’ the world if they have to. The whole country’ll be one shade a brown or ‘nother, it keeps goin’ the way it is now.”
“What ‘they’ are you talking about?” Jimmy asked.
“You know,” Arden said. “The NWO. ZOG, or whatever you wanna call ’em.”
“NWO are lily-white Europeans themselves,” Bill said. “Why would they want to ‘breed out’ their own race?”
Arden shook his head. “Most of ’em are Jews. Don’t you know that? Besides, even the ones that are truly white protect their own blood lines. They just want the rest of us to lose our racial purity.”
Jimmy fidgeted, visibly uncomfortable. “What is ‘ZOG,’ anyway?”
“Zionist Occupational Government,” Arden explained. “Our government is controlled by the Israelis. Ain’t it obvious?”
Bill set his coffee cup down, leaned back in his seat, and wiped his face with a napkin, exchanging another glance with Jimmy. “Arden,” he said, “We got nothin’ against you. But it’s fairly plain there’s some matters we don’t see eye-to-eye on. If you’re lookin’ for like-minded people to hang out with, you should go on and look somewhere else.”
Arden looked crestfallen, his jaw slack. “What? What’s the matter?”
“Nothing’s the matter,” Jimmy said. We believe what we believe. You’ve got different opinions, and you’re welcome to them. We’d prefer not to argue with you or anybody who believes like you do. We just want to do our own thing.”
“What are you?” Arden demanded, blushing. “Jew lovers?”
Maybe Jimmy was a Jew. He sure did have a big nose. The dark hair might mean he had a Mex somewhere in his family tree. Arden had determined to let that slide. But if they were going to cop an attitude just because he was fed up with the Z.O.G…
“No offense, Arden,” Bill said, staring hard into Arden’s eyes. “But it’d be best for everybody all around if you just left us alone.”
The waitress arrived with the slice of pie. Jimmy smiled at her and said, “If you would, please, serve that to him at a different table.”

AMARILLO, TEXAS

Many miles away in a secure commo room, Jason Macmillan, along with the comm tech on monitoring duty, sat listening to the conversation via the microphone in Arden Thatcher’s cellphone.
McMillan’s power and fortunes had increased significantly over the last 20 years. Too bad his health hadn’t prospered proportionately. He had most of the ailments common to men in their middle age now, including a degree of obesity, high blood pressure, and erectile dysfunction. What hair hadn’t fallen out all turned gray. But people respected him more than ever. He had the power to step on just about anybody from 95% of the population, should he need to. And even if he retired today, he’d be set to live comfortably for the rest of his life. Not that he wanted to retire. Ever.
Macmillan tore off his headset and swore. “More candy-asses,” he declared, shot to his feet, and marched to the door. He turned back to tell the comm tech, “They wouldn’t even let him eat a slice of pie at their table. When he gets far enough away, tell that stupid redneck the assignment is terminated.”
“Should he report to his handler for a new assignment?” the comm tech asked.
“No. Let him cool his heels for a while. Tell him we’ll be in touch if another assignment comes along.”
“Yes sir,” the comm tech said, and Macmillan shut the door.
Macmillan cussed under his breath as he made his way to his own office-away-from-home. They had wasted months working their informant into the confidence of that DomTer cell, and Thatcher blew it over the course of a few minutes.
Every potential target city had its challenges. Around Amarillo it was infiltrating the organized groups. Not the racially motivated gangs–those were easy, and conventional departments already had informants planted. But the groups that posed a real threat were proving tough nuts to crack.
The problem this time was, Thatcher had a long enough leash to improvise. But he wasn’t smart enough to improvise. He didn’t know the marks as well as he should have. Plus he actually believed in all that Jewish conspiracy business; so he assumed others would, too.
Macmillan didn’t care whether there was a Jewish conspiracy or not. It didn’t change the parameters of his job. But it occurred to him how he might be able to turn Thatcher’s belief in it from a liability into an asset. He would work on it with the handler before they attempted to give Thatcher another assignment.

 

Chapter 2

Jet Jocks Over Vietnam

There’s an expression for people who consistently order more food than they wind up eating: “His eyes are bigger than his stomach.” That’s how I was with books in my younger days. It dawned on me yet again the other day while building more bookshelves for my personal library that, even if I never buy another book, I’ll still probably never finish reading everything I own before I die.

One of the paperbacks that’s been gathering dust for many, many years was this novel of the air war in Vietnam.

All those years, and then the first time I opened it and read the opening paragraph, it grabbed me by the throat.

Berent tells a rip-snorting story of men both in the air and on the ground serving with honor in a conflict in which victory was forbidden.

The characters are great—Hollywood prodigal Court Bannister; soul sick rich boy Toby Parker; and devout killer Wolf Lochert. Much like W.E.B. Griffin, Berent seems to like privileged, wealthy characters who don’t have to serve, but do anyway and prove to be natural, superb warriors. Not easy for me to relate to that caste, but the author did a fine job winning my sympathy.

And you will probably learn more relevant information about Vietnam in this one novel than you can from any and every history book that covers US involvement in the conflict. I’ve read plenty of fiction and non-fiction about Vietnam, and this has become my favorite so far–just from one reading. I can’t believe I only just now got to it. But I fully intend to read the next one, STEEL TIGER (Wings of War). If that one is as good as this one, I may read the entire series.