Category Archives: Historical

America and Slavery

Back in the Golden Age of videogames there was a weapon gamers were familiar with called a “smart bomb.” When enemy spacecraft began to overwhelm you and your lasers had become an ineffectual asset against the intensity of the attack, you could use the smart bomb you’d been saving, and all the ships on the screen would be simultaneously destroyed.

For the last few decades, in the realm of public debate of a political nature, one side has been resorting to its own smart bomb. When a left-wing collectivist (called “liberal” for PR purposes) finds him or herself being destroyed by the preponderance of evidence and facts presented during debate, they simply accuse racism. All the arguments threatening to overwhelm them are then magically destroyed and they can declare themselves the victor.

racecardSince 2008 the leftists have been using the race card smart bomb at the beginning of debate to preempt any argument the other side may use. Their opponent hasn’t said or done anything racist, but the accusation is enough to invalidate their arguments in the mind of the average boob tube junkie. Unlike videogames, though, the left has an unlimited supply of these political smart bombs. They’ve used them so frequently and indiscriminantly, however, that the race card smart bomb is not as effective as it used to be.

The smart bomb is most often used to assassinate the character of individuals.

Of course the left and the mainstream media (forgive my redundancy) employ the race card selectively. If you’re a Democrat, even a history that includes KKK membership won’t hinder a career in the Senate; and the media won’t bother to scrutinize your true colors until the Clintons and Obamas of the world jump on the bandwagon to make excuses for you.

 

 

But the race card smart bomb is also used to condemn the United States of America as a whole by those who see the USA as unexceptional, at best.

And it’s no wonder that anti-Americans are so desperate: the truth of history is overwhelming.

There has never been a nation in recorded history to offer such opportunity, where prosperity is so taken for granted that the poor here have more than the upper-income in other countries. Of course that’s changing as the free market is strangled, but there are still a whole lot more people trying to get in than get out. In fact, they are using any and every means conceivable to get in, and at a rate that has exceeded the birth rate of US citizens in the border states.

(You would probably do the same if it meant a life-long free welfare ride for you, free education and medical care for your kids, and all you had to do to earn it is vote Democrat once you are anchored inside unexceptional ol’ America.)

But America is not only unexceptional, it’s evil, they say.

Why? Slavery.

If you find yourself in a conversation that goes down this path, there are some implications you’ll pick up on in the anti-American person’s attitude, if you’re astute. They won’t voice these assumptions out loud, of course, but they’re whispering in the subconscious:

  • The USA is the only (or at least the worst) nation to allow enslavement of Africans.
  • Slavery of non-Africans throughout history is of no consequence.
  • Slavery of Africans is the single-most (if not the only) important phenomenon in world history (at least for the duration of this conversation).

With this stuff going on between the ears, all the facts will be ignored if they can’t be, or haven’t already been, twisted.

America was the most prosperous nation in history? Only because the unexceptional Americans had slaves to do their work for them, you see.

That prosperity hit its peak a century after slavery was abolished? Only because we exploited other downtrodden minorities somewhere or other. The Vietnamese–yeah, that’s it.

Obama swore to uphold the Constitution, then immediately went about destroying inewfaceofcommunismt? Well the agenda justifies the treachery because  the Constitution was written by white devils who tolerated slavery, you ignorant flag-waver.

And so on.

Here is some truth about America, Africa, slavery and racism that you rarely ever hear (but might want to remind the next smart-bomber you converse with):

  • Slavery is as old as human government. You could call that a longstanding tradition, by the time the colonists in America got around to forming a better union.
  • The United States of America did not exist until the late 1700s, though most anti-Americans try to assign the slavery statistics for the centuries before the Revolution to our national guilt. By sheer coincidence I’m sure, they also habitually omit statistics from 1865 to the present.
  • Slavery lasted about 80 years in some of the states. How long did slavery last in Britain? In Spain? Portugal? Rome? Egypt?…
  • More Africans have emigrated to the USA of their own free will than ever came to this nation on slave ships.
  • The grass roots founders wanted to abolish slavery at the very start, but a compromise was made with the slave states of the South because we were at war with the British.
  • Another compromise was made in the 1940s to arm, feed, and equip the empire of the worst slavemaster and mass-murderer in the world at that time, because we were at war with the Germans and Japanese. Nobody seems to have a problem with that, though.
  • Americans fought, died, killed brothers, cousins and friends to free the slaves in the bloodiest war of our history. This fact is conveniently ignored.
  • Slavery is alive and well in the world outside unexceptional ol’ America today, though you probably missed that while being convinced of how awful America is and how much we need to be transformed into the image of other countries.
  • Chances are extremely high that you patronize modern slavery without even batting an eye, every time you swipe your debit card  at Wal-Mart (and pretty much everywhere else people shop now). Because you want cheap products, and because you vote for policy makers who hate mean ol’ unexceptional America but love her enemies, you buy the exports of the most brutal slave plantation in the world.

Check your hypocrisy.

 

No-Frills Japanese Mythology?

Is it mythology or embellished history? I’m not sure.

This film had great potential. The visual component was breathtaking, the acting solid, some of the plot ingredients tantalizing. For the first half hour it was shaping up to be a top-notch epic.

One of the main characters (played by Keanu Reeves) is a “half breed” who is also a boy partially raised by “demons.” For both those reasons he is an outcast among the clan he is imbedded with.

During a visit of the Shogun, the master of the clan is framed for a dishonorable crime by a witch working for a rival clan. The Master (Asano) commits seppuku, leaving his samurais without a master (the textbook definition of ronin).

This was all a plot by the rival master, Kira, and the witch Mizuki to have their clan take over the province, which they do. You can probably guess where the story goes from there–which is not a criticism, necessarily.

What is worthy of criticism is the gaps in character development; outright neglect in character building in some cases, and a choppy, rushed execution of the narrative.

Some probably would complain that the film is too long already, but I believe some more screen time was necessary to make it flow. There were some cultural insights and other expository requirements left out which could have saved it for a western audience. With a big budget historical epic there’s just no excuse for cutting corners in the screenplay.

The story concept was much more interesting than Dances With Japanese Wolves The Last Samurai. However (and it hurts me to say this) ruthless adherence to formula, as in the Tom Cruise vehicle, might have been an improvement.

I don’t remember any nudity or sexual content, so this aesthetic adventure might be a candidate for Amazon Instant Theater with the kids. Despite being a one-time fan of Akira Kurosawa, I haven’t seen many samurai films by other directors, and know nothing about other versions of this movie. Nevertheless,  I’m including a couple links below.

An Epic Covering 24 Hours

We’re still not done with the Normandy Invasion.

The Longest Day is one of those iconic war movies (at least it was when I was growing up–I’m sure it’s something else, now) that every kid remembered when playing with plastic “army men,” most likely trying to recreate one or more of the many memorable scenes from it. Before I ever developed the patience to sit in front of a TV for two hours, I remember three or four times catching the scene with the squad of nuns who march calmly through a firefight to tend the wounded.

As a teenager I sat through the entire movie for the first time. It would not be the last. These days it’s hard to appreciate what an ambitious undertaking this production was–exceeded in scope perhaps only by the monumental event it depicts. It was also unprecedented to have so many big-name actors in one film; but it’s still a riveting movie even when you don’t recognize most of the star power.

Not only does this film warrant a permanent purchase, but the book it was based on is well worth a read, too.

For some reason there’s no footage from the Omaha Beach scenes on Youtube. Couldn’t even find a good still from inside a landing craft. But you get the idea from Saving Private Ryan.

 

Cornelius Ryan did a phenomenal job of investigative reporting in putting the book together. He interviewed hundreds of participants on both sides from lower enlisted up to the highest ranking generals (the supreme commander on the Allied side)–armies, navies and air forces. He took all the personal stories of that day and blended them together into a cohesive epic. And he did this before there was any such thing as cell phones, the Internet, social networks and so on. He had to physically investigate and track down witnesses. There was no Facebook or Classmates.com…or even a word processor for him to compile his data on.

And he did a helluva job. If you have even a passing interest in history, you really should read the book or at least watch the movie.

Many of the participants at the time remarked that there would never be another day like June 6 1944 in history, and they were right. The geopolitics will never resemble what it was then, and technology has ensured that war will never be fought that way again. Most would say we’ll never see another armada of that size either, but time will tell.

The Piccadilly Cowboys Ride Again

iconThe novels of David Whitehead – aka: Ben Bridges – dominate Amazon’s western bestseller lists, but it’s not just his own novels keeping fans of fast action westerns on the edge of their seats. In the 1970s, numerous violent, pulpish, western series, concocted by a revered group of writers known collectively as the Piccadilly Cowboys, filled the paperback spinner racks of their day. These lost gems have now been given new covers, new formatting, and new life under the Piccadilly Publishing umbrella.

Piccadilly Publishing began as the brainchild of Dave’s saddle-pard, Mike Stotter (himself no slouch when it comes to writing successful westerns). Let loose to ride the publishing range again, Herne The Hunter, Crow, Caleb Thorn and many other rough, tough, six-shooting characters are thrilling fans around the world again.

Recently, Piccadilly Publishing has expanded their range to include two of the top western series of all time, Fargo and Sundance from John Benteen, as well as more contemporary pulp titles – such as the classic WWII series The Sergeant and spy series Butler from Len Levinson.

Taking time out from his busy schedule (which also includes installing the flooring in a new residential conservatory), David (“the good-looking half of the partnership”) answers some pointed questions about the current state of publishing …

FIRST, PLEASE GIVE US THE LOWDOWN ON DAVID WHITEHEAD, AKA: BEN BRIDGES. HOW DOES AN ENGLISHMAN COME TO RIDE THE RANGE?

I grew up at a time when western movies were still big box-office, and western TV shows were still very popular. In addition, my dad was a big western fan. He took me to see all those movies, and we never missed a single episode of any of those TV shows. He worked a lot of graveyard shifts as a security guard, and when I was very young he sometimes spent his days (while I was at school) making up and recording his own western stories into our reel-to-reel tape recorder. That way he could still tell me a bedtime story, even though he was at work! He used to wiggle his fingers in a bowl of water to denote outlaws fording a stream, and burst balloons to simulate gunfire.

I myself was always a natural writer—it’s all I ever wanted to be. So I guess I was steeped in the Old West right from the word go.

Next year, I celebrate thirty years as Ben Bridges. My first book, The Silver Trail, was bought in 1984, but not published until 1986. What I hope to do is write a new story in all my old series, just as a thank you to the good folks who are still reading them all.
Read the rest of the interview over at Bish’s Beat!