Category Archives: Reviews

Alone and Unafraid

Peter Nealen arrived home from the Sandbox not too long ago and immediately set to work as a novelist. I’ve reviewed his other two Praetorian Security novels. I asked Pete if this was the capper to a trilogy and he said that he envisions this as an ongoing series.

One thing that set his first two efforts apart from the other new military fiction by young veterans (some of which is bloody good stuff) is his commitment to verisimilitude. Told in first person by the paramilitary protagonist Jeff Stone, these books make an admirable effort to immerse you into a grunt’s eye view of the chaos in the near-future Near East.

Jeff’s Private Military Company is like a man trying to navigate a forest fire barefoot. Alliances are constantly shifting. Friends become enemies overnight and vice-versa. Praetorian seems to be only a half-step in front of the Grim Reaper most of the time, in a world with a violent power vacuum in the absence of American interventionism after the collapse of the dollar.

In Alone and Unafraid, Nealen really ramps up the action. Some of the complex regional politics might be challenging to follow early on, but don’t let that deter you, because it takes off soon thereafter. Once it gets going, it just about never stops.

This is my favorite novel in the series so far. Pete has found a nice balance between plausibility and entertainment, and I expect his audience to expand after this.

If you like paramilitary adventure, you need to read this book.

The Arroyo

Critics are people who get paid to spout off their opinions. Often they have college degrees. So you can’t really call me a critic since I don’t get paid to blog here. That distinction might help make sense of my next statement.

If critics hate a movie, I’m often tempted to watch it on the hunch that Hollywood sometimes hides the good ones under a pile of horrible reviews. Looks like critics hate this movie, so you might not have even learned it exists yet.

Let’s start with the “tangible” aspects:

Yes, it is low-budget, and indie. No multi-million-dollar special effects or big name actors. But no cheesey effects, either. The cinematography, sound work and editing were all competent.

The acting is a mixed bag. The major players were good…which is not to say photogenic. None of them will likely ever appear in People Magazine by virtue of their aesthetic appeal. Furthermore, the actor in the starring role has an unfortunate facial disposition which keeps his mouth in the shape of a smile even when he is clearly not smiling; yet his performance was solid.

The supporting actors performed at a level you would expect from friends, relatives and neighbors of an indie filmmaker. The screenwriter compensated for their inadequacies by not asking much of them. So they came off wooden, which is not as bad as grandiose. Underacting is preferable to overacting, I believe. So the supporting players weren’t good, but neither was it painful to watch them.

I saw real potential in the writing and directing. This was a movie with a message, and frankly, more was accomplished in the dialog than what many establishment directors can manage with an elite cast. I found a few clips on Youtube that, for all I know, report the story this film is based on.

The main character is a rancher in a border state. Every day illegal aliens swarm across the border through his property, leaving piles of garbage, vandalizing his fences, stealing from him and, far too often, leaving dead bodies.

The federal government refuses to do its job, and the local government (in the form of the sheriff) turns a blind eye as well. Gunmen for the drug cartels routinely trespass on the rancher’s property and occupy his deer stand. They are using illegals as “mules” to haul controlled substances into the country, and are also raping (or at least coercing sex from) the female illegals, then tying their panties to a “trophy tree.”

When the rancher and a friend decide to chase the cartel off his property, that’s when “shit gets real” in modern hood parlance. The cartel brings in a hit man  before long, and he’s about as slimy as they come. Yet he has the best lines in the film.

There is some action, some drama, and plenty of thought provocation Hollywood would never allow. I suspect that last item is the true reason critics hate the movie.

Castigo Cay by Matt Bracken

Matt Bracken is a former SEAL with what seems to me an obsession about sailing. You’d think, when someone like this becomes a novelist, he’d try his hand at writing high seas thrillers after the manner of Clive Cussler’s Dirk Pitt.

That’s not quite what he does.

Like a lot of us, Bracken is bothered by a government that views as it’s primary enemy the very citizens whose rights it was established to protect. Up until Castigo Cay the backdrop of his stories was almost entirely comprised of the efforts of renegade public servants hell-bent on violating a specific article of the Bill of Rights they swore to uphold. I’ve read and reviewed the first novel in his Enemies series.

Castigo Cay is a bit of an adjustment from his previous work–more of a straight-up adventure–with a point of view decidedly unorthodox, as you might imagine.

Dan Kilmer is a USMC veteran of the Iraq deployment who escaped the near-future dystopia in a 60-foot schooner, making a living as a sort of modern day privateer. His gorgeous, sexy girlfriend leaves him in the first act to chase her ambitions inside the economically ruined USA; specifically in the de facto fiefdom of Miami. Dan is sorry to see her go, but prepared to move on with his life, when another expatriate sailor brings him news about the shady billionaire who enticed Cori (the ex-girlfriend) away.

The billionaire is one of the amoral corporatists who has profited from the dismantling of the republic. He’s a real sicko, and has hired a crew of fellow sickos. On his private island in the Carribbean (ostensibly a “game preserve”) he brings young attractive women to be raped, tortured, then hunted and killed as if big game.

Dan spends a lot of his private savings (in the form of gold krugerands–the universal barter currency in the wake of the US Dollar’s obliterated facade of worth) and spends most of the novel on a sort of goose chase, but meets some helpful friends along the way.

Bracken really hooked me at the beginning with the strong characterizations. The story did bog down a bit, however, during the second act in the Miami area. The third act poured on the juice, though, with a return to the eponymous locale and a showdown between Dan and the sickos.

As apparently is SOP with Bracken’s novels, this one is packed with a lot of information, most of it about sailing. I didn’t always know what the names of different equipment referred to, but it was never so thick that I got lost, either. It reminded me a bit of The Sand Pebbles in that regard. I got the gist of it enough to follow the flow of the story weaved through this maritime universe.

Regardless of how right or wrong the worldview behind an adventure story is, or the technical details, what makes it sink or swim are the characters. Bracken batted it out of the park in that regard. Dan Kilmer is flawed to be sure, but he kind of knows it, can admit when he’s wrong, and when given the chance to redeem himself he charges straight for it at flank speed.

The Blue Max

 

About a gazillion books have been written, and movies made, about the Second World War. Only a fraction of that have dealt with the FIrst. Of them, this is one of the best.

The protagonist is the antihero Bruno Stachel, who leaves the living hell of the infantry to join the burgeoning German Air Service and make a name for himself. This isn’t just a chance to escape the misery of the trenches, but also the lower caste he was born into (remember Napoleon Bonaparte was a Corsican peasant who managed to get a commission in the artillery because that was a young branch at the time, too).

But Stachel is a little too eager to distinguish himself. He sets his sights on winning the Blue Max, which requires 20 confirmed kills. His cold, dogged pursuit of this goal is, frankly, similar to that of a hardcorps gamer trying to get the high score/next level on a videogame–only dealing out death to real live human beings, of course, instead of A.I. generated digital targets.

I have both watched the movie and read the book, and both are well-crafted.

In the movie, the cinematography is pretty and the aerial combat scenes are kick-ass, especially considering they were filmed WAAAAAAAAAAAY before CGI, and most of the Hollywood magic that preceded it.

In the book, Stachel is even more ruthless. Translate that “less sympathetic.” He commits murder at one point to eliminate competition in the form of a fellow pilot who considered him a friend. And he’s an alcoholic on top of everything else.

The ending is strikingly different between the film and the novel, but I’m not going to give either one away. I at least recommend watching the movie. Solid performances are put in by George Peppard (playing well under his age) and Ursula Andress. Personally I appreciated the visual comparisons of trench warfare to air combat. I found all the visuals striking, even before I became attentive to such things in film.

No-Frills Japanese Mythology?

Is it mythology or embellished history? I’m not sure.

This film had great potential. The visual component was breathtaking, the acting solid, some of the plot ingredients tantalizing. For the first half hour it was shaping up to be a top-notch epic.

One of the main characters (played by Keanu Reeves) is a “half breed” who is also a boy partially raised by “demons.” For both those reasons he is an outcast among the clan he is imbedded with.

During a visit of the Shogun, the master of the clan is framed for a dishonorable crime by a witch working for a rival clan. The Master (Asano) commits seppuku, leaving his samurais without a master (the textbook definition of ronin).

This was all a plot by the rival master, Kira, and the witch Mizuki to have their clan take over the province, which they do. You can probably guess where the story goes from there–which is not a criticism, necessarily.

What is worthy of criticism is the gaps in character development; outright neglect in character building in some cases, and a choppy, rushed execution of the narrative.

Some probably would complain that the film is too long already, but I believe some more screen time was necessary to make it flow. There were some cultural insights and other expository requirements left out which could have saved it for a western audience. With a big budget historical epic there’s just no excuse for cutting corners in the screenplay.

The story concept was much more interesting than Dances With Japanese Wolves The Last Samurai. However (and it hurts me to say this) ruthless adherence to formula, as in the Tom Cruise vehicle, might have been an improvement.

I don’t remember any nudity or sexual content, so this aesthetic adventure might be a candidate for Amazon Instant Theater with the kids. Despite being a one-time fan of Akira Kurosawa, I haven’t seen many samurai films by other directors, and know nothing about other versions of this movie. Nevertheless,  I’m including a couple links below.

Pirates Be Advised: Yer A$$ is Mine!

Thanks yet again to David in Sausalito, California for a nice review of the Tier Zero audio book. This is the sequel to Hell & Gone and an unabashed throwback to the glory days of men’s fiction–as the cover suggests.

Here’s what David said:

Great sequel! The badass band of homicidal misfits are back together for another testosterone-feuled adventure through the pirate infested oceans, cities and jungles of Indonesia. In this sequel to “Hell and Gone” Henry Brown really sharpens his writing with a much improved “flow” and a much improved story arc. “Tier Zero” is much more character driven (and developed) than its predecessor, focusing a little more on the people rather than the action but don’t worry, this is a Henry Brown book–there’s still enough blood, bullets and guts to keep even the most hardcore action junkies drooling – just look at the cover art. These books have a kinda old-school “pulpy’ feel to them that I really like but don’t see (or hear) that much of anymore. The narrator did another outstanding job with the characters both male and female. Don’t worry if you haven’t read “Hell and Gone”, this book can easily be read as a stand alone. Awesome book overall!

Recorded books are a godsend for me, as my time to sit and actually read anything is pretty scarce. But there’s still a lot of times I can listen to something without breaking stride. And Audible downloads to your listening device are painless.

Equalibrium

 

This action sci-fi thriller is set in a dystopian future in which emotions have been made illegal.

You read that right. More on that below.

I don’t know what (if anything) the film makers have said about their stylistic vision for this film, but visually it is identical to the Matrix trilogy. The plot, however, is built on a different platform of fears.

In the future, emotions are controlled by a mandatory drug citizens are required to take periodically. Anyone suspected to be foregoing their dose is turned in to the authorities and executed.

The Christian Bale character is a model cop (called “cleric”), as upon finding his partner with a book of poetry (all stimulus which might induce an emotional response, or “sense offense,” are illegal), he takes him down with all the poignancy of the Orkin Man stepping on a cockroach. We also get flashbacks which show his own wife was terminated for sense offense as well.

The main catalyst for the plot is when the cleric begins to experience emotions of his own.

I would say the acting is good, but then with the wooden personas of law-abiding citizens in this flick, that’s hard to argue. And of the few emotions displayed throughout the film, most were displayed by the last person it made any sense to have show them: Bale’s even colder new partner, played by Taye Diggs.

Either Diggs was auditioning for a toothpaste commercial, or the director had a huge blind spot. All his mugging actually annoyed me with its anomaly. We’re supposed to believe that Bale is in danger because Diggs suspects he’s “sense offending” when it’s Diggs who is the obvious sense offender from where the audience sits and Bale hides his emotions fairly well.

There were some suspenseful scenes and plot twists, so if you can suspend disbelief, it truly will be a “thriller” for you.

The “gun katas” practiced by the clerics look kind of neat, but are rather silly as a combat technique.

That’s not far from descriptive of the movie as a whole: looks neat, but rather silly.

I recently saw Pleasantville, so I’m becoming aware of a new apparent phobia spreading among the Hollywood elite: that fascistic bullies are plotting to take over the world and suppress their feelings.

The symbol dominating this police state is intentionally reminiscent of the Swastika (I guess the film makers never watched film footage of the Nazis,  because it’s kinda hard to miss how emotional/passionate Hitler and his followers were.)

The movie gets really heavy-handed when the Clerics find an illegal kennel and decide to kill off a bunch of puppies.

I’m stopping here. I’ve already spent too much time on this flick.

“What A Blast! A-Team meets the Expendables.”

“What A Blast! A-Team meets the Expendables.”

So reads a review of the Hell & Gone audio book on Audible.com.

I remember a few years ago I was faithful about posting the latest reviews of my books on the blog. Not so much anymore, but I’m about to toot my own horn again.

(Wait a minute…is it really me tooting the horn if somebody else wrote the review? I’m probably more like an amplifier or something.)

This guy can write! Great action packed “mercenary” type story with very likeable “good guys” and very dislikable “bad guys”. I’ve read reviews from military/action writers praising Henry Brown’s skills but due to my “wish list” being so full I haven’t been able to listen to any of his books ’til now and I seriously regret not doing it sooner. Very impressive for what I believe to be his first action book. Without a doubt I’ll be listening to the sequel, “Tier Zero“- if the reviews are accurate it’s suppose to be even better than “Hell and Gone”. The narrator did a very good job with the dialogue-no complaints.

Many thanks to David in Sausalito, CA for taking the time to share his thoughts.

BTW, I have a code coupon for a free download of the Audible book for somebody willing to post an honest review on Amazon and Audible.

An Epic Covering 24 Hours

We’re still not done with the Normandy Invasion.

The Longest Day is one of those iconic war movies (at least it was when I was growing up–I’m sure it’s something else, now) that every kid remembered when playing with plastic “army men,” most likely trying to recreate one or more of the many memorable scenes from it. Before I ever developed the patience to sit in front of a TV for two hours, I remember three or four times catching the scene with the squad of nuns who march calmly through a firefight to tend the wounded.

As a teenager I sat through the entire movie for the first time. It would not be the last. These days it’s hard to appreciate what an ambitious undertaking this production was–exceeded in scope perhaps only by the monumental event it depicts. It was also unprecedented to have so many big-name actors in one film; but it’s still a riveting movie even when you don’t recognize most of the star power.

Not only does this film warrant a permanent purchase, but the book it was based on is well worth a read, too.

For some reason there’s no footage from the Omaha Beach scenes on Youtube. Couldn’t even find a good still from inside a landing craft. But you get the idea from Saving Private Ryan.

 

Cornelius Ryan did a phenomenal job of investigative reporting in putting the book together. He interviewed hundreds of participants on both sides from lower enlisted up to the highest ranking generals (the supreme commander on the Allied side)–armies, navies and air forces. He took all the personal stories of that day and blended them together into a cohesive epic. And he did this before there was any such thing as cell phones, the Internet, social networks and so on. He had to physically investigate and track down witnesses. There was no Facebook or Classmates.com…or even a word processor for him to compile his data on.

And he did a helluva job. If you have even a passing interest in history, you really should read the book or at least watch the movie.

Many of the participants at the time remarked that there would never be another day like June 6 1944 in history, and they were right. The geopolitics will never resemble what it was then, and technology has ensured that war will never be fought that way again. Most would say we’ll never see another armada of that size either, but time will tell.

The Sergeant in the Hedgerows

In remembrance of the 70th anniversary of the Normandy invasion, I’ve been celebrating the work of my favorite war fictioneer, Len Levinson. I just came across something he wrote that I really should have included in my intro to my interview of him. So I’m going to quote it here:

“…In order to turn average American young men into soldiers, or to be blunt, trained killers, a certain amount of brutality is involved.  And this brutality inevitably coarsens the spirit.  When writing these novels, I wanted to be as realistic as possible.  My goal was not to please the English Departments of American Universities, or to glorify combat, but to tell realistic stories about the tragedy and comedy of war, with all its blood, guts, cruelty, irony, and occasional heroism.” – Len Levinson

That, folks, is exactly what his war novels do. Mission accomplished, Private Levinson.

This book is the third in the series, and the one it took me literally decades to find (and complete my Sergeant collection–paperbacks written under the pseudonym “Gordon Davis” and set in the ETO). As the title suggests, this covers the period immediately after the beach landings and before Patton’s breakout, when the invaders were fighting through the hedgerows.

Master Sergeant C.J. Mahoney and sidekick Corporal Cranepool have just transferred from the Rangers to a line company, and Big Army BS overtakes them rather quickly. Their Company Commander is a jerk and Topkick is a LIFER scum (been there, done that). The soldiers under Mahoney are typical grabasstic draftees. And “friendly fire” incidents become almost habitual, perpetuated by typical military bureaucracy and the incompetence it breeds.

One thing Len liked to do in this series is steer Mahoney into notable highlights of the war in Europe. Sometimes he went beyond that and had Mahoney himself become instrumental in the course of events. As mentioned previously, I thought the way he had Mahoney destroy the German fuel reserves during the Battle of the Bulge (#8 Bloody Bastogne) was brilliant. And yet there’s other times when I don’t as readily buy it.

Once was in the book preceding this one (#2 Hell Harbor) when the brass are content with sending the Rangers on a suicidal frontal assault on the German fortress. While taking a bath, Mahoney comes up with what should have been the obvious strategy from the start.

There’s a similar contrived moment in this book. Here’s a little historical note to orient you: the hedgerows in northern France were so tall and thick that they’d been an obstacle to armies going back to Roman times. How high and how thick? Well, even the Sherman Tanks deployed by the Allies had a very difficult time busting through them. This delayed the Allied Forces from breaking out of the landing zone…in other words, it was holding up the advance in a way that the Germans by themselves couldn’t, and ultimately prolonging the war. Then an American tanker, using a little Yankee ingenuity, welded together a crude brush-cutting blade and afixed it to the front of a tank. Not long after that, Patton’s 3rd Army broke out and had the Krauts on the run.

I’ve followed Mahoney through the blood splattered pages of nine novels, so I know him pretty well. He’s a fantastic field soldier, an accomplished pick-up artist, and probably the world’s greatest bayonet fighter.  One thing he is not is a handyman. Mahoney is not mechanically inclined, so having him be the one to design the brush-cutter for our tanks was an eye-roller for me.

That being said, Bloody Bush has loads of what makes The Sergeant such fun books to read–blood, guts, action, history, larger than life characters–and will not disappoint fans of war porn, men’s fiction or action-adventure. The best news is that now it’s an E-book, and easily found (for a price that is well worth the investment).